{"id":5745,"date":"2018-11-01T12:00:14","date_gmt":"2018-11-01T12:00:14","guid":{"rendered":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=5745"},"modified":"2018-11-26T12:11:27","modified_gmt":"2018-11-26T12:11:27","slug":"publication-sharon-kivland-12","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/publication-sharon-kivland-12\/","title":{"rendered":"‘The Bodies that Remain’ – Featuring Dr Sharon Kivland"},"content":{"rendered":"\n\n\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
Title:<\/td>The Bodies That Remain<\/em><\/a><\/td>\n<\/tr>\n
Publisher: <\/td>Punctum Books<\/a><\/td>\n<\/tr>\n
Editor:
\n<\/td>		Emmy Beber<\/td>\n<\/tr>\n
Contributors<\/td>Harman Bains, Phoebe Blatton, Uma Breakdown, Kevin Breathnach, Mairead Case, Susanna Davies-Crook, Karen Di Franco, Chlo\u00e9 Griffin, Philip Hoare, Travis Jeppesen, Sharon Kivland<\/a>, Emily LaBarge, Jeremy Millar, Heather Phillipson, Pil & Galia Kollectiv, Claire Potter, David Rule, Tai Shani, Linda Stupart, Lynne Tillman<\/td>\n<\/tr>\n
Publication date:<\/td>October 2018<\/td>\n<\/tr>\n
Print ISBN:<\/td>13: 978-1-947447-67-7<\/td>\n<\/tr>\n
Format: <\/td>127mm x 203mm, illustrated paperbound & e-book
\n<\/td>\n<\/tr>\n
Number of pages:<\/td>306<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n
\n

The Bodies That Remain<\/em>\u00a0is a collection of bodies and absences.<\/p>\n

Through biography, experimental essay, interview, fictional manifestation, and poetic extraction,\u00a0The Bodies That Remain<\/em>\u00a0is a collection of texts and images on the bodies of artists and writers who battled with the frustration of their own physicality and whose work reckoned with these limitations and continued beyond them.<\/p>\n

The essays in\u00a0The Bodies That Remain<\/em>\u00a0look back at how the identities of these bodies were shaped by the spaces around them, through the retelling of memory, through stories told by others, of how their work, processed by\u00a0their<\/em>body, made it possible for others to experience sensations \u2013 mourning, desire, or a nostalgia that could not belong to another, to another\u2019s body \u2013 and in capturing this ability, their work confirms the body\u2019s urgency.<\/p>\n

Amongst others,\u00a0The Bodies That Remain<\/em>\u00a0tells the story of Emily Dickinson\u2019s decay, the missing grave of Valeska Gert, the voice and sound of the body of Judee Sill, and the derailed body (and work) of Jane Bowles. It questions the absent body but broken organs of JT Leroy as they find themselves scattered across texts, and also interrogates the loss of distinction of illness for Jules de Goncourt as syphilis riddled his nervous system. It retrieves the illusory body of Kathy Acker through dream and through horror, sees the morphing body of Michael Jackson in becoming all of the bodies he was asked to be, and looks toward Sylvia Plath and the language of\u00a0her own<\/em>\u00a0body.<\/p>\n

Where \u2018body\u2019 as a verb makes material something abstract,\u00a0The Bodies That Remain<\/em>, as a collection, became bodily.<\/p>\n

Contributions include texts and images by: Lynne Tillman (on Jane Bowles), David Rule (on Michael Jackson), Mairead Case (on Judee Sill), Claire Potter (on the Lads of Aran), Jeremy Millar (on Emily Dickinson), Chlo\u00e9 Griffin (on Valeska Gert), Phoebe Blatton (on Brigid Brophy), Susanna Davies-Crook (on Sarah Kane), Travis Jeppensen (on Gary Sullivan), Karen Di Franco (on Mary Butts), Tai Shani (on Mnemesoid), Philip Hoare (on Denton Welch), Heather Phillipson (on a dead dog), Uma Breakdown (on Guage Fanfic), Linda Stuppart (on Kathy Acker), Sharon Kivland (on Jacques Lacan), Harman Bains (on Wilhelm Reich), Pil & Galia Kollectiv (JT Leroy), Kevin Breathnach (on Jules de Goncourt), and Emily LaBarge (on Sylvia Plath).<\/p>\n

