{"id":8521,"date":"2020-01-29T09:55:38","date_gmt":"2020-01-29T09:55:38","guid":{"rendered":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=8521"},"modified":"2020-01-29T10:01:48","modified_gmt":"2020-01-29T10:01:48","slug":"cinema-borders-and-the-apartheid-wall","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/cinema-borders-and-the-apartheid-wall\/","title":{"rendered":"CINEMA, BORDERS AND THE APARTHEID WALL"},"content":{"rendered":"<p>A special issue on Borders and Migrations of BFI\u2019s<em> Viewfinder<\/em> in Autumn 2019 featured an article about Palestinian Cinema and the Creative Interruptions Project by <a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/anandi-ramamurthy\">Dr Anandi Ramamurthy<\/a> (Reader in Post-Colonial Cultures, <a href=\"https:\/\/www.shu.ac.uk\/\">Sheffield Hallam University<\/a>)<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"8524\" data-permalink=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/cinema-borders-and-the-apartheid-wall\/picture1\/\" data-orig-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/Picture1.png?fit=252%2C313&amp;ssl=1\" data-orig-size=\"252,313\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Image provided by Dr Anandi Ramamurthy\" data-image-description=\"&lt;p&gt;Image provided by Dr Anandi Ramamurthy&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Image provided by Dr Anandi Ramamurthy&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/Picture1.png?fit=252%2C313&amp;ssl=1\" class=\"size-medium wp-image-8524 aligncenter\" src=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/Picture1-242x300.png?resize=242%2C300&#038;ssl=1\" alt=\"\" width=\"242\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/Picture1.png?resize=242%2C300&amp;ssl=1 242w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/Picture1.png?w=252&amp;ssl=1 252w\" sizes=\"auto, (max-width: 242px) 100vw, 242px\" \/><\/p>\n<blockquote><p><strong>\u2018Separation and displaceme<\/strong><strong>nt so central to contemporary Palestinian experience have found expression in both drama and documentary within contemporary Palestinian Cinema, a medium that has narrated the Palestinian tragedy in dozens of creative ways while also giving expression to their resistance and resilience. There is hardly a Palestinian film that does not touch on the theme of borders, checkpoints, exile, displacement or restrictions of movement. The focus is not on international borders, but rather on the borders and restrictions of movement imposed by the Israeli state on the Palestinian people. In both fiction and documentary, Palestinian Cinema has narrated the centrality of the methodical, deliberate and calculated construction of barriers, separations and systematic displacement of Palestinians from their homes, livelihoods and families.\u2019 <\/strong><\/p>\n<p>For full text of the article see <a href=\"https:\/\/learningonscreen.ac.uk\/viewfinder\/articles\/resisting-displacement-overcoming-separation-in-palestinian-cinema\/\">here<\/a>.<\/p><\/blockquote>\n<p>Continuing this theme, on 13 November 2019, <a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/anandi-ramamurthy\">Dr Anandi Ramamurthy<\/a> collaborated with the Helena Kennedy Centre for International Justice Centre and Cinema Palestino to host a screening of &#8216;Broken: A Palestinian journey through International Law&#8217; at the Void. The screening was followed by a Q&amp;A with director Mohammed Alatar and Dr Mattew Sands.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"8523\" data-permalink=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/cinema-borders-and-the-apartheid-wall\/306broken\/\" data-orig-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/306Broken.jpg?fit=680%2C380&amp;ssl=1\" data-orig-size=\"680,380\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Image provided by Dr Anandi Ramamurthy\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Image provided by Dr Anandi Ramamurthy&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/306Broken.jpg?fit=680%2C380&amp;ssl=1\" class=\"size-medium wp-image-8523 aligncenter\" src=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/306Broken-400x224.jpg?resize=400%2C224&#038;ssl=1\" alt=\"\" width=\"400\" height=\"224\" srcset=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/306Broken.jpg?resize=400%2C224&amp;ssl=1 400w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/306Broken.jpg?w=680&amp;ssl=1 680w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A special issue on Borders and Migrations of BFI\u2019s Viewfinder in Autumn 2019 featured an article about Palestinian Cinema and the Creative