{"id":4118,"date":"2018-01-25T12:00:44","date_gmt":"2018-01-25T12:00:44","guid":{"rendered":"http:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=4118"},"modified":"2018-07-26T12:07:52","modified_gmt":"2018-07-26T11:07:52","slug":"sharon-kivland-entreprise-de-seduction-hec","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-entreprise-de-seduction-hec\/","title":{"rendered":"‘Entreprise de S\u00e9duction’: Sharon Kivland’s new exhibition at HEC Paris opens 11 January 2018"},"content":{"rendered":"

Dr Sharon Kivland<\/a>, Reader in Fine Art at Sheffield Hallam University, presents a new exhibition entitled\u00a0ENTREPRISE DE S\u00c9DUCTION<\/a><\/em>\u00a0at the Contemporary Art Space at HEC Paris<\/a>. The solo show, organised in partnership with\u00a0Mus\u00e9e de la Toile de Jouy<\/a>\u00a0and\u00a0which opened on 11 January 2018, will be shown until 11 May 2018 and is open by appointment.<\/p>\n

Beneath the discourses and ideologies in which the colonial web is spun lies the appetite of the merchant. While colonialism is made up of many pieces, its core is economic, a machine of production and manufacture,profit and reinvestment, appetite and consumption.<\/em>
\nAim\u00e9 C\u00e9saire<\/strong><\/p><\/blockquote>\n

Give some ribbons, gauze, muslin, and flowers to a tasteful young girl who despises fashion. [\u2026] she is going to produce for herself an outfit that will make her a hundred times more charming.<\/em>
\nJean-Jacques Rousseau<\/strong><\/p><\/blockquote>\n

\"Image<\/a><\/p>\n

ENTREPRISE DE S\u00c9DUCTION<\/a><\/em>\u00a0 is an exhibition in five parts, each corresponding to a room in the exhibition space. The work developed from research on the Manufacture Oberkampf in the archives of the Mus\u00e9e de la Toile de Jouy<\/a>, and the exhibition will be followed by a publication in 2018. The period of activity of the Manufacture Oberkampf spans early industrial development in pre-revolutionary France to its closure in 1843; the end of the empire marks the decline of the enterprise. The Manufacture may be noted for the \u2018benevolent\u2019 factory conditions, the pastoral and political images of the printed cloth it produced, and its somewhat concealed relation to the colonial enterprise. Oberkampf\u2019s factory displayed the conditions of production of the transition to what E. P. Thompson calls \u2018industrial capitalism\u2019, not only in the changes in techniques of manufacture that demand greater synchronisation of labour and increasing exactitude in time-routines, but also in how these changes are lived through. A \u2018factory system\u2019 and a \u2018domestic system\u2019 overlap.<\/p>\n

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\"Image<\/a><\/p>\n

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The works address the complex relations between desire and consumption under capitalism, reconceptualising as the capture and remoulding of desire. Two figures set the boundaries: Rousseau and Robespierre, both present as corpses in some form: the tomb of the former, as an etching derived from a toile de Jouy, and the cadaver of a headless mannequin. The works are conceived as objects with the form of visual literacy. They have material agency. They are seen. They are read. The exhibition includes antiques, trifles, ribbons, silk and lace, d\u00e9shabill\u00e9s. It is incroyable and merveilleux.<\/p>\n

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\"Image<\/a><\/p>\n

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The exhibition is composed of four tableaux. Each provides a scene or staging. Each incorporates similar elements in different forms: skin, furniture, image\/s, naturalised creatures, and an object or objects made by hand, by a skilled producer in four cases, by a diligent amateur in the fifth. In each scene there is a reference drawn from the Manufacture Oberkampf.<\/p>\n

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\"Image<\/a><\/p>\n

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ENTREPRISE DE S\u00c9DUCTION<\/a><\/em><\/strong>
\nContemporary Art Space, \u00a0HEC Paris<\/a><\/strong>
\n1 Rue de la Liberation 78350 Jouy-en-Josas, Paris<\/strong>
\n11 January 2018 until 11 May 2018, open by appointment<\/strong><\/p>\n

Find out more about Sharon Kivland\u2019s work\u00a0here<\/a>.<\/p>\n

Dr Sharon Kivland<\/a>\u00a0is a Reader in Fine Art at Sheffield Hallam University.<\/p>\n

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 <\/p>\n","protected":false},"excerpt":{"rendered":"

