{"id":9183,"date":"2020-06-11T10:16:24","date_gmt":"2020-06-11T09:16:24","guid":{"rendered":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=9183"},"modified":"2020-06-11T10:31:20","modified_gmt":"2020-06-11T09:31:20","slug":"publication-carolyn-waudby","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/publication-carolyn-waudby\/","title":{"rendered":"Apus &#8211; Carolyn Waudby"},"content":{"rendered":"\n<table id=\"tablepress-93\" class=\"tablepress tablepress-id-93\">\n<tbody>\n<tr class=\"row-1\">\n\t<td class=\"column-1\">Title:<\/td><td class=\"column-2\"><em>Apus<\/em><\/td>\n<\/tr>\n<tr class=\"row-2\">\n\t<td class=\"column-1\">Publisher: <\/td><td class=\"column-2\"><a href=\"http:\/\/www.theredceilingspress.co.uk\/\">Red Ceilings Press<\/a><\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">Author:<\/td><td class=\"column-2\"><a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/carolyn-waudby\">Carolyn Waudby<\/a><\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">Publication date:<\/td><td class=\"column-2\">April, 2020<\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">Format: <\/td><td class=\"column-2\">A6 chapbook<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">Number of pages:<\/td><td class=\"column-2\">42pp<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<!-- #tablepress-93 from cache -->\n<p>A collection of 20 poems written by <a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/carolyn-waudby\" target=\"_blank\" rel=\"noopener noreferrer\">Carolyn Waudby<\/a> and inspired by the life of Mexican artist Frida Kahlo has been published as a chapbook by The Red Ceilings Press.<\/p>\n<p>The poetry arose from a multi-arts project for Mexican <a href=\"https:\/\/www4.shu.ac.uk\/sia\/events\/event-listing.html?event=280\" target=\"_blank\" rel=\"noopener noreferrer\">Day of the Dead<\/a>, organised by the author and SHU colleague <a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/elizabeth-uruchurtu\" target=\"_blank\" rel=\"noopener noreferrer\">Dr. Elizabeth Uruchurtu<\/a>.<\/p>\n<p>A week-long series of public events in 2018 integrated original poetry, photography and live performance with exhibits and artefacts at The <a href=\"https:\/\/www4.shu.ac.uk\/sia\/\" target=\"_blank\" rel=\"noopener noreferrer\">Sheffield Institute of Arts<\/a> Gallery.<\/p>\n<p>In addition, text from some of the poems was superimposed over photographs taken by SHU art photographer <a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/michele-lazenby\" target=\"_blank\" rel=\"noopener noreferrer\">Mich\u00e8le Lazenby<\/a> during a residency in Mexico and projected on a big screen.<\/p>\n<p><span class=\"quote\"><span class=\"quote\" style=\"color: black\">\u201cThere\u2019s no clear line between the real and the surreal, as Frida Kahlo\u2019s paintings often testify. The poems in Apus navigate that same ambiguous terrain, elevating from the artist\u2019s biography vivid and telling detail. Thick with colour, lit by pain, they hum with the same buzz of strangeness Kahlo found in the everyday.\u201d<br \/>\n<\/span><\/span><span class=\"quote\"><span class=\"quote\" style=\"color: black\"><br \/>\n<strong>&#8211; Noel Williams<\/strong><\/span><\/span><\/p>\n<p>\u201cThese poems are characterised by a deft economy of expresssion and, reflecting Kahlo\u2019s own iconography, combine symbolist edginess with insight and involvement. This is a compelling verse sequence, one to relish at first encounter and to keep returning to.\u201d<\/p>\n<p><strong>&#8211; Colin Sutherill<\/strong><\/p>\n<p>Cover image: Rose Anna Waudby Ahmet<\/p>\n<p>#poetry #art #DayoftheDead #Mexico #FridaKahlo #SIA<\/p>\n<hr \/>\n<p><a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/carolyn-waudby\" target=\"_blank\" rel=\"noopener noreferrer\">Carolyn Waudby<\/a> is a Senior Lecturer in Journalism at Sheffield Hallam University.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/06\/Carolyn-Waudby.png?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"9188\" data-permalink=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/publication-carolyn-waudby\/carolyn-waudby\/\" data-orig-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/06\/Carolyn-Waudby.png?fit=613%2C844&amp;ssl=1\" data-orig-size=\"613,844\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Carolyn Waudby\" data-image-description=\"&lt;p&gt;Carolyn Waudby&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Carolyn Waudby&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/06\/Carolyn-Waudby.png?fit=613%2C844&amp;ssl=1\" class=\"size-medium wp-image-9188\" src=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/06\/Carolyn-Waudby-218x300.png?resize=218%2C300&#038;ssl=1\" alt=\"Carolyn Waudby\" width=\"218\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/06\/Carolyn-Waudby.png?resize=218%2C300&amp;ssl=1 218w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/06\/Carolyn-Waudby.png?w=613&amp;ssl=1 613w\" sizes=\"auto, (max-width: 218px) 100vw, 218px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A collection of 20 poems written by Carolyn Waudby and inspired by the life of Mexican artist Frida Kahlo has been published as a chapbook by The Red