Hosted by staff and postgraduate students in the Department of Humanities in collaboration with Celluloid Screams Sheffield Horror Film Festival, the conference will investigate the horror genre’s aesthetic, cultural and industrial concerns in the new millennium.
The horror film has been through stark changes since the turn of the 21st century. We have witnessed the visceral shocks of New French Extremity; the birth of the Neo-Giallo; the recent boom in Australasian horror; franchise reboots and Hollywood remakes; the rise and fall of torture porn; the explosion of found footage both as a studio obsession and a tool for low- and no-budget filmmakers; and the influences of – to name but a few – George A. Romero, John Carpenter and David Cronenberg in a long line of genre throwbacks. In some ways, then, it might seem that 21st century horror is contradictory in its debt to the past; while the genre has changed in many ways, a common criticism of modern studio horror is that it hinges on those endless remakes, reboots and franchises, while some of our finest independent filmmakers are inextricable from their influences.
But just because contemporary horror has an eye on the past does not mean it doesn’t look to our present and future: 9/11, the War on Terror, the Global Recession, the rise of social media and the explosion of celebrity culture have all influenced what it is we are afraid of and, subsequently, the thematic concerns of the modern horror film. Industrially, the horror industry has been experiencing and continues to experience a transformation: crowdfunding, the rise of the horror film festival and video on demand services have dramatically changed how horror is produced, distributed and consumed.
The conference will be held in partnership with Celluloid Screams Sheffield Horror Film Festival. We expect that the conference will take place 1-3 April, with some of the programme dedicated to a series of relevant screenings; there may be a small additional fee to attend these.
For more information contact Craig Mann, Rose Butler or Shelly O’Brien.
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