Clash Magazine Live Report: No Bounds Festival 2024

No Bounds Festival 2024 has received a review in Clash magazine with comments from Amy Carter Gordon, curator, producer and public art specialist. Amy is a co-curator at No Bounds Festival and has twenty-five years of experience in curating exhibitions, installations, dialogues and collaborations for leading UK research-based festivals.   Amy says: “There’s such a strong community within subcultures, I didn’t […]

Read more

No Bounds Festival 11 – 13 October 2024: Programme

Sheffield Hallam partners with No Bounds to showcase world-leading research in culture and creativity. No Bounds festival returns to venues across Sheffield from the 11-13 October 2024, featuring new installations from artist-researchers at Sheffield Hallam University. This series of commissions is entitled Entanglement, Commons and Cultural Mycelium, curated and produced by Amy Carter Gordon, Innovation Manager. Associate producer: Lauren McConnell, […]

Read more

HavObservatoriet artwork by Lise Autogena and Joshua Portway launched at Vejle Klimapark, Denmark

HavObservatoriet

‘HavObservatoriet’ is a new artwork by Prof Lise Autogena and Joshua Portway for Vejle Klimapark. The artwork uses the latest forecasting data to create a visual representation of the predicted state of the ocean surrounding Denmark. It was launched on 31 October 2023 at Klimaparken, a major landscaping programme in the city of Vejle that prevents the city from flooding. […]

Read more

Michelle Atherton’s ‘ARP: Absorbing red photons 2016’ installed at Georgia State University, Atlanta

Still from Michelle Atherton's 'Absorbing Red Photons'

Michelle Atherton’s video installation ARP: Absorbing red photons 2016 (2017) was installed with an accompanying paper presentation at Rendering (the) Visible III: Liquidity at Georgia State University, Atlanta, USA. The conference explored the concept of liquidity as an innovative critical approach to the image’s relation to space, sensoriality, and digitality, as well as an aesthetic sensibility attuned to the political ontology of […]

Read more