{"id":8634,"date":"2020-02-21T11:00:21","date_gmt":"2020-02-21T11:00:21","guid":{"rendered":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=8634"},"modified":"2020-03-06T10:58:44","modified_gmt":"2020-03-06T10:58:44","slug":"transmission-shaw-palmer","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/transmission-shaw-palmer\/","title":{"rendered":"Transmission: Becky Shaw and Katrina Palmer &#8211; Tuesday 25 February 2020"},"content":{"rendered":"<p><em><strong>TRANSMISSION 2020<\/strong><\/em><\/p>\n<p>Keywords are words or concepts of significance. Sometimes they are used as shortcuts to interpretation or expectation. Words (and concepts) have multiple and often contradictory meanings. They are not fixed, and there may be a struggle over their definitions. They change and flow or are blocked and fought over. They are employed, weaponised, or otherwise. This year <em>Transmission<\/em> asks its guest speakers to select eight keywords, words that provide a compass for their practice.<\/p>\n<p><em>Transmission<\/em> is an annual series of lectures and symposia, now in its eighteenth year, and is a collaboration between Fine Art, the <a href=\"https:\/\/www.shu.ac.uk\/research\/specialisms\/cultural-communication-and-computing-research-institute\/research-centres\/art-and-design-research-centre\" target=\"_blank\" rel=\"noopener noreferrer\">Art &amp; Design Research Centre<\/a> at Sheffield Hallam University, and <a href=\"https:\/\/www.sitegallery.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Site Gallery<\/a>. Convened by <a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/sharon-kivland\" target=\"_blank\" rel=\"noopener noreferrer\">Sharon Kivland<\/a> in 2001, <em>Transmission<\/em> was developed collaboratively with Lesley Sanderson from 2001 to 2007 and with <a href=\"https:\/\/www.rca.ac.uk\/more\/staff\/jaspar-joseph-lester\/\" target=\"_blank\" rel=\"noopener noreferrer\">Jasper Joseph-Lester<\/a> from 2004 to 2012. The series is now convened by Sharon Kivland and <a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/julie-westerman\" target=\"_blank\" rel=\"noopener noreferrer\">Julie Westerman<\/a>, in association with Site Gallery. The lecture series has an annual theme, and involves all students in Fine Art, from undergraduates to PhDs.<\/p>\n<p><em>Transmission<\/em> is the passing of information via a channel, and this is the intention of the <em>Transmission<\/em> project. We enquire about the aesthetic and discursive forms required by practices in the field of contemporary art and theory that address sociality and subjectivity. It has encompassed a lecture programme, seminar discussions, an annual symposium, a print portfolio, four series of books: Transmission Annual, The Rules of Engagement, Transmission chapbooks, and five volumes of discussions\/interviews, entitled Transmission: Speaking and Listening. These are published by Artwords Press, London.<\/p>\n<hr \/>\n<p><em><strong>Transmission 2020: <a href=\"https:\/\/www.rsa.ox.ac.uk\/people\/katrina-palmer\" target=\"_blank\" rel=\"noopener noreferrer\">Katrina Palmer<\/a> hosted by <a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/becky-shaw\" target=\"_blank\" rel=\"noopener noreferrer\">Becky Shaw<\/a><\/strong><\/em><br \/>\n<strong>Tuesday 25 February, 4.30PM &#8211; 6PM<\/strong><br \/>\n<strong>Charles Street lecture theatre (12.0.06), Sheffield Hallam University<\/strong><\/p>\n<p><em>SITUATED NARRATIVES, DISTRIBUTED STORIES, SCULPTURE, PROPOSED OBJECTS, UNCERTAIN VOICES, WALKING ALONGSIDE ANIMALS, FOUND SITES, FLATTENED PLANES<\/em><\/p>\n<p><a href=\"https:\/\/www.rsa.ox.ac.uk\/people\/katrina-palmer\" target=\"_blank\" rel=\"noopener noreferrer\">Katrina Palmer<\/a> locates sculpture in narratives. The work explores the fracturing of physical experience, drawing on sculpture\u2019s awkward relation with conceptualism. Objects, bodies, and voices proposed in this writing are precarious formations, situated between absence and full emergence in the social space. Protagonists persist on flattened planes, where they feel their way through insecure material conditions, walking narrow paths, or moving alongside animals and looking for signs. Single works are fragmented, distributed across found sites, sonic environments, printed matter, and performance. Exhibitions include<em> The Coffin Jump<\/em> (solo: Yorkshire Sculpture Park, 2018); <em>The Necropolitan Line<\/em> (solo: Henry Moore Institute, Leeds, 2015); <em>End Matter<\/em> (solo: Artangel, 2015). Palmer received the Paul Hamlyn Award for Artists, 201. She teaches at the Ruskin School of Art, and lives in London.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-SHAW-Becky-Katrina-Palmer-1.