‘Gateway II’ – Professor David Cotterrell referenced in the Guardian

Images courtesy of David Cotterrell and the Imperial War Museum exhibition - Images are research photography by Professor David Cotterrell, entitled 'Gateway II'

When is it too early to teach your kids about genocide? Professor David Cotterrell, Director of the Culture & Creativity Research Institute has had his work, Gateway II, referenced in a Guardian piece looking at the Imperial War Museum’s new galleries showcasing artistic responses to conflict since its inception during the First World War. On the photographs featured in the exhibition, […]

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HavObservatoriet artwork by Lise Autogena and Joshua Portway launched at Vejle Klimapark, Denmar

HavObservatoriet

‘HavObservatoriet’ is a new artwork by Prof Lise Autogena and Joshua Portway for Vejle Klimapark. The artwork uses the latest forecasting data to create a visual representation of the predicted state of the ocean surrounding Denmark. It was launched on 31 October 2023 at Klimaparken, a major landscaping programme in the city of Vejle that prevents the city from flooding. […]

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Dr Becky Shaw in university and gallery partnership to receive UK’s first AHRC Exhibition Fund award for ‘Things of the Least’.

image copyright Manchester Art Gallery/Ben Blackall

Fine Art Reader Dr Becky Shaw is lead artist researcher in a team that has secured the only 2023 UK Exhibition Fund grant from the Arts and Humanities Research Council (AHRC). Things of the Least will be an experiment in ‘exhibition-making’, exploring how very young children engage with the material world. It builds on Becky’s previous collaboration with Manchester Metropolitan University’s […]

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‘Curating matters of care in the Arctic: what does knowledge co-creation look like for policymaking’ – Professor Lise Autogena to present at workshop with The European Commission’s Competence Centre on Participatory and Deliberative Democracy

Courtesy of Lise Autogena I

Professor Lise Autogena will present at the Curating matters of care in the Arctic: what does knowledge co-creation look like for policymaking workshop organised by the Competence Centre on Participatory and Deliberative Democracy on 26 May 2023, at the JRC in Ispra, Italy. Autogena will also present her online archive work Kuannersuit; Kvanefjeld: the mountain that became the epicentre for […]

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Maud Haya-Baviera’s work shown in PostNatures exhibition at Graves Gallery

Maud Haya-Baviera If Only Rome (2023), Adorned, giclee print on Hahnemühle Matt FineArt cotton archival paper, 11.5 x 11.5cm Joanna Whittle Kippfigur with Hoop (2022), oil paint on card, 14 x 9cm Victoria Lucas PostNatureGlitch-II (2023), digital print, 17 x 23cm

PostNatures Opens Thursday 16 March Graves Gallery Free entry Maud Haya-Baviera’s work is included in a new exhibition opening at Graves Gallery in Sheffield. This exhibition, curated by artist Victoria Lucas, is centred around JMW Turner’s painting The Festival of the Opening of the Vintage at Mâcon. PostNatures sees Lucas draw on the constructed composition of Turner’s painting to highlight how imaginary subjects […]

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Michelle Atherton’s ‘The Invite, The Impetus, & The Chat’ featured in art.earth Borrowed Time: Death, Dying and Change

Borrowed Time book cover

image by art.earth   A new piece of writing by Michelle Atherton has been published in Matt Osmond & Richard (Eds.) Borrowed Time: Death, Dying and Change art.earth, Kingsbridge, Devon, England 2022. The book’s overall premise is that: ‘we’re all of us living on borrowed time: the brevity of our personal span of existence now mirrored by a biosphere under intolerable pressure, its […]

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Giant Hand Eats Building from the Inside

Giant Hand Eats Building

‘Giant Hand Eats Building from the Inside’ and ‘Loop Until Escape’ launched at Sarah Wigglesworth Architecture (SWA) September 19th 2022 Becky Shaw’s work developed from a recent artist residency at a firm of architects is now on show. Following a residency at Sarah Wigglesworth Architecture in 2019-20, Becky was invited to show the body of work in the context of Stock […]

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