Interruptions Project by Dr Anandi Ramamurthy (Reader in Post-Colonial Cultures, Sheffield Hallam University) \u2018Separation and displacement so central to contemporary Palestinian experience have found expression in both drama and documentary within contemporary Palestinian Cinema, a medium that has [&#8230;]<\/p>\n","protected":false},"author":9742,"featured_media":8522,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[139],"tags":[268,1421,6,1161,1419,412,1194,1420],"class_list":["post-8521","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-anandi-ramamurthy","tag-broken-a-palestinian-journey-through-international-law","tag-communication-and-computing-research-centre","tag-ccrc-research","tag-cinema-palestino","tag-creative-interruptions","tag-palestinian-cinema","tag-viewfinder"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/IMG_0110-edit-e1580291618442.jpg?fit=890%2C340&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-2dr","jetpack-related-posts":[{"id":3046,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/anandi-ramamurthy-blog-palestine-film\/","url_meta":{"origin":8521,"position":0},"title":"Researcher Blog by Dr Anandi Ramamurthy on Cinematic Interruptions &#8211; The Experience of Palestine","author":"Alison Honnor","date":"27\/09\/2017","format":false,"excerpt":"About the author Anandi Ramamurthy is Reader in Post-Colonial Cultures in the\u00a0Computing and Communication Research Centre (CCRC) within C3RI. Anandi's research focuses on critically analysing \u2018race\u2019 and postcoloniality in media and culture to challenge hegemonies and aims to give voice to the voiceless. \u00a0 In this post Anandi discusses her\u2026","rel":"","context":"In &quot;Researcher blog&quot;","block_context":{"text":"Researcher blog","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/researcher-blog\/"},"img":{"alt_text":"RAMAMURTHY in conversation crop","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/09\/RAMAMURTHY-in-conversation-crop.jpeg?fit=1001%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/09\/RAMAMURTHY-in-conversation-crop.jpeg?fit=1001%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/09\/RAMAMURTHY-in-conversation-crop.jpeg?fit=1001%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/09\/RAMAMURTHY-in-conversation-crop.jpeg?fit=1001%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":7190,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/anandi-ramamurthy-love-desire-palestine\/","url_meta":{"origin":8521,"position":1},"title":"Anandi Ramamurthy Researcher blog on building audiences for Palestinian Films: The Love and Desire in Palestine programme","author":"Amy Lander","date":"18\/06\/2019","format":false,"excerpt":"About the author Dr Anandi Ramamurthy is\u00a0a Reader in Post-Colonial Cultures and\u00a0Senior Lecturer in Media at Sheffield Hallam University. Her primary research interests are focused on critically analysing \u2018race\u2019 and postcoloniality in media and culture to challenge hegemonies and give voice to the voiceless.\u00a0Dr Anandi Ramamurthy\u00a0is currently conducting research on\u2026","rel":"","context":"In &quot;Researcher blog&quot;","block_context":{"text":"Researcher blog","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/researcher-blog\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/06\/Edit-2019-Love-and-Desire-programme-event-Anandi-Ramamurthy.jpg?fit=860%2C466&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/06\/Edit-2019-Love-and-Desire-programme-event-Anandi-Ramamurthy.jpg?fit=860%2C466&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/06\/Edit-2019-Love-and-Desire-programme-event-Anandi-Ramamurthy.jpg?fit=860%2C466&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/06\/Edit-2019-Love-and-Desire-programme-event-Anandi-Ramamurthy.jpg?fit=860%2C466&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4731,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/dr-anandi-ramamurthy-sheffield-hallam-university-host-series-palestinian-short-films-70-years-nakba\/","url_meta":{"origin":8521,"position":2},"title":"Dr Anandi Ramamurthy (Sheffield Hallam University) to host a series of Palestinian Short films: 70 Years of Nakba","author":"Amy Lander","date":"20\/04\/2018","format":false,"excerpt":"Dr Anandi Ramamurthy, C3RI's Reader in Post-Colonial Cultures, has announced a series of film screenings and discussions for May 2018. The film programme is organised as part of research for the AHRC Creative Interruptions project. Post-screening discussion will take place with Dr Dani Abulhawa (Sheffield Hallam University) in