{"id":476,"date":"2014-12-03T12:56:43","date_gmt":"2014-12-03T12:56:43","guid":{"rendered":"http:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=476"},"modified":"2017-03-06T17:26:20","modified_gmt":"2017-03-06T17:26:20","slug":"research-seminar-chi-yun-shin","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/research-seminar-chi-yun-shin\/","title":{"rendered":"Wednesday 3 December 2014 – Lunchtime Seminar with Dr Chi-Yun Shin (Stage & Screen, SHU)"},"content":{"rendered":"

Title: Pigeons, Rooftops and Heterotopia in \u2018On the Waterfront\u2019 and \u2018Ghost Dog: The Way of the Samurai\u2019
\nSpeaker: Dr Chi-Yun Shin<\/a> (Stage & Screen, SHU)<\/strong><\/p>\n

Dr Chi-Yun Shin<\/a> is a Senior Lecturer in Film Studies at Sheffield Hallam University. Her articles on East Asian cinema and Black British Diaspora films have appeared in many journals and anthologies, and her recent contributions include Jump Cut, Horror to the Extreme, Postcolonial Media Culture in Britain, Transnational Cinemas, Korean Horror Cinema and Encyclopedia of Global Human Migration. She is co-editor of New Korean Cinema, and her new anthology, co-edited with Mark Gallagher, East Asian Film Noir (I.B.Tauris) is due to be published early next year. <\/p>\n

Elia Kazan\u2019s 1954 film On the Waterfront and Jim Jarmusch\u2019s 1999 film Ghost Dog share a curious little setting of rooftop pigeon coops. For the protagonists in both films \u2013 dockworker Terry Malloy (Marlon Brando) and a contract killer Ghost Dog (Forest Whitaker), caring for the pigeons on the rooftop space provides \u2018another\u2019 world far away from what they do for a living. Yet, what they do down below has a devastating impact upon the rooftop coops. In the sense that the rooftop space \u2018reflects and contests simultaneously\u2019 in these films, this paper argues that it constitutes the Foucauldian notion of heterotopia and explores the multifaceted features of the rooftop space in these films.<\/p>\n

1.00PM \u2013 2.00PM
\nWEDNESDAY 03 DECEMBER 2014
\nCANTOR 9020a<\/strong><\/p>\n

All SHU staff and students are welcome to attend the C3RI Lunchtime Research Seminars. If you are from outside of the University and would like to attend a seminar, please email CCRC Administrator, Rachel Finch<\/a> (R.Finch@shu.ac.uk<\/a>) to arrange for entry.<\/p>\n","protected":false},"excerpt":{"rendered":"