Ceilings Press. The poetry arose from a multi-arts project for Mexican Day of the Dead, organised by the author and SHU colleague Dr. Elizabeth Uruchurtu. A week-long series of public events in [&#8230;]<\/p>\n","protected":false},"author":8633,"featured_media":9189,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[143],"tags":[1555,1556,1554,6,1391,793,1557,1553,1392,496,780,1152],"class_list":["post-9183","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publications","tag-apus","tag-art","tag-carolyn-waudby","tag-communication-and-computing-research-centre","tag-day-of-the-dead","tag-elizabeth-uruchurtu","tag-frida-kahlo","tag-journalism","tag-mexico","tag-michele-lazenby","tag-poetry","tag-sia"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/06\/Apus-Carolyn-Waudby-Rose-Anna-Waudby-Ahmet.jpg?fit=200%2C282&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-2o7","jetpack-related-posts":[{"id":8363,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/lazenby-day-of-the-dead-sia\/","url_meta":{"origin":9183,"position":0},"title":"&#8216;Day of the Dead&#8217; &#8211; Mich\u00e8le Lazenby featured in exhibition at SIA about South Yorkshire&#8217;s Latin American communities","author":"Ian Braddick","date":"01\/11\/2018","format":false,"excerpt":"Day of the Dead 01 November 2018 \u2013 03 November 2018 Join as we celebrate Mexico's Day of the Dead with photography, poetry, music, dancing and costume. This year we will be hosting an exhibition of stunning new photography featuring members of South Yorkshire\u2019s Latin American community wearing traditional Mexican\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/exhibition\/"},"img":{"alt_text":"2019-10 SIA Lazenby - Day of the Dead","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/12\/2019-10-SIA-Lazenby-Day-of-the-Dead.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/12\/2019-10-SIA-Lazenby-Day-of-the-Dead.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/12\/2019-10-SIA-Lazenby-Day-of-the-Dead.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/12\/2019-10-SIA-Lazenby-Day-of-the-Dead.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":13176,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/cradleoffirewaudby\/","url_meta":{"origin":9183,"position":1},"title":"Cradle of Fire: Website launch for exciting collaborative project on Vulcan and Steelmaking","author":"Ian Braddick","date":"31\/07\/2024","format":false,"excerpt":"Journalism lecturer and poet Carolyn Waudby is part of a collaborative team that has launched a website documenting their research project Cradle of Fire https:\/\/cradleoffire.com The venture is a multimedia exploration of the story of Vulcan, which has received a Lottery- funded Arts Council grant. Carolyn is writing a sequence\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Banner Cradle of Fire logo - Image copyright Cradle of Fire, courtesy of Carolyn Waudby","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2024\/08\/Banner-Cradle-of-Fire-square-logo-youtube-2-900x630-1.png?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2024\/08\/Banner-Cradle-of-Fire-square-logo-youtube-2-900x630-1.png?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2024\/08\/Banner-Cradle-of-Fire-square-logo-youtube-2-900x630-1.png?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2024\/08\/Banner-Cradle-of-Fire-square-logo-youtube-2-900x630-1.png?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":13296,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/film-premiere-cradle-of-fire-thursday-7-november-2024-at-kelham-island\/","url_meta":{"origin":9183,"position":2},"title":"Film premiere Cradle of Fire- Thursday 7 November 2024 at Kelham Island","author":"Phoebe Bolton","date":"29\/10\/2024","format":false,"excerpt":"Cradle of Fire logo - Image copyright Cradle of Fire Journalism lecturer and poet Carolyn Waudby co-created, multi-media film Cradle of Fire will be launched at an exciting performance event at Kelham Island on Thursday November 7th 2024. 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Thursday 19 October 2023 - \u2018Dylan Thomas: 70 Years On\u2019 talk in\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/09\/SHU-edit-Goodby-Blog-header-image-2.png?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/09\/SHU-edit-Goodby-Blog-header-image-2.png?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/09\/SHU-edit-Goodby-Blog-header-image-2.png?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/09\/SHU-edit-Goodby-Blog-header-image-2.png?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/9183","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/comments?post=9183"}],"version-history":[{"count":3,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/9183\/revisions"}],"predecessor-version":[{"id":9191,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/9183\/revisions\/9191"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media\/9189"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media?parent=9183"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/categories?post=9183"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/tags?post=9183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}