{"id":6486,"date":"2019-03-07T15:14:16","date_gmt":"2019-03-07T15:14:16","guid":{"rendered":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=6486"},"modified":"2019-03-07T15:20:53","modified_gmt":"2019-03-07T15:20:53","slug":"publication-sharon-kivland-14","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/publication-sharon-kivland-14\/","title":{"rendered":"OAR: The Oxford Artistic & Practice-based Research Platform (Issue 3) – Featuring Dr Sharon Kivland"},"content":{"rendered":"\n\n\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t
Title:<\/td>OAR (Issue 3) - That's All There Is<\/em><\/a><\/td>\n<\/tr>\n
Publisher: <\/td>OAR - The Oxford Artistic & Practice-based Research Platform<\/a><\/td>\n<\/tr>\n
Editors:
\n<\/td>		Jessyca Hutchens (Oxford University), Anita Paz (Oxford University), Naomi Vogt (UCL), and Nina Wakeford (Goldsmiths, University of London)<\/td>\n<\/tr>\n
Editorial assistant:<\/td>Frances Whorrall-Campbell<\/td>\n<\/tr>\n
Online ISSN: <\/td>2399-5092<\/td>\n<\/tr>\n
Published: <\/td>Twice per year<\/td>\n<\/tr>\n
Established:<\/td>2016<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n

Sharon Kivland<\/a> immerses the reader in her ongoing practice of revisiting and editing the words of psychoanalyst Jacques Lacan, recomposing these words as love letters written to her. The seemingly intimate correspondence foregrounds unresolved questions of desire, love and death.<\/p><\/blockquote>\n

\"Image<\/a><\/p>\n

This issue addresses matters of finishing, remnants and re-visitation in practice-based projects. Contributors apply a variety of disciplinary approaches to the problems of ending and returning, touching on procedures of data collection, analysis, and output. Bringing together alternative conceptualisation and terminology, as well as more performative artistic research responses through moving image and other media, this issue offers a wide range of frameworks to address matters which otherwise might seem closed. Forms include creative writing, moving image art works, accounts of field encounters, as well as an interview with an artist who left artistic research. Contributions overwhelmingly focus on the generative possibilities of tackling \u2018finishing\u2019, rather than getting stuck in a sense of impossibility or finality.<\/p>\n

Through the work our of contributors, in this issue we surface interrogations which (we hope) are less anxiety-provoking than blunt questions about submission dates. At their most optimistic, our contributors offer the failure or disappointment of ending as an injunction to act, now, and perhaps differently. Perhaps we might live with different rhythms of beginnings and endings. Crucially, these contributions form a collective voice to counter the assumption of individual triumph or tragedy embedded in the question \u2018When are you planning to finish?\u2019. This collective voice enunciates a set of generative strategies which include revisiting, \u2018un\u2019-finishing and \u2013 the most notable response to our call for contributions \u2013 numerous refusals to let things settle or die without further intervention. Even after the death of Lacan, as Sharon Kivland proposes, one might write him love letters, an opportunity which hijacks any sense of embarrassment with the serious commitment of not letting it be over.<\/p><\/blockquote>\n

Dr Sharon Kivland<\/a>\u00a0is a Reader in Fine Art at Sheffield Hallam University.\u00a0Find out more about Sharon Kivland\u2019s books and other works\u00a0here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Sharon Kivland immerses the reader in her ongoing practice of revisiting and editing the words of psychoanalyst Jacques Lacan, recomposing these words as love letters written to her. The seemingly intimate correspondence foregrounds unresolved questions of desire, love and death. This issue addresses matters of finishing, remnants and re-visitation in practice-based projects. Contributors apply a variety of disciplinary approaches to […]<\/p>\n","protected":false},"author":8633,"featured_media":6490,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[143],"tags":[5,144],"class_list":["post-6486","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publications","tag-art-and-design-research-centre","tag-sharon-kivland"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/03\/2018-12-KIVLAND-OAR-Platform-Issue-3-Publication-II.jpg?fit=800%2C450&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-1GC","jetpack-related-posts":[{"id":3653,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-entretiens\/","url_meta":{"origin":6486,"position":0},"title":"Entretiens \u2013 Perspectives contemporaines sur les publications d\u2019artistes – Featuring Dr Sharon Kivland","author":"Ian Braddick","date":"13\/11\/2017","format":false,"excerpt":"This book brings together twenty-three interviews with twenty-five artists who make publishing an artistic practice. 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There is no record of what Einstein said, how he said it, or what it addressed. This collection assembles a broad range of texts from artists, film-makers,\u2026","rel":"","context":"In "Publications"","block_context":{"text":"Publications","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/publications\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/05\/2019-05-KIVLAND-McCORMACK-The-Graveside-Orations-of-Carl-Einstein-1.jpg?fit=211%2C290&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4407,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/publication-sharon-kivland-9\/","url_meta":{"origin":6486,"position":3},"title":"‘On Violence’ – Co-edited by Dr Sharon Kivland","author":"Ian Braddick","date":"28\/02\/2018","format":false,"excerpt":"VIOLENCE IS IN LANGUAGE AND VIOLENCE IS LANGUAGE. The violence of language stratifies voices into those that matter and those that do not, using ideas of appropriate form and structure as its weaponry. It claims propriety and politeness are the correct mode of address, when urgency and anger are what\u2026","rel":"","context":"In "Doctoral research"","block_context":{"text":"Doctoral research","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/doctoral-research\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/02\/KIVLAND-2018-02-On-Violence-1.jpg?fit=218%2C290&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4826,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/ma-bibliotheque-offprint-sharon-kivland\/","url_meta":{"origin":6486,"position":4},"title":"Dr Sharon Kivland’s imprint MA BIBLIOTH\u00c8QUE at Offprint London – 18-20 May 2018","author":"Ian Braddick","date":"16\/05\/2018","format":false,"excerpt":"MA BIBLIOTH\u00c8QUE is the imprint of artist and Reader in Fine Art Dr Sharon Kivland whose artist books are an essential part of her work as an artist, alongside sculptures, installation, objects and writings. MA BIBLIOTH\u00c8QUE will be at Offprint on the weekend of 18-20 May, with books and slim\u2026","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Offprint logo and MA BIBLIOTH\u00c8QUE logo superimposed","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/05\/KIVLAND-2018-05-Offprint-London.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/05\/KIVLAND-2018-05-Offprint-London.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/05\/KIVLAND-2018-05-Offprint-London.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/05\/KIVLAND-2018-05-Offprint-London.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1801,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-freud-holiday\/","url_meta":{"origin":6486,"position":5},"title":"Women in Art presents… ‘Freud on Holiday’ by Dr Sharon Kivland (Fine Art) on 17 May","author":"Ian Braddick","date":"15\/05\/2017","format":false,"excerpt":"Women in Art (WIA) presents a talk by SHU's Sharon Kivland in partnership with Shoreditch House on Wednesday 17 May 2017. Artist Sharon Kivland joins WIA for a discussion on Freud on Holiday, her series of experimental travel writings that reconstruct Sigmund Freud\u2019s trips to Europe. 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