{"id":4761,"date":"2018-04-30T10:16:34","date_gmt":"2018-04-30T09:16:34","guid":{"rendered":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=4761"},"modified":"2018-07-26T12:02:58","modified_gmt":"2018-07-26T11:02:58","slug":"esther-johnson-docfest-live-cinema-summit","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/esther-johnson-docfest-live-cinema-summit\/","title":{"rendered":"Professor Esther Johnson on &#8216;Live Scores and Archive&#8217; panel at Sheffield Doc\/Fest&#8217;s Live Cinema Summit &#8211; 08 June 2018"},"content":{"rendered":"<p>Professor of Film and Media Arts <a href=\"http:\/\/Professor of Film and Media Arts\" target=\"_blank\" rel=\"noopener\">Esther Johnson<\/a>\u00a0has been invited to be on the\u00a0<em>Live Scores and Archive\u00a0<\/em>panel at the Live Cinema Summit\u00a0at this year&#8217;s Doc\/Fest. The theme <em>r<\/em><em>eal live<\/em>\u00a0marks the inaugural Live Cinema Summit which will bring together filmmakers, musicians, performers and practitioners from across the realms of factual and fictional storytelling with the aim to address what live cinema means in 2018, including:<\/p>\n<ul>\n<li>what the world of factual storytelling can draw from the narrative-driven world of experiential cinema<\/li>\n<li>how archive material and live scores have become a staple of live cinema industry and where can the medium go from here<\/li>\n<li>what future tech holds for the in-cinema audience experience.<\/li>\n<\/ul>\n<p>See the full announcement <a href=\"https:\/\/sheffdocfest.com\/articles\/578-first-programme-announcements-for-the-live-cinema-summit\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<p><a href=\"http:\/\/livecinema.org.uk\/live-cinema-conference-to-return-as-live-cinema-summit-at-sheffield-docfest\/\" target=\"_blank\" rel=\"noopener\"><em><strong>Live Scores and Archive<\/strong><\/em><\/a>\u00a0<strong>at Doc\/Fest<\/strong><br \/>\n<strong>Netflix Crucible Studio, Sheffield<\/strong><br \/>\n<strong>Friday 08 June 2018, 1130\u00a0<\/strong><strong>AM &#8211; 1230 PM<\/strong><br \/>\n<strong>Featured speakers: <\/strong>Joel Mills (British Council), <a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/esther-johnson\" target=\"_blank\" rel=\"noopener\">Esther Johnson\u00a0<\/a>(Artist\/filmmaker,\u00a0<em>Asunder)<\/em>, Jason Wood (HOME), Jason Singh (Artist) and more to be announced.<\/p>\n<blockquote><p>Artists including Jarvis Cocker and British Sea Power have premiered live scores to archive films at Sheffield Doc\/Fest. With more archive releases in the last year with big name artists each year including <a href=\"http:\/\/asunder1916.uk\/about\/\" target=\"_blank\" rel=\"noopener\">Asunder<\/a> (<a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/esther-johnson\" target=\"_blank\" rel=\"noopener\">Esther Johnson<\/a> \/ score by Field Music and Warm Digits) and Arcadia (Paul Wright \/ score by Will Gregory (Goldfrapp) and Adrian Utley (Portishead)), we ask what is the enduring appeal of the genre, how has it become a staple of live cinema internationally, and how can filmmakers and producers get involved? Join archive curators, exhibitors and artists to explore the future of the live score to archive film.<\/p><\/blockquote>\n<p><a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/esther-johnson\" target=\"_blank\" rel=\"noopener\">Esther Johnson<\/a>\u00a0works at the intersection of artist moving image and documentary. Her poetic portraits focus on marginal worlds, revealing resonant stories that may otherwise remain hidden or ignored. Work has been exhibited internationally in 40 countries, and has also featured on television and radio. In 2012 Johnson won the Philip Leverhulme Prize in Performing and Visual Arts for young scholars. She is a Professor of Film &amp; Media Art at Sheffield Hallam University. Find out more about Esther\u2019s work\u00a0<a href=\"http:\/\/blanchepictures.com\/\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<p><a href=\"http:\/\/asunder1916.uk\/\" target=\"_blank\" rel=\"noopener\"><em>Asunder<\/em><\/a>\u00a0is co-commissioned by Sunderland Cultural Partnership and 14\u201318 NOW: WW1 Centenary Art Commissions, supported by The National Lottery through Arts Council England and the Heritage Lottery Fund, the Department for Culture, Media and Sport, Sunderland Business Improvement District, Culture Bridge North East and Sir James Knott Trust.