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"8622\" data-permalink=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/transmission-autogena-tan\/2020-transmission-shaw-becky-katrina-palmer-1\/\" data-orig-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-SHAW-Becky-Katrina-Palmer-1.jpg?fit=1097%2C747&amp;ssl=1\" data-orig-size=\"1097,747\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"2020 TRANSMISSION SHAW Becky &amp;#8211; Katrina Palmer (1)\" data-image-description=\"&lt;p&gt;2020 TRANSMISSION SHAW Becky &amp;#8211; Katrina Palmer (2)&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;2020 TRANSMISSION SHAW Becky &amp;#8211; Katrina Palmer (2)&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-SHAW-Becky-Katrina-Palmer-1.jpg?fit=860%2C585&amp;ssl=1\" class=\"size-large wp-image-8622 aligncenter\" src=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-SHAW-Becky-Katrina-Palmer-1-1024x697.jpg?resize=860%2C585&#038;ssl=1\" alt=\"2020 TRANSMISSION SHAW Becky - Katrina Palmer (2)\" width=\"860\" height=\"585\" srcset=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-SHAW-Becky-Katrina-Palmer-1.jpg?resize=1024%2C697&amp;ssl=1 1024w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-SHAW-Becky-Katrina-Palmer-1.jpg?resize=400%2C272&amp;ssl=1 400w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-SHAW-Becky-Katrina-Palmer-1.jpg?resize=768%2C523&amp;ssl=1 768w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-SHAW-Becky-Katrina-Palmer-1.jpg?w=1097&amp;ssl=1 1097w\" sizes=\"auto, (max-width: 860px) 100vw, 860px\" \/><\/a><\/p>\n<hr \/>\n<p><a href=\"https:\/\/www.sitegallery.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Site Gallery<\/a> is Sheffield\u2019s international contemporary art space, specialising in moving image, new media, and performance. Pioneering emerging art practices and ideas, Site works in partnership with local, regional, and international collaborators to nurture artistic talent and support the development of contemporary art. At the heart of what Site does is the connection of people to artists and to art, inspiring new thinking and debate through its public programmes and participatory activity. Through diverse programming, Site reveals the process of making art to invite its audience to engage, explore, and connect. In 2018 Site Gallery re-opened after a building programme which trebled the scale of its public area.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TRANSMISSION 2020 Keywords are words or concepts of significance. Sometimes they are used as shortcuts to interpretation or expectation. Words (and concepts) have multiple and often contradictory meanings. They are not fixed, and there may be a struggle over their definitions. They change and flow or are blocked and fought over. They are employed, weaponised, or otherwise. This year Transmission [&#8230;]<\/p>\n","protected":false},"author":8633,"featured_media":8621,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[103],"tags":[5,108,549,109,1445,740,147,533],"class_list":["post-8634","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","tag-art-and-design-research-centre","tag-becky-shaw","tag-fine-art","tag-fine-art-research","tag-katrina-palmer","tag-sheffield","tag-site-gallery","tag-transmission"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-SHAW-Becky-Katrina-Palmer-2.jpg?fit=890%2C290&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-2fg","jetpack-related-posts":[{"id":6202,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/transmission-shaw-ravetz\/","url_meta":{"origin":8634,"position":0},"title":"Transmission: Becky Shaw and Amanda Ravetz &#8211; Tuesday 26 February 2019","author":"Ian Braddick","date":"19\/02\/2019","format":false,"excerpt":"Becky Shaw and Amanda Ravetz began working together through a research council funded project ODD: Feeling different in the world of education. The project brings together artists, anthropologists, and educational researchers to explore how politics, school policy, environment, and children interact to produce a child\u2019s embodied experience of what it\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"Transmission logo and image for Becky Shaw and Amanda Ravetz","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-02-TRANSMISSION-Shaw-and-Ravetz.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-02-TRANSMISSION-Shaw-and-Ravetz.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-02-TRANSMISSION-Shaw-and-Ravetz.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-02-TRANSMISSION-Shaw-and-Ravetz.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8632,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/transmission-butler-wood\/","url_meta":{"origin":8634,"position":1},"title":"Transmission: Rose Butler and Sarah Wood &#8211; Tuesday 11 February 2020","author":"Ian Braddick","date":"10\/02\/2020","format":false,"excerpt":"TRANSMISSION 2020 Keywords are words or concepts of significance. Sometimes they are used as shortcuts to interpretation or expectation. Words (and concepts) have multiple and often contradictory meanings. They are not fixed, and there may be a struggle over their definitions. They change and flow or are blocked and fought\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"2020 TRANSMISSION BUTLER - Sarah Wood (2)","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-BUTLER-Sarah-Wood.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-BUTLER-Sarah-Wood.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-BUTLER-Sarah-Wood.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-BUTLER-Sarah-Wood.