Dr Sharon Kivland, Reader in Fine Art at Sheffield Hallam University, presents a new exhibition entitled\u00a0ENTREPRISE DE S\u00c9DUCTION\u00a0at the Contemporary Art Space at HEC Paris. The solo show, organised in partnership with\u00a0Mus\u00e9e de la Toile de Jouy\u00a0and\u00a0which opened on 11 January 2018, will be shown until 11 May 2018 and is open by appointment. Beneath the discourses and ideologies in […]<\/p>\n","protected":false},"author":8633,"featured_media":4121,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[198,139],"tags":[5,622,399,109,309,144],"class_list":["post-4118","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition","category-news","tag-art-and-design-research-centre","tag-capitalism","tag-exhibition","tag-fine-art-research","tag-paris","tag-sharon-kivland"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/01\/KIVLAND-2018-01-Entreprise.jpg?fit=890%2C290&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-14q","jetpack-related-posts":[{"id":5669,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/tranmission-kivland-clinton\/","url_meta":{"origin":4118,"position":0},"title":"Transmission: Sharon Kivland and Paul Clinton – Tuesday 20 November 2018","author":"Ian Braddick","date":"19\/11\/2018","format":false,"excerpt":"Paul Clinton and Sharon Kivland met earlier this year and have not stopped talking since. They talk about the erotics of revolution, transgression and prohibition, the \u00e9v\u00e9nements and legacy of May 1968, the films of Eric Rohmer and the writing of Pierre Klossowski, jewellery and death, political alliances and psychoanalysis,\u2026","rel":"","context":"In "Events"","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"Transmission banner for Paul Clinton and Sharon Kivland","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/11\/2018-11-20-Transmission-Paul-Clinton-and-Sharon-Kivland.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/11\/2018-11-20-Transmission-Paul-Clinton-and-Sharon-Kivland.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/11\/2018-11-20-Transmission-Paul-Clinton-and-Sharon-Kivland.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/11\/2018-11-20-Transmission-Paul-Clinton-and-Sharon-Kivland.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4544,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-set-up-paris\/","url_meta":{"origin":4118,"position":1},"title":"Dr Sharon Kivland featured in ‘SET UP’ at Cit\u00e9 internationale des arts – Friday 06 April 2018","author":"Ian Braddick","date":"05\/04\/2018","format":false,"excerpt":"Reader in Fine Art\u00a0Dr Sharon Kivland\u00a0will have work featured in\u00a0SET UP, an exhibition taking place at the\u00a0Cit\u00e9 internationale des arts\u00a0in Paris\u00a0this Friday 06 April.\u00a0SET UP\u00a0is a public rendering of the research projects of five artist\/commissioner pairs as part of a collaboration between CEA (Association fran\u00e7aise des commissaires d'exposition) and the\u00a0R\u00e9seau\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/exhibition\/"},"img":{"alt_text":"Image courtesy of Sharon Kivland - Maintenir le corps\u00a0by Sharon Kivland","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/KIVLAND-Foxes.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/KIVLAND-Foxes.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/KIVLAND-Foxes.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/KIVLAND-Foxes.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":5250,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-garage-moscow\/","url_meta":{"origin":4118,"position":2},"title":"‘The Fabric of Felicity’ – Dr Sharon Kivland featuring in upcoming exhibition at Garage MCA, Moscow","author":"Ian Braddick","date":"01\/08\/2018","format":false,"excerpt":"Reader in Fine Art\u00a0Dr Sharon Kivland will feature her work\u00a0The Terror is nothing other than prompt, severe, inflexible justice in an international project showcasing\u00a0clothes in art outside of the context of the fashion industry next month at the Garage Museum of Contemporary Art in Moscow. The exhibition, entitled\u00a0The Fabric of\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/exhibition\/"},"img":{"alt_text":"Image courtesy of Sharon Kivland - Maintenir le corps\u00a0by Sharon Kivland plus Garage MCA logo","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/08\/KIVLAND-2018-09-Garage-Moscow.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/08\/KIVLAND-2018-09-Garage-Moscow.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/08\/KIVLAND-2018-09-Garage-Moscow.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/08\/KIVLAND-2018-09-Garage-Moscow.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":7348,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/air-de-fete-sharon-kivland\/","url_meta":{"origin":4118,"position":3},"title":"‘Air de f\u00eate’ – Sharon Kivland featured in exhibition in Saint-Briac this summer","author":"Ian Braddick","date":"02\/07\/2019","format":false,"excerpt":"Air de f\u00eate\u00a0is an open-air exhibition taking place this summer on the streets of Saint-Briac-sur-Mer, Brittany. Amongst 50 artists, Reader in Fine Art Sharon Kivland\u00a0will exhibit work in the festival - a collaboration between the town of Siant-Briac and Frac Bretagne\u00a0- with an aim to raise awareness of contemporary art.\u2026","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Air de fete - Exhibition featuring Sharon Kivland","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/07\/2019-07-KIVLAND-Sharon-Air-de-fete-exhibition-1.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/07\/2019-07-KIVLAND-Sharon-Air-de-fete-exhibition-1.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/07\/2019-07-KIVLAND-Sharon-Air-de-fete-exhibition-1.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/07\/2019-07-KIVLAND-Sharon-Air-de-fete-exhibition-1.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2911,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-bob-calle-prix\/","url_meta":{"origin":4118,"position":4},"title":"Dr Sharon Kivland’s ‘A Lover’s Discourse’ pre-selected for the Bob Calle Prix du livre d’artiste 2017","author":"Ian Braddick","date":"14\/09\/2017","format":false,"excerpt":"Update - 16 October 2017 Sharon Kivland has now been shortlisted for the Bob Calle Prix du livre d'artiste prize. The two winners will be announced today at a reception and exhibition at the Ecole des Beaux Arts in Paris. Dr Sharon Kivland's book A Lover\u2019s Discourse \/ Un discours\u2026","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/03\/KIVLAND-2017-03-Lovers-Discourse.png?fit=253%2C300&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4189,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-rhinoceral-words\/","url_meta":{"origin":4118,"position":5},"title":"‘Rhinoceral Words’: New exhibition in Geneva features work by Sharon Kivland – Opens 09 February 2018","author":"Ian Braddick","date":"07\/02\/2018","format":false,"excerpt":"Dr Sharon Kivland, Reader in Fine Art at Sheffield Hallam University, will feature in an exhibition taking place at Fonderie Kugler\u00a0in Geneva entitled Rhinoceral Words II - Exposition.\u00a0The exhibition opens on Friday 09 February 2018 and brings together five artists from different European regions to open a dialogue about the\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/exhibition\/"},"img":{"alt_text":"Banner image for exhibition at Fonderie Kugler - featuring work by Sharon Kivland. 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