East Asian Film Noir: Transnational Encounters and Intercultural Dialogue – Dr Chi-Yun Shin (Eds)
Film noir has been understood as a genre exclusive to Hollywood. But classical US noir’s downbeat sensibility also finds expression in later films from Japan, South Korea and China (including Hong Kong) and Taiwan, that have both participated in and been excluded from circuits of global-noir traffic, past and present. East Asian Film Noir is the first book to explore […]
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