{"id":456,"date":"2014-11-11T12:13:56","date_gmt":"2014-11-11T12:13:56","guid":{"rendered":"http:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=456"},"modified":"2017-03-06T17:27:24","modified_gmt":"2017-03-06T17:27:24","slug":"research-seminar-warren-neidich","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/research-seminar-warren-neidich\/","title":{"rendered":"Tuesday 11 November 2014 &#8211; Lunchtime seminar with Warren Neidich, Artist"},"content":{"rendered":"<p><strong>Title: Remapping Dissensus in Cognitive Capitalism: The Glossary of Cognitive Activism<br \/>\nSpeaker: Warren Neidich<\/strong><\/p>\n<p>Warren Neidich is a Berlin and Los Angeles-based post-conceptual artist and theorist who exposes the interfaces between Marxist inspired cultural production and its interrelationship to the brain and cognitive capitalism to produce an Emancipatory Materialism. His interdisciplinary anarchic experimental works combine photographic and video elements, Internet downloads, scotch tape, painting, and noise installations. Selected international exhibitions include: PS1 MOMA, the Whitney Museum of American Art, ICA London, the Museum of Contemporary Art Chicago, the Walker Art Center, Kunsthaus Graz, Kunsthaus Z\u00fcrich, and Los Angeles County Museum. He was a tutor at Goldsmiths College on the MA Visual Arts, and has taught at Harvard University, Princeton University, Brown University, Columbia University, University of Cambridge, the D\u00fcsseldorf Academy, among others. Selected awards include the Fulbright Specialist Program Award, Fine Arts Category, American University in Cairo, 2013, and the Vilem Flusser Theory Award, Berlin, 2010. His book The Psychopathologies of Cognitive Capitalism Part Two was recently published by Archive Press, Berlin, Germany. His collection of essays Resistance is Fertile will be published by Merve Verlag in 2014.<\/p>\n<p>We are witnessing a diffuse degrading of our personal freedoms. The resurgence of racism and sexism, the power of the global art market, the deemphasis of theory and humanities curriculum in universities, and the various assaults on our privacy, such as digital profiling, are just a few examples of a strategy of normalization and governmentalization in the digital economy.  The insensibility of democratic institutions to the will of the people, that massive demonstrations against American and British involvement in the Iraq War had no effect is a direct result of trying to use archaic forms of resistance to solve twenty-first century problems of communicative algorithmic capitalism. We live  in a world of tremendous connectivity but little collectivity! Immaterial digital labor is precarious and isolating in spite of what we are led to believe. Remapping Activism and the production of a Glossary of Cognitive Activism is my attempt to update the epistemological foundations of the necessary conditions of a resistant form of thought. Cognitive capitalism assumes that wealth production is a product of the factory of the brain highly tuned and attentive to a hyper branded designed distribution of sensibilities. This project understands the role of diverse aesthetic production in the creation of heterotopy of diverse neural maps and coupled network configurations, a so-called emancipatory materialism that Jacques Ranci\u00e8re would call ] a redistribution of sensibility.  My project takes the ideas of Foucault, Deleuze, Ranci\u00e8re and Agamben to elaborate a theory of extended mind and cognition in which  the power of aesthetic production to sculpt the neuralplastic potential is on par or even greater than those forms emanating from institutional regimes.  I  work with audiences to further refine and elaborate this glossary. I hope that together we can build the foundation for a socially engaged artistic practice that confronts these threats.<\/p>\n<p><strong>1.00 PM &#8211; 2.00 PM<br \/>\nTUESDAY 11 NOVEMBER 2014<br \/>\nCANTOR 9016<\/strong><\/p>\n<p>All SHU staff and students are welcome to attend the C3RI Lunchtime Research Seminars. If you are from outside of the University and would like to attend a seminar, please email CCRC Administrator, <a href=\"mailto:R.Finch@shu.ac.uk\" target=\"_blank\">Rachel Finch<\/a> (<a href=\"mailto:R.Finch@shu.ac.uk\" target=\"_blank\">R.Finch@shu.ac.uk<\/a>) to arrange for entry.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Title: Remapping Dissensus in Cognitive Capitalism: The Glossary of Cognitive Activism Speaker: Warren Neidich Warren Neidich is a Berlin and Los Angeles-based post-conceptual artist and theorist who exposes the interfaces between Marxist inspired cultural production and its interrelationship to the brain and cognitive capitalism to produce an Emancipatory Materialism. His interdisciplinary anarchic experimental works combine photographic and video elements, Internet [&#8230;]<\/p>\n","protected":false},"author":1158,"featured_media":457,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[103],"tags":[5,121,109],"class_list":["post-456","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","tag-art-and-design-research-centre","tag-external-speaker","tag-fine-art-research"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2014\/10\/ATT40009.jpeg?fit=399%2C300&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-7m","jetpack-related-posts":[{"id":5933,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/paul-seawright-lecture\/","url_meta":{"origin":456,"position":0},"title":"Talk by Professor Paul Seawright &#8211; Thursday 24 January 2019 at the Sheffield Institute of Arts","author":"Ian Braddick","date":"19\/01\/2019","format":false,"excerpt":"Professor Paul Seawright, Executive Dean of the Faculty of Arts, Humanities and Social Sciences at Ulster University and internationally renowned photographer, will be presenting his research over the current REF census period and talking through his perspective on the current REF landscape at a talk on Thursday 24 January 2019.\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"SEAWRIGHT Lecture (They Dropped Like Flakes, They Dropped Like Stars - Bridge #1 Pittsburgh Image","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/01\/2019-01-24-SEAWRIGHT-Lecture-They-Dropped-Like-Flakes-They-Dropped-Like-Stars-Bridge-1-Pittsburgh.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/01\/2019-01-24-SEAWRIGHT-Lecture-They-Dropped-Like-Flakes-They-Dropped-Like-Stars-Bridge-1-Pittsburgh.