Sheffield, Ruth\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/2018-05-Ramamurthy-100-years-Nakba-e1524227321975.png?fit=912%2C323&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/2018-05-Ramamurthy-100-years-Nakba-e1524227321975.png?fit=912%2C323&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/2018-05-Ramamurthy-100-years-Nakba-e1524227321975.png?fit=912%2C323&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/2018-05-Ramamurthy-100-years-Nakba-e1524227321975.png?fit=912%2C323&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2305,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/off-frame-aka-revolution-until-victory\/","url_meta":{"origin":8521,"position":3},"title":"Dr Anandi Ramamurthy hosts screening and director Q&amp;A of &#8216;Off Frame Aka Revolution Until Victory&#8217; with director Mohanad Yaqubi 11\/12 July 2017","author":"Rachel Finch","date":"07\/07\/2017","format":false,"excerpt":"As part of her research for the AHRC funded Creative Interruptions project, Dr Anandi Ramamurthy\u00a0(Reader in Post-Colonial Cultures) will conduct Q&As with director Mohanand Yaqubi following the screenings of 'Off\u00a0Frame\u00a0Aka Revolution Until Victory'. Off\u00a0Frame\u00a0Aka Revolution Until Victory\u00a0explores the Palestinian people\u2019s struggle to represent themselves. \u00a0By using archival material from the\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"Image of film reel tape","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/06\/Ramamurthy-Off-Frame-Aka-Revolution-Until-Victory.jpg?fit=860%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/06\/Ramamurthy-Off-Frame-Aka-Revolution-Until-Victory.jpg?fit=860%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/06\/Ramamurthy-Off-Frame-Aka-Revolution-Until-Victory.jpg?fit=860%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/06\/Ramamurthy-Off-Frame-Aka-Revolution-Until-Victory.jpg?fit=860%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4881,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/creative-interruptions-palestinian-revolution\/","url_meta":{"origin":8521,"position":4},"title":"Creative Interruptions presents &#8216;Cinema of the Palestinian Revolution&#8217; on 11 June 2018","author":"Amy Lander","date":"31\/05\/2018","format":false,"excerpt":"Until recently films produced by the Palestinian Film Institute were thought to have been either looted or destroyed during the Israeli invasion of Lebanon in 1982. As part of the Creative Interruptions project (which is exploring artistic expressions of oppressed communities), researchers at Sheffield Hallam University have participated in the\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/05\/Ramamurthy-Cinema-of-Palestinian-Revolution-header-image-e1527763410583.jpg?fit=914%2C223&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/05\/Ramamurthy-Cinema-of-Palestinian-Revolution-header-image-e1527763410583.jpg?fit=914%2C223&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/05\/Ramamurthy-Cinema-of-Palestinian-Revolution-header-image-e1527763410583.jpg?fit=914%2C223&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/05\/Ramamurthy-Cinema-of-Palestinian-Revolution-header-image-e1527763410583.jpg?fit=914%2C223&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":9713,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/struggling-to-be-seen-the-travails-of-palestinian-cinema\/","url_meta":{"origin":8521,"position":5},"title":"Struggling to be seen: The travails of Palestinian cinema","author":"Phoebe Bolton","date":"03\/12\/2020","format":false,"excerpt":"Professor Anandi Ramamurthy has had her new book \"Struggling to be seen: The travails of Palestinian cinema\" published by Daraja Press. The book explores the challenges Palestinian filmmakers confront to develop a cinema that gives expression to the national narrative. It is based on collaborative research involving Film Lab Palestine,\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/12\/Struggling-to-be-Seen-e1607008294712.jpg?fit=200%2C300&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/8521","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/comments?post=8521"}],"version-history":[{"count":4,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/8521\/revisions"}],"predecessor-version":[{"id":8528,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/8521\/revisions\/8528"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media\/8522"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media?parent=8521"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/categories?post=8521"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/tags?post=8521"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}