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Sunday, 7 June 2015<\/strong><\/span><\/p>\n Venue: Cinema Trevi, vicolo del Puttarello 25, 00187 Roma<\/p>\n <\/p>\n 17.00\u201300.00<\/span> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Screening<\/strong><\/p>\n The Suspicious Death of a Minor <\/em>(Morte sospetta di una minorenne<\/em>, directed by Sergio Martino, IT 1975), 35 mm, Italian<\/p>\n <\/p>\n 19.00\u201300.00<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Screening<\/strong><\/p>\n Your Vice Is a Locked Room and Only I Have the Key <\/em>(Il tuo vizio \u00e8 una stanza chiusa e solo io ne ho la chiave<\/em>, directed by Sergio Martino, IT 1972), 35 mm, Italian<\/p>\n <\/p>\n 20.45\u201300.00<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Panel discussion and screening Hosted by Andreas Ehrenreich and Emiliano Morreale with Ernesto Gastaldi, George Hilton and Sergio Martino translated by Marlene Peinhopf<\/p>\n The Strange Vice of Mrs. Wardh <\/em>(Lo strano vizio della Signora Wardh<\/em>, directed by Sergio Martino, IT\/ES 1971), 35 mm, German with English and Italian subtitles<\/p>\n <\/p>\n <\/p>\n Monday, 8 June 2015<\/strong><\/span><\/p>\n Venue: Istituto Storico Austriaco, viale Bruno Buozzi 111\u2013113, 00197 Roma<\/p>\n <\/p>\n 10.00\u201312.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Welcome and Panel 1\u00a0<\/strong>(Chair: Marcus Stiglegger)\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/p>\n Massimiliano Gaudiosi: Postcards and labyrinths: urban space in the giallo<\/p>\n Louis Bayman: Why bad things happen to bad people: investigating evil in the giallo<\/p>\n Florian Mundhenke: La polizia ha le mani legate<\/em>: genre hybridity of gialli and poliziotteschi<\/p>\n <\/p>\n 12.15\u201314.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Panel 2\u00a0<\/strong>(Chair: Mikel J. Koven)<\/p>\n Ivo Ritzer: Beyond Kilimanjaro: the cosmopolitan cinema of Sergio Martino<\/p>\n Xavier Mendik: \u201cFamily ties are the ties that bind\u201d: rural Italian horror from the mezzogiorno giallo to Girl Hunt<\/em>. With a statement by Federica Martino<\/p>\n Janet Robinson: Pedagogical concerns of popular genre film cycles<\/p>\n <\/p>\n 15.00\u201316.45\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Panel 3\u00a0<\/strong>(Chair: Ivo Ritzer)<\/p>\n Adrian Smith: Blood baths and bloody brides: distributing the giallo in 1960s and 1970s Britain<\/p>\n Russ Hunter: \u201cVery mediocre \u2026but very successful\u201d: the Italian critical reception of Dario Argento\u2019s gialli<\/p>\n Oliver Carter: Preserving all\u2019italiana: fan preservation of giallo cinema<\/p>\n <\/p>\n 17.00\u201318.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Panel 4\u00a0<\/strong>(Chair: Xavier Mendik)<\/p>\n Mauro Giori: The strange vice of the Italian giallo: the exploitation of homosexuality from I tre volti della paura<\/em> to Tenebre<\/em><\/p>\n John Mercer: Gay trash cinema: hell bent giallo and bad taste<\/p>\n \u00a0<\/strong><\/p>\n 18.15\u201300.00<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Keynote<\/strong> (Chair: Louis Bayman)<\/p>\n Richard Dyer: Anything, and more, for the family: the set piece in the giallo<\/p>\n \u00a0<\/strong><\/p>\n \u00a0<\/strong><\/p>\n Tuesday, 9 June 2015<\/strong><\/span><\/p>\n Venue: Istituto Storico Austriaco, Viale Bruno Buozzi 111\u2013113, 00197 Roma<\/p>\n \u00a0<\/strong><\/p>\n 10.15\u201312.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Panel 5\u00a0<\/strong>(Chair: Peter Scheinpflug)<\/p>\n Leon Hunt: (Nearly) naked… you die: Bava, bunker, and the 1960s giallo as cinefumetto nero<\/em><\/p>\n Paolo Noto: The critical reception of the giallo in the Italian journals of the 1970s<\/p>\n Stefano Baschiera: Giallo on demand<\/p>\n <\/p>\n 12.15\u201314.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Panel 6\u00a0<\/strong>(Chair: Christine L\u00f6tscher)<\/p>\n Giovanni Memola: Modern troubles: giallo women and the influence of family changes in post-war Italy<\/p>\n Sarah Reininghaus: \u201cThe worst part of you is the best thing you have and will always be mine\u201d: women, sexuality and gender roles in Sergio Martino\u2019s The Strange Vice of Mrs. Wardh<\/em><\/p>\n Mikel J. Koven: Signora Wardh<\/em> and the hysterical giallo<\/p>\n <\/p>\n 15.00\u201316.45\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Panel 7<\/strong> (Chair: Leon Hunt)<\/p>\n Marcus Stiglegger: Lethal rituals of seduction: the giallo cycle in the light of the seduction-theory of film<\/p>\n Christine L\u00f6tscher: Beyond hermeneutics: effects of presence in the giallo<\/p>\n Peter Scheinpflug: In the Folds of the Flesh<\/em>: psychoanalysis as royal road to a deconstruction of the giallo<\/p>\n <\/p>\n 17.00\u201300.00<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Presentation of the Granfaro <\/em>project\u00a0<\/em>and p<\/strong>anel discussion<\/strong><\/p>\n Presentation by Graziano Riccio and\u00a0Rosario Romeo<\/p>\n Panel discussion with Antonio Bido, Ruggero Deodato, George Hilton, Sergio Martino and Nora Orlandi translated by Marlene Peinhopf<\/p>\n","protected":false},"excerpt":{"rendered":" Sunday, 7 June 2015 Venue: Cinema Trevi, vicolo del Puttarello 25, 00187 Roma 17.00\u201300.00 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Screening The Suspicious Death of a Minor (Morte sospetta di una minorenne, directed by Sergio Martino, IT 1975), 35 mm, Italian 19.00\u201300.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 … Continue reading
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