Title: Pigeons, Rooftops and Heterotopia in \u2018On the Waterfront\u2019 and \u2018Ghost Dog: The Way of the Samurai\u2019 Speaker: Dr Chi-Yun Shin (Stage & Screen, SHU) Dr Chi-Yun Shin is a Senior Lecturer in Film Studies at Sheffield Hallam University. Her articles on East Asian cinema and Black British Diaspora films have appeared in many journals and anthologies, and her recent […]<\/p>\n","protected":false},"author":1158,"featured_media":477,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[103],"tags":[128,124,106],"class_list":["post-476","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","tag-chi-yun-shin","tag-film-research","tag-stage-screen-research"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2014\/10\/ATT49466.jpeg?fit=543%2C407&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-7G","jetpack-related-posts":[{"id":2473,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/east-asian-film-noir-transnational-encounters-intercultural-dialogue-dr-chi-yun-shin-eds\/","url_meta":{"origin":476,"position":0},"title":"East Asian Film Noir: Transnational Encounters and Intercultural Dialogue – Dr Chi-Yun Shin (Eds)","author":"Rachel Finch","date":"30\/03\/2015","format":false,"excerpt":"Film noir has been understood as a genre exclusive to Hollywood. But classical US noir's downbeat sensibility also finds expression in later films from Japan, South Korea and China (including Hong Kong) and Taiwan, that have both participated in and been excluded from circuits of global-noir traffic, past and present.\u2026","rel":"","context":"In "Publications"","block_context":{"text":"Publications","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/publications\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/07\/SHIN-2015-03-east-asian-film-noir.jpg?fit=300%2C320&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10446,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/south-korean-womens-cinema-conference\/","url_meta":{"origin":476,"position":1},"title":"South Korean Women’s Cinema Conference – 23-25 September 2021","author":"Ian Braddick","date":"15\/09\/2021","format":false,"excerpt":"The full programme for the South Korean Women's Cinema conference can be found here. Be sure to register on Eventbrite for details of how to join the conference. The South Korean Women's Cinema (SKWC) conference will take place online, from Thursday 23 September to Saturday 25 September 2021, hosted online\u2026","rel":"","context":"In "Events"","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"Still from Kangyu Garam's documentary Us, Day by Day (\uc6b0\ub9ac\ub294 \ub9e4\uc77c\ub9e4\uc77c, 2019) II","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/09\/Still-from-Kangyu-Garams-documentary-Us-Day-by-Day-%EC%9A%B0%EB%A6%AC%EB%8A%94-%EB%A7%A4%EC%9D%BC%EB%A7%A4%EC%9D%BC-2019-II.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/09\/Still-from-Kangyu-Garams-documentary-Us-Day-by-Day-%EC%9A%B0%EB%A6%AC%EB%8A%94-%EB%A7%A4%EC%9D%BC%EB%A7%A4%EC%9D%BC-2019-II.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/09\/Still-from-Kangyu-Garams-documentary-Us-Day-by-Day-%EC%9A%B0%EB%A6%AC%EB%8A%94-%EB%A7%A4%EC%9D%BC%EB%A7%A4%EC%9D%BC-2019-II.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/09\/Still-from-Kangyu-Garams-documentary-Us-Day-by-Day-%EC%9A%B0%EB%A6%AC%EB%8A%94-%EB%A7%A4%EC%9D%BC%EB%A7%A4%EC%9D%BC-2019-II.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":10512,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/dr-chi-yun-shin-on-whats-behind-the-success-of-netflixs-squid-game\/","url_meta":{"origin":476,"position":2},"title":"Dr Chi-Yun Shin on what’s behind the success of Netflix’s Squid Game","author":"Phoebe Bolton","date":"06\/10\/2021","format":false,"excerpt":"Principal lecturer in film studies, Dr Chi-Yun Shin, has been speaking on the PM programme on BBC Radio 4 about Squid Game, the Netflix series which looks set to be one of the most successful yet on the streaming service. Listen here from 51:45","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/10\/Squid-Game-Dr-Chi-Yun-Shin-1-e1633525378213.jpeg?fit=504%2C456&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":426,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/seminar-sheldon-hall\/","url_meta":{"origin":476,"position":3},"title":"Wednesday 8 October 2014 – Lunchtime seminar with Dr Sheldon Hall (Stage & Screen, SHU)","author":"Alison Honnor","date":"01\/10\/2014","format":false,"excerpt":"Title: SEX, SPIES AND SHIRLEY TEMPLE: Feature Films on British Television in the 1970s Speaker: Dr Sheldon Hall (Stage & Screen, SHU) Dr Sheldon Hall is a Senior Lecturer in Stage & Screen Studies in the Faculty of Development and Society at Sheffield Hallam University. He is the author of\u2026","rel":"","context":"In "Events"","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2014\/09\/ATT01576.jpg?fit=399%2C298&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10705,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/dr-sheldon-halls-figures-in-focus-in-the-new-edition-of-picture-house-the-cinema-theatre-associations-annual-journal\/","url_meta":{"origin":476,"position":4},"title":"Dr. Sheldon Hall’s \u2018Figures in Focus\u2019 in the new edition of Picture House, the Cinema Theatre Association’s annual journal","author":"Phoebe Bolton","date":"25\/01\/2022","format":false,"excerpt":"Dr Sheldon Hall, Reader in Stage & Screen, Department of Humanities, has published an article written in conjunction with thirty undergraduate students taking courses in Film Studies and Screenwriting & Film. 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