Six principles of doing video better

There’s been a massive growth in online video consumption in the last two or three years. According to the latest stats, half of us are regularly watching video on mobile devices.

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And the trend is set to continue. No big surprises, then.

But the definition of video is changing: we watch video on a plethora of platforms, in a number of different formats.

We watch disposable 15-second clips, filmed in portrait and covered in scribbles and doodles, on Snapchat and Instagram. We watch two-minute semi-professional instructional videos, product reviews and comedy skits on YouTube. And we watch live streams on Facebook and Periscope.

Video has grown sideways as well as upwards.

This trend brings a problem for the content producers: saturation. As organisations cotton on to this trend, they shift their focus to producing video content, and social media users become overloaded, swiping and scrolling past your carefully-crafted video.

So there’s a need to adapt. These are some of things I’ve been doing to adapt. You might find them useful too.

My six principles of doing video better

  1. Make shorter videos. Vine may be dead, but short viewing times are here to stay. They say a photograph should say one thing – it should have one idea to communicate. Video needs to be the same.
  2. Subtitles. People are watching with the sound down, so bite the bullet and sub your videos if they’re for social channels.
  3. Make it about people. If you can, make it about your audience. Who are they? What do they want? Tell them a story that answers those questions, and I guarantee they’ll engage with it. This graduation video is an example of it working for us.
  4. Do less, but better. Stop posting badly-edited, shaky smartphone videos, and invest in a decent bit of kit. Even a basic camcorder on a tripod will get you better results. Look at how the most popular YouTube vloggers do it.
  5. Make paid-for promotion a part of your strategy. If your videos have a call-to-action, or you’re trying to achieve huge online consumption of your content, stump up for a bit of advertising. You don’t need a huge budget to reach new people on social, but you do need a budget.
  6. Make it for the platform it’s being distributed on. Someone looking for pretty things on Instagram wants a very different experience to someone searching and browsing YouTube.

These are principles I’ve adopted over the last few weeks, and they’re working for our social channels. During graduation fortnight we posted eight graduation-themed videos on our Facebook page, including a live broadcast from Sheffield City Hall.

Those videos generated a combined organic reach of 185,000 over two weeks, and a couple of the posts generated a ton of comments from users who wanted to share their own pride in being a Sheffield Hallam student, graduand or alumnus.

We did OK for likes, comments and shares on Twitter too.

Lastly, it’s important, as always, not to get too dazzled by the technology. As communicators, we’re sometimes driven by output, and there’s always a danger of us falling into the ‘we need a *insert output*’ trap.

So start with the goal, then move onto the audience, platform and output. Keep asking why. If you’re sure video is the right medium for the story, you’ll get a lot more out of it if you plan the video. You don’t need to storyboard it, but you should definitely think about these things:

  • Concept – what’s your ‘elevator pitch’ for the video?
  • Narrative – how is the story told? Down-the-line, over-the-shoulder, voiceover?
  • Locations – what do you know about your locations? They bring with them a whole range of challenges.
  • Pace – how many shots will you need in the edit? How fast do things move?
  • Technology – what kit do you need to make it happen?

I hope that gives you some food for thought. I’m always keen to hear how people approach video, so let me know your own tips for creating engaging video content – in the comments, or over on Twitter.

Joe Field, social media manager
@joemcafield

Social strategy in four (easy?) steps

LONG POST ALERT!

TL;DR: Writing strategies for Facebook, Twitter and Instagram. Long process, loads to do, need help. Watch this space.


I’m currently leading on a very exciting piece of work: a set of platform-specific social media strategies for the University’s corporate social channels.

Until now, I’ve argued that we don’t need a social media strategy – we have a communications strategy which directs our approach to all of our comms, and social media is a set of tools we use as part of that.

That’s still true. We don’t need an over-arching social media strategy. But we do need to know exactly what we use Facebook for, what we use Twitter for and what we use Instagram for.

We’ve come a long way over the last year, developing more collaborative approaches to social media, opening corporate channels up to student takeovers and becoming much more serious about our approach to content planning.

So it’s an opportunity to take things to the next level.

Taking things to the next level

Taking things to the next level – there will be challenges and pitfalls, and an enormous monkey

The starting point for these platform-specific strategies is identify the priority platforms. I’m looking at Facebook first – because it’s just huge, with 1.7bn monthly users – followed by Twitter, then Instagram.

In fact, let’s call those platforms The Big Three.

Why are they a priority? Because a lot of what we do on social media is about recruitment and retention of students, and those channels tend to be where most of our engagement happens with that target audience.

Added to those three, Snapchat and Yik Yak are lurking in the background. We were late to the party with Snapchat, so our network is less developed than it is on The Big Three. That doesn’t mean those platforms are out of scope, it just means I’ll get to them when they emerge as priorities.

Additionally, I’m doing a similar piece of work for our LinkedIn presence. It’s a very different platform to The Big Three, so is completely separate to this work.

Of course, there’s a process to follow here. Although there’s knowledge and expertise in our marketing and communications teams, much of what we do is instinctive. So we’re starting from scratch.

Step one

Step one is putting the team together. Initially, we have representatives from across our mar-comms teams, from content specialists to internal comms experts. That group might expand, and we might break into smaller groups for specific pieces of work.

Step two

The next step is to establish some goals. This bit is essential for an effective strategy. We’re looking at business objectives first (get people to an open day), then aligning them to goals we can achieve with social media (track clicks, measure conversions).

