{"id":3739,"date":"2017-11-30T11:51:36","date_gmt":"2017-11-30T11:51:36","guid":{"rendered":"http:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=3739"},"modified":"2018-07-26T12:08:50","modified_gmt":"2018-07-26T11:08:50","slug":"tc-mccormack-immense-ventriloquism-berlin","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/tc-mccormack-immense-ventriloquism-berlin\/","title":{"rendered":"&#8216;The Immense Ventriloquism&#8217; &#8211; TC McCormack&#8217;s exhibition opens in Berlin &#8211; Friday 01 December"},"content":{"rendered":"<p><a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/col-mccormack\" target=\"_blank\">TC McCormack<\/a>, Senior Lecturer of Fine Art at Sheffield Hallam University, will be opening an exhibition titled <em><a href=\"http:\/\/www.thenationalmuseum.de\/?page_id=610\" target=\"_blank\">The Immense Ventriloquism<\/a><\/em> this Friday in Berlin. