{"id":5024,"date":"2018-06-25T11:01:40","date_gmt":"2018-06-25T10:01:40","guid":{"rendered":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=5024"},"modified":"2018-07-26T12:00:44","modified_gmt":"2018-07-26T11:00:44","slug":"publication-virginia-heath","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/publication-virginia-heath\/","title":{"rendered":"Journal editorial board appointment: Virginia Heath (Professor of Film) on Film Education Journal board"},"content":{"rendered":"\n\n\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t
Title:<\/td>Film Education Journal<\/em><\/a><\/td>\n<\/tr>\n
Publisher: <\/td>UCL IOE<\/a> Press on behalf of British Film Institute, Creative Scotland, Centre for the Moving Image and Transgressive North<\/td>\n<\/tr>\n
Editors:
\n<\/td>		Dr Jamie Chambers (General Editor)
\nMark Reid, Head of UK Learning Programmes, BFI (Editor)
\nProf Andrew Burn, UCL Institute of Education (Editor)<\/td>\n<\/tr>\n
Editorial board:<\/td>Nuria Aidelman, Director of Cinema En Curs, A Bao A Qu, Barcelona
\nAlejandro Bachmann, Head of Education, Austrian Film Museum
\nAlan Bernstein, former Head of Studies, London Film School
\nDr Michelle Cannon, Institute of Education, UCL
\nProfessor Virginia Heath<\/a>, Professor of Film, Sheffield Hallam University
\nDr Bettina Henzler, University of Bremen
\nProfessor Karen Lury, University of Glasgow
\nProfessor Noe Mendelle, Scottish Documentary Institute, ECA, University of Edinburgh
\nDr John Potter, UCL Institute of Education<\/td>\n<\/tr>\n
Online ISSN: <\/td>2515-7086<\/td>\n<\/tr>\n
Published: <\/td>Bi-annual<\/td>\n<\/tr>\n
Established:<\/td>2018<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n

The\u00a0Film Education Journal<\/i><\/a>\u00a0is the world\u2019s only publication committed to exploring how teachers and other educators work with film, and to involving other participants \u2013 policymakers, academics, researchers, cultural agencies and film-makers themselves \u2013 in that conversation. It\u00a0<\/span>is a\u00a0bi-annual, open-access, peer-reviewed journal sponsored by the UCL Institute of Education\u00a0<\/span>in partnership with the\u00a0British Film Institute<\/a>, the Centre for the Moving Image,\u00a0Creative Scotland<\/a>\u00a0and\u00a0Transgressive North<\/a>.<\/span><\/p>\n

With contributions from a range of voices – experts in film education and classroom practitioners – the journal\u2019s first issue reflects on Alain Bergala\u2019s canonic text The Cinema Hypothesis<\/a>.<\/p>\n

The journal has two key aims:<\/p>\n

    \n
  1. to further understandings of the diverse approaches to film education around the world<\/strong>\u00a0by exploring how educators, practitioners and policymakers are responding to the questions of film education in different international contexts: in primary schools, secondary schools, universities and film schools, and in programmes of education taking place outside institutions such as community projects and clubs.<\/li>\n<\/ol>\n
      \n
    1. to develop a critical discourse around these diverse approaches<\/strong>\u00a0by considering how the work of relevant theorists casts light upon film education practice, and encouraging film practitioners and educators to reflect critically upon their practice.<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"

      The\u00a0Film Education Journal\u00a0is the world\u2019s only publication committed to exploring how teachers and other educators work with film, and to involving other participants \u2013 policymakers, academics, researchers, cultural agencies and film-makers themselves \u2013 in that conversation. It\u00a0is a\u00a0bi-annual, open-access, peer-reviewed journal sponsored by the UCL Institute of Education\u00a0in partnership with the\u00a0British Film Institute, the Centre for the Moving Image,\u00a0Creative Scotland\u00a0and\u00a0Transgressive […]<\/p>\n","protected":false},"author":8633,"featured_media":5032,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[143],"tags":[5,786,124,115,259],"class_list":["post-5024","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publications","tag-art-and-design-research-centre","tag-film-education-journal","tag-film-research","tag-media-arts-research","tag-virginia-heath"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/06\/2018-06-HEATH-1-Film-Education-Journal.jpg?fit=250%2C250&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-1j2","jetpack-related-posts":[{"id":7857,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/three-chords-heath-atkinson-new-mexico\/","url_meta":{"origin":5024,"position":0},"title":"The Albuquerque Film & Music Festival screening Professor Virginia Heath and Professor Paul Atkinson’s ‘Three Chords and the Truth’","author":"Ian Braddick","date":"23\/09\/2019","format":false,"excerpt":"Three Chords and the Truth\u00a0screens\u00a0at\u00a0the Albuquerque Film & Music Festival (AFMX) in New Mexico this week.\u00a0AFMX is entering its seventh year and brings together award-winning and up-and-coming filmmakers and musicians from around the world to showcase and celebrate film and music, and provide a platform for education, collaboration, discovery and\u2026","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Still from Three Chords and the Truth by Paul Atkinson and Virginia Heath and AMFX logo","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/09\/2019-09-HEATH-ATKINSON-Three-Chords-at-AFMX.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/09\/2019-09-HEATH-ATKINSON-Three-Chords-at-AFMX.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/09\/2019-09-HEATH-ATKINSON-Three-Chords-at-AFMX.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/09\/2019-09-HEATH-ATKINSON-Three-Chords-at-AFMX.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":10239,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/ccri-seminar-funding-film-and-media-arts-heath-johnson\/","url_meta":{"origin":5024,"position":1},"title":"CCRI Seminar Series – ‘Funding Film, Media and Arts research’ with Professors Virginia Heath and Esther Johnson","author":"Ian Braddick","date":"09\/06\/2021","format":false,"excerpt":"Please join us on Wednesday 16 June for our next CCRI-wide seminar as part of the Culture & Creativity Research Institute Seminar Series, where we will be hearing from Professors Virginia Heath and Esther Johnson on their experience of funding for research projects in Film, Media and Arts. Funding Film,\u2026","rel":"","context":"In "Events"","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"Banner for CCRI Seminar - Professor Virginia Heath, still from Cigar Box Blues, ADMRC logo, still from DUST & METAL, Professor Esther Johnson","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/06\/VH-EJ-CCRI-Seminar-Banner-II.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/06\/VH-EJ-CCRI-Seminar-Banner-II.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/06\/VH-EJ-CCRI-Seminar-Banner-II.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/06\/VH-EJ-CCRI-Seminar-Banner-II.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2667,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/virginia-heath-professorship\/","url_meta":{"origin":5024,"position":2},"title":"Professorship awarded to Virginia Heath","author":"Ian Braddick","date":"24\/03\/2014","format":false,"excerpt":"Virginia Heath has been awarded the title Professor of Film. The award is very well deserved and in recognition of Virginia's significant contribution to her disciplinary specialism. Virginia Heath is a writer and director working in the fields of both fiction and documentary film. Her research practice is focused on\u2026","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Professor Virginia Heath","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/08\/HEATH-2014-03-Professorship.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/08\/HEATH-2014-03-Professorship.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/08\/HEATH-2014-03-Professorship.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/08\/HEATH-2014-03-Professorship.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":9557,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/hallam-lecturer-peter-spences-re-consideration-of-antonionis-lavventura-published-in-journal-of-videographic-film-and-moving-image-studies-intransition\/","url_meta":{"origin":5024,"position":3},"title":"Hallam Lecturer Peter Spence\u2019s re-consideration of Antonioni\u2019s L\u2019Avventura published in Journal of Videographic Film and Moving Image Studies, [In]Transition","author":"Phoebe Bolton","date":"28\/10\/2020","format":false,"excerpt":"It is only in relatively recent years that it has come to light that the visionary Italian film-maker Michelangelo Antonioni commissioned and built a quite unique and extraordinary holiday villa \u2013\u00a0La Cupola - on the island of Sardinia. Working closely with the architect Dante Bini, who pioneered the Binishell dome\u2026","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/10\/La-Cupola-Sardinia-August-2018-e1603281280561.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4832,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/virginia-heath-creative-histories-blog\/","url_meta":{"origin":5024,"position":4},"title":"Professor Virginia Heath writes ‘Storying the past’ blog post outlining creative research process for ‘From Scotland with Love’","author":"Ian Braddick","date":"15\/05\/2018","format":false,"excerpt":"Professor Virginia Heath\u00a0was this month featured on the Creative Histories Storying the Past blog. In her post, Virginia outlines the creative research process in making From Scotland With Love with links to clips from the film throughout. Read Virginia's post here. Made entirely of Scottish film archive, From Scotland With\u2026","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Composite image of From Scotland With Love, directed by Professor Virginia Heath","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/08\/HEATH-2017-10-From-Scotland-With-Love-Dundee.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/08\/HEATH-2017-10-From-Scotland-With-Love-Dundee.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/08\/HEATH-2017-10-From-Scotland-With-Love-Dundee.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/08\/HEATH-2017-10-From-Scotland-With-Love-Dundee.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":3297,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/virginia-heath-national-library-moving-image\/","url_meta":{"origin":5024,"position":5},"title":"Professor Virginia Heath supporting the National Library of Scotland\u2019s Moving Image Archive project","author":"Ian Braddick","date":"01\/02\/2016","format":false,"excerpt":"Made entirely of Scottish film archive, From Scotland With Love is a 75-minute film by award-winning Director and Sheffield Hallam University Professor of Film Virginia Heath with a transcendent score by Scottish musician and composer King Creosote. A journey into our collective past, the film explores universal themes of love,\u2026","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Composite image of From Scotland With Love, directed by Professor Virginia Heath","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/08\/HEATH-2017-10-From-Scotland-With-Love-Dundee.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/08\/HEATH-2017-10-From-Scotland-With-Love-Dundee.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/08\/HEATH-2017-10-From-Scotland-With-Love-Dundee.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/08\/HEATH-2017-10-From-Scotland-With-Love-Dundee.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/5024","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/comments?post=5024"}],"version-history":[{"count":4,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/5024\/revisions"}],"predecessor-version":[{"id":5053,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/5024\/revisions\/5053"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media\/5032"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media?parent=5024"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/categories?post=5024"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/tags?post=5024"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}