Basic stuff, but without it we’re jumping straight into tactical stuff.

It’s very easy to get sidetracked during this step, as we either get lost in the possibilities, or we get dazzled by shiny things. When this happens, it’s important to ask ‘why’.

“What’s our objective?”

“We could do with a social media account for X audience.”

“But why?”

“So that we can achieve Y.”

Bingo. That’s a goal. Everything leading up to it is tactical, and can be shelved for now.

Step three

The next thing to do is an audit of existing channels. Specifically, what we’re doing with the corporate Facebook page. With the main Twitter account. With our Instagram account.

How do we use Messenger? What are we doing with check-ins? Reviews?

What works well as an organic post to our timeline? What generates engagement? What works well as an advert?

Who’s doing it well, or better than us? What works well for them? What are they doing that we’re not?

A lot of this is about the technology. How are we using it? And what does that say about us?

What does our use of social media say about the culture of the University?

This is a huge piece of work, and needs to be focused on each channel separately. The aim here is to look at functionality, audience and competitors. Top level stats like the size of the network are less relevant right now (unless ‘to grow a bigger audience on X channel’ has emerged as a goal).

What’s clear from this step of the process is that knowing your audience is essential. And that knowledge needs to be qualitative, as well as data-driven.

Step four

Finally, once we’ve established the goals, done the audit and audience research, we’ll be ready to work out what content we need for each platform. That’s when we’ll have a strategy.

There’s a mix of content to be determined. ‘Shouting about’ things and endless promotion switches audiences off, so we’ll need to be conversational and human.

The annoyance factor is real

The annoyance factor is real

We do need to promote things and raise awareness of stuff, but we need to do it in the right way, and at the right times.

Our content needs to be tailored to each channel. The days of ‘have you put it on social media?’ are over.

Audiences choose their platforms because they want to experience that platform. If we want to engage an audience on Instagram, we need to make a thing for Instagram. And knowing that audience, what they want from a platform, and what they’re OK with from us, is fundamental.

Your audience: who are they and what do they want?

This is such a big piece of work (really it’s three pieces of work) that I expect it will take two or three months to ‘complete’. And, even then, it will never really be finished. We’ll need to review and adjust regularly, depending on what happens to each platform.

I’ll post more about our strategies for our social platforms as the work develops. It’s still very early. If you’ve got questions, or you’d like to know more about the process, drop me a line or a tweet and I’ll tell you what I can.

And if you’ve got experience of writing a social media strategy, let me know in the comments, or on Twitter. I’d love to hear from you.

Joe Field, social media manager
@joemcafield

Content Content Content

A few months ago I read an article by the economist Will Hutton about people in the west reaching the point of ‘peak stuff’. In the article he described how consumer demand for shiny new things seemed to be losing its appeal as we’ve all accumulated so much stuff in recent years that we’re unlikely to ever be able to use. Our kitchen drawers, cupboards, wardrobes, cellars and attics are bulging with stuff that we either bought for ourselves somewhere or perhaps were given at Christmas. Or maybe it was a birthday. Actually, I’m not really sure, it’s just there, unused, in a drawer…

peak stuff (Photograph Paper Boat CreativeGetty Images)

It hit home for me. I recently moved house and had a significant clear-out which involved no less than five trips to the local recycling centre in which I experienced the catharsis that can only be achieved when launching the disembodied parts of a knackered but well-used bed-frame into a huge skip. Western society has finally reached a point where we have admitted we have no room for any more stuff.

More recently, many online experts have begun to agree that we are approaching ‘peak content.’ There is now so much content online, it’s almost impossible to gauge the sheer magnitude of what’s available. The ITunes App Store now has 1.5million apps, and there are about 4billion YouTube video views every day.  Companies are creating and publishing thousands of pieces of content every year, and it’s increasing.

But as more and more content is produced, there remains only a finite amount that we can watch, process, and share. A recent Trackmaven research study from February shows that as content creation has increased, our engagement levels have dropped. As content competes for our attention, demand for better quality content increases. There’s too much to consume.

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Getting someone to watch a 20 second film on Twitter from start to finish is tough and in this highly competitive market it means that brands can no longer get away with using social just to post a few words about their products or services. Changes to Twitter and Facebook have allowed embedded video, and the surge in popularity of visual media enabled social channels like Instagram and Snapchat have created new opportunities for brand advertising that in the past only television and cinema could provide, but with the added ability to measure engagement through comments, shares and likes.

So, as content creators, what can we do in this competitive environment to make sure we’re creating the kinds of content that people want to see? There are four things that stand out for me. There are more of course, and you may disagree, but I think they’re a good starting point for thinking about a strategy for creating content

  • Planning – create a content plan, an editorial calendar (or both)
  • Focus on quality not quantity
  • People like stories – create content that tells a story about you, your brand or product
  • Think about your audience – take time to understand who they are and what they want

And finally, the bit that people sometimes forget before moving onto the next thing – evaluation. Evaluate and measure whether content worked. Did you want your content to do something, change a behaviour, influence thinking, or just encourage traffic to a website? Did it do what you wanted? If not, why not?

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If you don’t take this simple step, you might as well just take your shiny new content down to your local recycling centre and launch it into a huge skip.

Ally Mogg, head of news and PR
@allymogg