{"id":8693,"date":"2019-01-08T12:00:54","date_gmt":"2019-01-08T12:00:54","guid":{"rendered":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=8693"},"modified":"2020-02-24T15:06:48","modified_gmt":"2020-02-24T15:06:48","slug":"sharon-kivland-exhibition","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-exhibition\/","title":{"rendered":"&#8216;MAINS GANTE\u00c9ES ET PIEDS BOTT\u00c9S&#8217;: Sharon Kivland featured in exhibition"},"content":{"rendered":"<p><a href=\"http:\/\/www.cnap.fr\/mains-ganteees-et-pieds-bottes-representations-darmees-de-femmes-et-corps-collectifs-feminins\" target=\"_blank\" rel=\"noopener noreferrer\"><span class=\"titlestyle\"><strong><em>MAINS GANTE\u00c9ES ET PIEDS BOTT\u00c9S<\/em><em>: Repr\u00e9sentations d&#8217;arm\u00e9es de femmes et corps collectifs f\u00e9minin<\/em><\/strong><\/span><\/a><br \/>\n<strong>\u00c9ditions Incertain Sens \/ Cabinet du livre d\u2019artiste, Universit\u00e9 Rennes\u00a0<\/strong><br \/>\n<strong>17 February 2019 &#8211; 19 March 2019<\/strong><br \/>\nCurated by Lise Lerichomme<\/p>\n<p><em>Women in battalions are often portrayed as caricatures, assigned to be only the mechanical or erotic repetition of a generic character. Yet these alignments of booted feet and gloved hands are also emancipatory patterns. Faced with representations that leave no room for chosen identities and even less for heroines, many artists invent new models of collective bodies and armies of women.<\/em><\/p>\n<blockquote><p><strong>Featuring:<\/strong> Atelier McClane, Nina Childress, Coco Fusco, Agn\u00e8s Geoffray, Grandville, Guerrilla Girls, Marie-Ange Guilleminot, <a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/sharon-kivland\" target=\"_blank\" rel=\"noopener noreferrer\">Sharon Kivland<\/a>, Barbara Kruger, Suzanne Lacy, Lennep, Violaine Lochu, Alex Martinis Roe, Meg Mateo Ilasco, Mashid Mohadjerin, Lisa Robertson &amp; Matthew Stadler, Robida, Rosambeau, Xavier Sager, See Red Women\u2019s Workshop, Taroop &amp; Glabel, Miwa Yanagi, Rote Zora, etc., and the iconographic collections of he Marguerite Durand library.<\/p><\/blockquote>\n<p><a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/sharon-kivland\" target=\"_blank\" rel=\"noopener noreferrer\">Dr Sharon Kivland<\/a>\u00a0is a Reader in Fine Art at Sheffield Hallam University.\u00a0Find out more about Sharon Kivland\u2019s books and other works\u00a0<a href=\"http:\/\/www.sharonkivland.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>MAINS GANTE\u00c9ES ET PIEDS BOTT\u00c9S: Repr\u00e9sentations d&#8217;arm\u00e9es de femmes et corps collectifs f\u00e9minin \u00c9ditions Incertain Sens \/ Cabinet du livre d\u2019artiste, Universit\u00e9 Rennes\u00a0 17 February 2019 &#8211; 19 March 2019 Curated by Lise Lerichomme Women in battalions are often portrayed as caricatures, assigned to be only the mechanical or erotic repetition of a generic character. Yet these alignments of booted [&#8230;]<\/p>\n","protected":false},"author":8633,"featured_media":8694,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[139],"tags":[5,109,461,1464,1463,144],"class_list":["post-8693","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-art-and-design-research-centre","tag-fine-art-research","tag-france","tag-mains-ganteees-et-pieds-bottes","tag-marguerite-durand","tag-sharon-kivland"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2019-02-KIVLAND-Exhibition-Alexis-Granowsky-Les-Aventures-du-Roi-Pausole-1933.jpg?fit=890%2C290&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-2gd","jetpack-related-posts":[{"id":6712,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/publication-sharon-kivland-15\/","url_meta":{"origin":8693,"position":0},"title":"&#8216;J&#8217;attends un enfant&#8217; &#8211; Dr Sharon Kivland","author":"Ian Braddick","date":"04\/04\/2019","format":false,"excerpt":"J\u2019attends un enfant\u00a0is from a series of small, attractive pamphlets, collecting and reframing found images, which casts a rather unsavoury, even sinister gaze on representations of childhood. Here is\u00a0l\u2019enfant destructeur. Dr Sharon Kivland\u00a0is a Reader in Fine Art at Sheffield Hallam University.\u00a0Find out more about Sharon Kivland\u2019s books and other\u2026","rel":"","context":"In &quot;Publications&quot;","block_context":{"text":"Publications","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/publications\/"},"img":{"alt_text":"Pages of J'attends un enfant by Sharon Kivland","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/04\/2019-02-KIVLAND-Publication-Jattends-un-enfant-by-Sharon-Kivland-1024x768.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/04\/2019-02-KIVLAND-Publication-Jattends-un-enfant-by-Sharon-Kivland-1024x768.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/04\/2019-02-KIVLAND-Publication-Jattends-un-enfant-by-Sharon-Kivland-1024x768.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/04\/2019-02-KIVLAND-Publication-Jattends-un-enfant-by-Sharon-Kivland-1024x768.