Showcasing research from the Culture & Creativity Research Institute at Sheffield Hallam University
Showcasing research from the Culture & Creativity Research Institute at Sheffield Hallam University
Events and seminars run by CCRI
Professor Matthew Stibbe to host online talk on Michael E. DeBakey lecture in the History of Medicine: A Laboratory of Humanitarianism: Military and Civilian Captivity during the First World War at the National Library of Medicine, Maryland, on 5 May, 14:00 EST / 19:00 GMT. Scholarship on captivity in modern conflicts has mostly focused on its violent aspects and […]
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The Sheffield Hallam University Space & Place Group’s second interdisciplinary seminar on the theme of ‘changing places’, Changing Places #2: change and the material fate of place will be running 2-4pm on Wednesday, 27 April 2022. This online session will look at how (and why) people change places. Change of place, whether as regeneration, ruination, redevelopment or altered forms of use is […]
Read moreThe 4th joint Royal Photographic Society Historical Group / SHU Photography Research Day Saturday 02 April 2022, 1015-1630. Held online on Zoom. The event organised by Janine Freeston (Royal Photographic Society) and Andrew Robinson (Sheffield Hallam University) is free to all SHU staff and students and includes presentations and papers by Royal Photographic Society members alongside Sheffield Hallam staff, alumni […]
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This event has been rescheduled: find out about our special in-person screening and talk with Yannis here. Contemporary Conversations in Culture, Media and Society Exploiting around the Clock: Sam Katzman and the Genesis of the Rock ’n’ Roll Film Featuring Yannis Tzioumakis (University of Liverpool). This paper revisits the production history of the film Rock around the Clock (1956), with […]
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Please join us on Wednesday 16 March 2022 for our next CCRI-wide seminar as part of the Culture & Creativity Research Institute Seminar Series, where we will be hearing from Design Futures‘ John Kirkby. Design Futures Packaging: Support work for research projects Creative Director John Kirkby would like to take this opportunity to present some recent examples of how the award […]
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Contemporary Conversations in Culture, Media and Society Data Theory: Interpretive Sociology and Computational Methods Featuring Professor Simon Lindgren (Umeå University). The ongoing and intensifying datafication of our societies poses huge challenges as well as opportunities for social science to rethink core elements of its research enterprise. Prominently, there is a pressing need to move beyond the long-standing qualitative/quantitative divide. This […]
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We are pleased to announce the full brochure, featuring itinerary, abstracts and speaker bios for Apocalypse I – the first half of the Apocalypse Symposium, taking place in Sheffield on Saturday 19 March 2022. You can find the brochure online by following this link: Apocalypse 1 (Sheffield Hallam): symposium brochure with programme, abstracts and contributor details. Tickets for both dates […]
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Please join us on Wednesday 23 February for our next CCRI-wide seminar as part of the Culture & Creativity Research Institute Seminar Series, where we will be hearing from Design Futures‘ Mark Phillips. insights > ideas > concepts > products Harnessing design to drive product innovation Turning good ideas into successful products is the lifeblood of manufacturing companies. Design can help […]
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Come and join the discussions at the launch event of Nursing Narratives: Racism and the Pandemic on Saturday 5th March at Sheffield Hallam University City Campus. This important new research examines healthcare, racism and the Covid-19 pandemic. The launch event will include the presentation of our findings and the screening of our new, ground-breaking documentary film. The afternoon will see […]
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Contemporary Conversations in Culture, Media and Society The Devil Rides In: The Development of Satanic Narratives in the Swinging Sixties and Beyond Featuring Dr Tom Clark (University of Sheffield). There is now growing scholarly attention directed toward folklore and cinema, particularly in respect to ‘folk horror’ (Hutchings, 1993; Sherman and Koven, 2007; FHR, 2017). Elsewhere, there has been much interest in […]
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