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/01\/2019-01-24-SEAWRIGHT-Lecture-They-Dropped-Like-Flakes-They-Dropped-Like-Stars-Bridge-1-Pittsburgh.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/01\/2019-01-24-SEAWRIGHT-Lecture-They-Dropped-Like-Flakes-They-Dropped-Like-Stars-Bridge-1-Pittsburgh.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1161,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/research-seminar-mary-ellen-carroll\/","url_meta":{"origin":456,"position":1},"title":"Wednesday 20 April 2016 &#8211; Lunchtime seminar with Mary Ellen Carroll (AIA&#8217;s Artist of the Year)","author":"Ian Braddick","date":"20\/04\/2016","format":false,"excerpt":"Title: Mary Ellen Carroll in conversation with Dr Sharon Kivland Speaker: Mary Ellen Carroll (AIA's Artist of the Year) Hosted by: Dr Sharon Kivland (Fine Art, SHU) Mary Ellen Carroll lives and works in Houston, Texas and New York. Her career as an artist spans over twenty years across a\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"An image of a gallery exhibition space","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/02\/2016-04-20-CARROLL-Mary-Ellen.png?fit=400%2C273&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":12447,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/grasso-handy\/","url_meta":{"origin":456,"position":2},"title":"HANDY: Yorkshire Art Space: 23 &#8211; 27 September 2023","author":"Amy Lander","date":"14\/09\/2023","format":false,"excerpt":"Handy (1) What is touched when we encounter touchscreens? Our relationship with technology, particularly smartphones, resonates through the entirety of our senses and bodies. The manner of carriage, grip, and even the specific regions of skin contact exert influence. Embedded within the concept of Screen Time lies a comprehension of\u2026","rel":"","context":"In &quot;Doctoral research&quot;","block_context":{"text":"Doctoral research","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/doctoral-research\/"},"img":{"alt_text":"Poster created by Sofia Lai","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/09\/HANDY-Poster-1-e1694683278436-II.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/09\/HANDY-Poster-1-e1694683278436-II.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/09\/HANDY-Poster-1-e1694683278436-II.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/09\/HANDY-Poster-1-e1694683278436-II.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":700,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/research-seminar-galina-paramei\/","url_meta":{"origin":456,"position":3},"title":"Tuesday 22 November 2016 &#8211; Lunchtime seminar with Professor Galina Paramei (Psychology, Liverpool Hope University)","author":"Alison Honnor","date":"22\/11\/2016","format":false,"excerpt":"Speaker: Professor Galina Paramei (Department of Psychology, Liverpool Hope University) Title: Art expertise in construing meaning of representational and abstract artworks Professor Galina Paramei's research focuses primarily on colour vision: modelling colour perception in variant forms of colour vision; chromatic discrimination across the lifespan; changes in colour appearance caused by\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"Image of Professor Galina Paramei","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/01\/2016-11-22-PARAMEI-Galina-Art-expertise-construing-meaning.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":955,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/research-seminar-georgia-flouda\/","url_meta":{"origin":456,"position":4},"title":"Thursday 26 March 2015 &#8211; Lunchtime seminar with Georgia Flouda (Curator, Heraklion Archaeological Museum)","author":"Ian Braddick","date":"26\/03\/2015","format":false,"excerpt":"Title: The materiality of Linear A and Linear B: Modes of visual display and perception Speaker: Georgia Flouda (Curator, Herakleion Archaeological Museum) Hosted by Melanie Levick-Parkin (Visual Communication. SHU) Georgia Flouda is a Curator at the Heraklion Archaeological Museum, where she has been involved in designing and implementing the redisplay\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/02\/2015-03-26-FLOUDA-Georgia-Materiality-of-linear-A-and-linear-B.png?fit=302%2C300&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8578,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/gravity-2020-museum-2\/","url_meta":{"origin":456,"position":5},"title":"&#8216;Gravity 2020: Museum&#8217; &#8211; Gary Simmonds and Bob Partridge discuss Gwen John\u2019s &#8216;A Corner of The Artist&#8217;s Room in Paris&#8217;","author":"Ian Braddick","date":"04\/02\/2020","format":false,"excerpt":"Gravity: Museum We look forward to a new season of Gravity lectures convened in partnership with Museums Sheffield. Through Gravity, we offer an innovation platform that aims to build a learning community seeking new forms of understanding of art practice through speculative conversations that are often propositional and co-created between\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"2020-02-06 SIMMONDS Gary - Gravity Museum II - Image detail from Gwen John\u2019s A Corner of The Artist's Room in Paris (1907-9)","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-02-06-SIMMONDS-Gary-Gravity-Museum-II-Image-detail-from-Gwen-John%E2%80%99s-A-Corner-of-The-Artists-Room-in-Paris-1907-9.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-02-06-SIMMONDS-Gary-Gravity-Museum-II-Image-detail-from-Gwen-John%E2%80%99s-A-Corner-of-The-Artists-Room-in-Paris-1907-9.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-02-06-SIMMONDS-Gary-Gravity-Museum-II-Image-detail-from-Gwen-John%E2%80%99s-A-Corner-of-The-Artists-Room-in-Paris-1907-9.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-02-06-SIMMONDS-Gary-Gravity-Museum-II-Image-detail-from-Gwen-John%E2%80%99s-A-Corner-of-The-Artists-Room-in-Paris-1907-9.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/456","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/comments?post=456"}],"version-history":[{"count":2,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/456\/revisions"}],"predecessor-version":[{"id":464,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/456\/revisions\/464"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media\/457"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media?parent=456"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/categories?post=456"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/tags?post=456"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}