<\/p>\n<p><em>Asunder<\/em>\u00a0is on Twitter\u00a0<a href=\"https:\/\/twitter.com\/1916asunder\" target=\"_blank\" rel=\"noopener\">@1916asunder<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Professor of Film and Media Arts Esther Johnson\u00a0has been invited to be on the\u00a0Live Scores and Archive\u00a0panel at the Live Cinema Summit\u00a0at this year&#8217;s Doc\/Fest. The theme real live\u00a0marks the inaugural Live Cinema Summit which will bring together filmmakers, musicians, performers and practitioners from across the realms of factual and fictional storytelling with the aim to address what live cinema [&#8230;]<\/p>\n","protected":false},"author":8633,"featured_media":4764,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[139],"tags":[5,141,728,140,124,115],"class_list":["post-4761","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-art-and-design-research-centre","tag-asunder","tag-doc-fest","tag-esther-johnson","tag-film-research","tag-media-arts-research"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/JOHNSON-2018-06-DocFest-Live-Cinema-Summit.jpg?fit=890%2C290&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-1eN","jetpack-related-posts":[{"id":4816,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/without-brutality-docfest\/","url_meta":{"origin":4761,"position":0},"title":"Without Brutality: 25 Years of the Art and Design Research Centre &#8211; Professor Esther Johnson curates Sheffield Doc\/Fest film programme","author":"Ian Braddick","date":"14\/05\/2018","format":false,"excerpt":"\u2018Life without industry is guilt, and industry without art is brutality.' \u2013 John Ruskin 2018 sees the 25th anniversaries of both Doc\/Fest\u00a0and the Art and Design Research Centre (ADRC)\u00a0at Sheffield Hallam University. Without Brutality consists of films by students and staff of the university, from 1969 to 1993, when the\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Composite image of DocFest logo and details with still from Welcome to Sheffield Polytechnic 1969, courtesy of Esther Johnson","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/05\/2018-06-07-DOCFEST-JOHNSON-ESTHER-Without-Brutality.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/05\/2018-06-07-DOCFEST-JOHNSON-ESTHER-Without-Brutality.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/05\/2018-06-07-DOCFEST-JOHNSON-ESTHER-Without-Brutality.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/05\/2018-06-07-DOCFEST-JOHNSON-ESTHER-Without-Brutality.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8518,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/esther-johnson-sxsw\/","url_meta":{"origin":4761,"position":1},"title":"Professor Esther Johnson invited to speak on an immersive cinema panel at the prestigious SXSW festival in Austin, Texas this March","author":"Ian Braddick","date":"28\/01\/2020","format":false,"excerpt":"Professor Esther Johnson will be discussing her approach to live scored cinema in her research ASUNDER and new project in Vietnam DUST & METAL, during a panel event Marginalised Histories Through Live Cinema on 15th March at this year's festival. Founded in 1987 in Austin, Texas, SXSW is best known\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"JOHNSON Esther - SXSW","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/2020-03-JOHNSON-Esther-SXSW.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/2020-03-JOHNSON-Esther-SXSW.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/2020-03-JOHNSON-Esther-SXSW.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/2020-03-JOHNSON-Esther-SXSW.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8445,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/esther-johnson-shifting-sands\/","url_meta":{"origin":4761,"position":2},"title":"Professor Esther Johnson&#8217;s &#8216;Hinterland&#8217; and &#8216;Retreating the Line&#8217; screen at immersive film\/music event Shifting Sands in Scarborough Market Hall and Vaults","author":"Ian Braddick","date":"14\/01\/2020","format":false,"excerpt":"Hinterland and Retreating the Line screen at immersive film\/music event Shifting Sands in Scarborough Market Hall and Vaults Professor Esther Johnson\u2019s artist film works Hinterland and Film and Video Umbrella and Hull City of Culture 2017 commission Retreating the Line both screen this Friday 17 January 2020 7PM - 9PM\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Shifting Sands screenings - Esther Johnson (stills from Retreating the Line\/Hinterland)","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/2020-01-JOHNSON-Esther-Shifting-Sands.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/2020-01-JOHNSON-Esther-Shifting-Sands.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/2020-01-JOHNSON-Esther-Shifting-Sands.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/2020-01-JOHNSON-Esther-Shifting-Sands.