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8629,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/transmission-mccormack-price\/","url_meta":{"origin":8634,"position":2},"title":"Transmission: Clare Price and TC McCormack &#8211; Tuesday 04 February 2020","author":"Ian Braddick","date":"03\/02\/2020","format":false,"excerpt":"TRANSMISSION 2020 Keywords are words or concepts of significance. Sometimes they are used as shortcuts to interpretation or expectation. Words (and concepts) have multiple and often contradictory meanings. They are not fixed, and there may be a struggle over their definitions. They change and flow or are blocked and fought\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"2020 TRANSMISSION McCORMACK - Clare Price - Squares","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-McCORMACK-Clare-Price-Squares.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-McCORMACK-Clare-Price-Squares.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-McCORMACK-Clare-Price-Squares.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-McCORMACK-Clare-Price-Squares.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8638,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/transmission-site-gallery-freelands-artist-programme\/","url_meta":{"origin":8634,"position":3},"title":"Transmission: Site Gallery hosts the first cohort of the Freelands Artist Programme &#8211; Tuesday 03 March 2020","author":"Ian Braddick","date":"26\/02\/2020","format":false,"excerpt":"TRANSMISSION 2020 Keywords are words or concepts of significance. Sometimes they are used as shortcuts to interpretation or expectation. Words (and concepts) have multiple and often contradictory meanings. They are not fixed, and there may be a struggle over their definitions. They change and flow or are blocked and fought\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"2020 TRANSMISSION Ling Yuen Fong - Carr, Street, Vann, Williams - Photo by Jules Lister","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-Ling-Yuen-Fong-Carr-Street-Vann-Williams-Photo-by-Jules-Lister.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-Ling-Yuen-Fong-Carr-Street-Vann-Williams-Photo-by-Jules-Lister.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-Ling-Yuen-Fong-Carr-Street-Vann-Williams-Photo-by-Jules-Lister.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-Ling-Yuen-Fong-Carr-Street-Vann-Williams-Photo-by-Jules-Lister.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8545,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/transmission-autogena-tan\/","url_meta":{"origin":8634,"position":4},"title":"Transmission: Lise Autogena and Jack Tan &#8211; Tuesday 28 January 2020","author":"Ian Braddick","date":"28\/01\/2020","format":false,"excerpt":"TRANSMISSION 2020 Keywords are words or concepts of significance. Sometimes they are used as shortcuts to interpretation or expectation. Words (and concepts) have multiple and often contradictory meanings. They are not fixed, and there may be a struggle over their definitions. They change and flow or are blocked and fought\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"2020 TRANSMISSION AUTOGENA Lise - Jack Tan - Dog","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-AUTOGENA-Lise-Jack-Tan-Dog-2.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-AUTOGENA-Lise-Jack-Tan-Dog-2.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-AUTOGENA-Lise-Jack-Tan-Dog-2.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-AUTOGENA-Lise-Jack-Tan-Dog-2.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":6214,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/transmission-westerman-quinn\/","url_meta":{"origin":8634,"position":5},"title":"Transmission: Julie Westerman and Lulu Quinn &#8211; Tuesday 19 March 2019","author":"Ian Braddick","date":"07\/03\/2019","format":false,"excerpt":"Julie Westerman and Lulu Quinn have been friends and collaborators for twenty-five years. Inspired by each other\u2019s practice they have combined their expertise in many an epic, entertaining, exasperating, exhilarating, and ambitious public art project, triumphing over the torrents of life-threatening flood-swollen rivers and the threat of legionella. Julie Westerman\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"Transmission logo and image for Julie Westerman and Lulu Quinn","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-03-TRANSMISSION-Westerman-and-Quinn.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-03-TRANSMISSION-Westerman-and-Quinn.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-03-TRANSMISSION-Westerman-and-Quinn.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-03-TRANSMISSION-Westerman-and-Quinn.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/8634","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/comments?post=8634"}],"version-history":[{"count":3,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/8634\/revisions"}],"predecessor-version":[{"id":8646,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/8634\/revisions\/8646"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media\/8621"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media?parent=8634"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/categories?post=8634"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/tags?post=8634"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}