Emmy Beber\u00a0is a writer, editor and teacher in London. She performs as part of the collective and band WE with Pil and Galia Kollectiv and Victor Jakeman. She has a BA in History of Art, an MA in Critical Writing in Art and Design and a PGCE, specialising in music education.<\/span><\/div>\n<\/blockquote>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The Bodies That Remain\u00a0is a collection of bodies and absences. Through biography, experimental essay, interview, fictional manifestation, and poetic extraction,\u00a0The Bodies That Remain\u00a0is a collection of texts and images on the bodies of artists and writers who battled with the frustration of their own physicality and whose work reckoned with these limitations and continued beyond them. The essays in\u00a0The Bodies […]<\/p>\n","protected":false},"author":8633,"featured_media":5750,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[143],"tags":[5,109,144,911],"class_list":["post-5745","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publications","tag-art-and-design-research-centre","tag-fine-art-research","tag-sharon-kivland","tag-the-bodies-that-remain"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/11\/2018-10-The-Bodies-that-Remain-Sharon-Kivland.png?fit=250%2C400&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-1uF","jetpack-related-posts":[{"id":944,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/research-seminar-sharon-kivland\/","url_meta":{"origin":5745,"position":0},"title":"Wednesday 04 March 2015 – Lunchtime seminar with Dr Sharon Kivland (Fine Art, SHU)","author":"Ian Braddick","date":"04\/03\/2015","format":false,"excerpt":"Title: Folles de leur corps \/ Crazy about their bodies Speaker: Dr Sharon Kivland (Fine Art, SHU) In a footnote in Capital, chapter 2: The Process of Exchange, Karl Marx writes: \u2018In the twelfth century [...], very delicate things often appear among these commodities. Thus a French poet [Guillot de\u2026","rel":"","context":"In "Events"","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/02\/2015-03-04-KIVLAND-Sharon-Folles-de-leur-corps.png?fit=200%2C300&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8693,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-exhibition\/","url_meta":{"origin":5745,"position":1},"title":"‘MAINS GANTE\u00c9ES ET PIEDS BOTT\u00c9S’: Sharon Kivland featured in exhibition","author":"Ian Braddick","date":"08\/01\/2019","format":false,"excerpt":"MAINS GANTE\u00c9ES ET PIEDS BOTT\u00c9S: Repr\u00e9sentations d'arm\u00e9es de femmes et corps collectifs f\u00e9minin \u00c9ditions Incertain Sens \/ Cabinet du livre d\u2019artiste, Universit\u00e9 Rennes\u00a0 17 February 2019 - 19 March 2019 Curated by Lise Lerichomme Women in battalions are often portrayed as caricatures, assigned to be only the mechanical or erotic\u2026","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Alexis Granowsky, Les Aventures du Roi Pausole, 1933","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2019-02-KIVLAND-Exhibition-Alexis-Granowsky-Les-Aventures-du-Roi-Pausole-1933.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2019-02-KIVLAND-Exhibition-Alexis-Granowsky-Les-Aventures-du-Roi-Pausole-1933.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2019-02-KIVLAND-Exhibition-Alexis-Granowsky-Les-Aventures-du-Roi-Pausole-1933.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2019-02-KIVLAND-Exhibition-Alexis-Granowsky-Les-Aventures-du-Roi-Pausole-1933.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":5669,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/tranmission-kivland-clinton\/","url_meta":{"origin":5745,"position":2},"title":"Transmission: Sharon Kivland and Paul Clinton – Tuesday 20 November 2018","author":"Ian Braddick","date":"19\/11\/2018","format":false,"excerpt":"Paul Clinton and Sharon Kivland met earlier this year and have not stopped talking since. They talk about the erotics of revolution, transgression and prohibition, the \u00e9v\u00e9nements and legacy of May 1968, the films of Eric Rohmer and the writing of Pierre Klossowski, jewellery and death, political alliances and psychoanalysis,\u2026","rel":"","context":"In "Events"","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"Transmission banner for Paul Clinton and Sharon Kivland","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/11\/2018-11-20-Transmission-Paul-Clinton-and-Sharon-Kivland.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/11\/2018-11-20-Transmission-Paul-Clinton-and-Sharon-Kivland.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/11\/2018-11-20-Transmission-Paul-Clinton-and-Sharon-Kivland.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/11\/2018-11-20-Transmission-Paul-Clinton-and-Sharon-Kivland.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":3653,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-entretiens\/","url_meta":{"origin":5745,"position":3},"title":"Entretiens \u2013 Perspectives contemporaines sur les publications d\u2019artistes – Featuring Dr Sharon Kivland","author":"Ian Braddick","date":"13\/11\/2017","format":false,"excerpt":"This book brings together twenty-three interviews with twenty-five artists who make publishing an artistic practice. 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