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":11117,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/professor-esther-johnsons-new-feature-film-dust-metal-will-receive-its-world-premiere-at-this-years-sheffield-docfest-2022\/","url_meta":{"origin":4761,"position":3},"title":"Professor Esther Johnson&#8217;s new feature film DUST &amp; METAL will receive its world premiere at this year\u2019s Sheffield DocFest (2022)","author":"Phoebe Bolton","date":"24\/06\/2022","format":false,"excerpt":"Professor\u00a0Esther Johnson's new feature film\u00a0DUST & METAL\u00a0will receive its world premiere at this year\u2019s\u00a0Sheffield DocFest\u00a0with a live\u00a0soundtrack performance\u00a0on\u00a0Monday 27 June from 8pm\u00a0at the magnificent\u00a0Memorial Hall\u00a0in Sheffield City Hall. The film will screen in the form of a\u00a0\u00a0\u201ccine-concert\u201d with the film\u2019s new electronic score performed live by Vietnamese artist\u00a0Xo Xinh. \u00a0\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"Dust & Metal film poster","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2022\/06\/Dust-and-metal-one.jpg?fit=1181%2C888&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2022\/06\/Dust-and-metal-one.jpg?fit=1181%2C888&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2022\/06\/Dust-and-metal-one.jpg?fit=1181%2C888&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2022\/06\/Dust-and-metal-one.jpg?fit=1181%2C888&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2022\/06\/Dust-and-metal-one.jpg?fit=1181%2C888&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":12994,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/uks-first-season-of-vietnamese-cinema-announced-including-professor-esther-johnsons-dust-metal\/","url_meta":{"origin":4761,"position":4},"title":"UK\u2019s first season of Vietnamese cinema announced including Professor Esther Johnson&#8217;s &#8216;DUST &amp; METAL&#8217; &#8211; 16-31 May 2024","author":"Phoebe Bolton","date":"25\/03\/2024","format":false,"excerpt":"The first national celebration of Vietnamese film in cinemas\u00a0Star Nh\u00e0 Ease: Vietnamese Cinema\u00a0today announces its programme, introducing Vietnamese cinema to UK audiences across the country this May. The Season is\u00a0supported by the BFI, awarding National Lottery funding, British Council and Longdan Ltd.\u00a0Co-curated by\u00a0Esther Johnson, C\u01b0\u1eddng Minh B\u00e1 Ph\u1ea1m,\u00a0and Tuy\u1ebft V\u00e2n\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2024\/03\/240226_sne_softlaunch_Twitter.png?fit=1200%2C400&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2024\/03\/240226_sne_softlaunch_Twitter.png?fit=1200%2C400&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2024\/03\/240226_sne_softlaunch_Twitter.png?fit=1200%2C400&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2024\/03\/240226_sne_softlaunch_Twitter.png?fit=1200%2C400&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2024\/03\/240226_sne_softlaunch_Twitter.png?fit=1200%2C400&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1971,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/asunder-doc-fest\/","url_meta":{"origin":4761,"position":5},"title":"Saturday 10 June 2017 &#8211; Prof Esther Johnson&#8217;s &#8216;Asunder&#8217; screening for Sheffield Doc\/Fest","author":"Ian Braddick","date":"08\/06\/2017","format":false,"excerpt":"Sheffield Hallam University\u2019s Professor of Film & Media Arts Esther Johnson has had her film Asunder selected for a screening at Sheffield Doc\/Fest on Saturday 10 June 2017. For the Doc\/Fest listing for this event please see here. Asunder The Light Cinema Free Screen Howard Street Sheffield Saturday 10 June\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Stills from Esther Johnson's Asunder","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/JOHNSON-2017-06-10-Asunder-at-DocFest.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/JOHNSON-2017-06-10-Asunder-at-DocFest.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/JOHNSON-2017-06-10-Asunder-at-DocFest.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/JOHNSON-2017-06-10-Asunder-at-DocFest.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/4761","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/comments?post=4761"}],"version-history":[{"count":5,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/4761\/revisions"}],"predecessor-version":[{"id":4768,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/4761\/revisions\/4768"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media\/4764"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media?parent=4761"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/categories?post=4761"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/tags?post=4761"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}