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1801,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-freud-holiday\/","url_meta":{"origin":8693,"position":1},"title":"Women in Art presents&#8230; &#8216;Freud on Holiday&#8217; by Dr Sharon Kivland (Fine Art) on 17 May","author":"Ian Braddick","date":"15\/05\/2017","format":false,"excerpt":"Women in Art (WIA) presents a talk by SHU's Sharon Kivland in partnership with Shoreditch House on Wednesday 17 May 2017. Artist Sharon Kivland joins WIA for a discussion on Freud on Holiday, her series of experimental travel writings that reconstruct Sigmund Freud\u2019s trips to Europe. Working with Freud\u2019s published\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Promotional image of WIA...Presents event featuring Sharon Kivland - with an image of Freud with a cigar (image courtesy of Sharon Kivland)","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/KIVLAND-2017-05-Freud-on-Holiday.jpg?fit=450%2C300&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1187,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/publication-sharon-kivland\/","url_meta":{"origin":8693,"position":2},"title":"Dream Images and Processes of Creativity &#8211; Images de r\u00eave et Processus de cr\u00e9ation &#8211; Features chapter by Dr Sharon Kivland","author":"Ian Braddick","date":"06\/03\/2017","format":false,"excerpt":"Contributors: Jivan Astfalck, Julia Borossa, Anouck Cape, Ang\u00e9lique Christaki, Catherine Desprats-P\u00e9quignot, Vincent Estellon, Suzanne Ferri\u00e8res-Pestureau, Ang\u00e9lique Gozlan, Yannis Grammatopoulos, Xavier Gassmann, Sharon Kivland, Simone Korff Sausse, Silvia Lippi, C\u00e9line Masson, Yulia Popova, Caroline Rooney, Silke Schauder, Dimitri Weyl, Monique Zerbib How are images formed in contemporary creation? How do artists\u2026","rel":"","context":"In &quot;Publications&quot;","block_context":{"text":"Publications","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/publications\/"},"img":{"alt_text":"Cover of Images de r\u00eave et Processus de cr\u00e9ation (In Press Paris, 2017)","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/03\/KIVLAND-2017-03-Dream-Images.jpg?fit=400%2C294&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8915,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-new-exhibition-at-edizioni-galleria-periferia\/","url_meta":{"origin":8693,"position":3},"title":"&#8216;La Forme naturelle&#8217; &#8211; Sharon Kivland opens new exhibition at Edizioni Galleria Periferia","author":"Laura Hetherington","date":"06\/03\/2020","format":false,"excerpt":"La Forme naturelle, Sharon Kivland Opening: Saturday 14 March 2020, 12.00PM - 5.00PM and 21 and 28 March, 4 and 11 April 2020 every Saturday from 12.00PM to 5.00PM or by appointment\u00a0 The exhibition is generously supported by the Casimir Eigensatz Foundation galleria Edizioni Periferia \u00b7 Unterlachenstrasse 12 \u00b7 6005\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/03\/La-Forme-naturelle.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/03\/La-Forme-naturelle.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/03\/La-Forme-naturelle.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/03\/La-Forme-naturelle.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":6731,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/kivland-frac-bretagne-exhibition\/","url_meta":{"origin":8693,"position":4},"title":"&#8216;Exemplaires 2019&#8217; &#8211; Dr Sharon Kivland&#8217;s books featured in exhibition at Frac Bretagne","author":"Ian Braddick","date":"04\/04\/2019","format":false,"excerpt":"Exemplaires 2019 -\u00a0Des mots et des choses\u00a0is an exhibition taking place at Frac Bretagne, Rennes between Monday 29 March and Sunday 26 May 2019 showcasing more than one hundred artists' books in order to celebrate the encounter between language and images under six themes: the silent book, the exposed book,\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Logo of Frac Bretagne","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/04\/2019-04-KIVLAND-Frac-Bretagne-Exhibition-logo.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/04\/2019-04-KIVLAND-Frac-Bretagne-Exhibition-logo.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/04\/2019-04-KIVLAND-Frac-Bretagne-Exhibition-logo.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/04\/2019-04-KIVLAND-Frac-Bretagne-Exhibition-logo.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2931,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-nua-in-quotes\/","url_meta":{"origin":8693,"position":5},"title":"Dr Sharon Kivland&#8217;s work exhibited in &#8216;In Quotes: Collage and Assemblage in Contemporary Art&#8217; at Norwich University of the Arts","author":"Ian Braddick","date":"18\/09\/2017","format":false,"excerpt":"In Quotes, an exhibition at East Gallery, Norwich University of the Arts, presents works by an exciting range of contemporary artists working with collage and assemblage across generations. Sheffield Hallam University Reader of Fine Art, Dr Sharon Kivland features in the exhibition as she explores the representation of women through\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Photos by Sharon Kivland - In Quotes exhibition at East Gallery Norwich UoA","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/09\/KIVLAND-2017-09-In-Quotes-Norwich.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/09\/KIVLAND-2017-09-In-Quotes-Norwich.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/09\/KIVLAND-2017-09-In-Quotes-Norwich.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/09\/KIVLAND-2017-09-In-Quotes-Norwich.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/8693","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/comments?post=8693"}],"version-history":[{"count":1,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/8693\/revisions"}],"predecessor-version":[{"id":8695,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/8693\/revisions\/8695"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media\/8694"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media?parent=8693"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/categories?post=8693"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/tags?post=8693"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}