Showcasing research from the Culture & Creativity Research Institute at Sheffield Hallam University
Showcasing research from the Culture & Creativity Research Institute at Sheffield Hallam University
Most Objects Go Unseen (2023) TC McCormack’s film: Most Objects Go Unseen (2023), is featured in the exhibition: ENCORE & EN-CORPS, at the Forum Exposition Bonlieu et Baladoir de Bonlieu Scène Nationale, in Annecy, France. Open: 29th September to 22nd October 2023. Part of the ImagesPassages International Festival. Most Objects Go Unseen is a filmic investigation that considers our human […]
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The Felicitous Encounter is Euca Annex’s inaugural show, Dorit Margreiter and Fay Nicholson bring together new, recent and unseen works, that explore the tensions between architecture and image, orientation and choreography, time and movement. Asking what makes the ‘Commons visible between individuals’, the philosophers Hardt and Negri coined the term The Felicitous Encounter, to describe a moment when individuals come […]
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Paysages Sous Tensions Espace d’art La Brava, Thônes, France Saturday 03 April 2021 – Saturday 29 May 2021 L’exposition s’empare des questions soulevées par les relations qu’entretiennent espaces naturels et activités humaines. Les artistes présentés envisagent le paysage comme sujet de réflexion poétique, esthétique et politique : en posant un regard à la fois fasciné, réflexif, attentif et critique, ils […]
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Senior Lecturer of Fine Art at Sheffield Hallam University, TC McCormack, will be showcasing his new work at exhibition The Immense Ventriloquism – Part.2 this Friday in Berlin at nationalmuseum. His work will be presented alongside new and existing works by guest artists: Clara Bausch, Matthew Burbidge, Ingo Gerken, Marie von Heyl, Michael Schultze, Raaf van der Sman and Oliver […]
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TRANSMISSION 2020 Keywords are words or concepts of significance. Sometimes they are used as shortcuts to interpretation or expectation. Words (and concepts) have multiple and often contradictory meanings. They are not fixed, and there may be a struggle over their definitions. They change and flow or are blocked and fought over. They are employed, weaponised, or otherwise. This year Transmission […]
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At the memorial for Rosa Luxemburg on 13 June 1919, the political radical, art historian, critic, and writer Carl Einstein gave an oration. There is no record of what Einstein said, how he said it, or what it addressed. This collection assembles a broad range of texts from artists, film-makers, writers, poets, critics, philosophers, and art historians. Each contribution is […]
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It doesn’t have a Shape, it has a Shadow Michelle Atherton, Jette Gejl, TC McCormack Most stories have a shape to them, well this story doesn’t have any shape, but it does have a shadow. We could try to describe the shadow (of it), but by the time we get to the end… the sun will have shifted position and […]
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Speakers: TC McCormack and Michelle Atherton (Senior Lecturers in Fine Art) Title: As Much About Forgetting At this week’s lunchtime research seminar TC McCormack and Michelle Atherton discuss recent research and latest exhibition at Viborg Kunsthal – As Much About Forgetting – co-curated with Jette Gejl (DK), artist and academic at Aarhus University Denmark. Artists: Laura White (UK), David Toop (UK), Michael Schultze […]
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TC McCormack and Marie-José Ourtilane are developing a project that explores a principle that might be called the complex space (espace complexe), the title of a series of exhibitions through which curators and artists experiment with their relationships. ESPACE COMPLEXE implicitly refers to dialogue, to an idea developed by Edgar Morin: ‘Two principles united without duality being lost or vanishing […]
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Always in Translation A day of conversations with invited artists, academics and a targeted audience. 11AM – 4.30PM, Friday 18 January 2019 Site Gallery, Sheffield The metaphor of translation has been used increasingly since the eighteenth century to describe both the activity and the end result of painting, conveying such terms as ‘reproduce’, ‘render’ and ‘express’. Charles Baudelaire used this […]
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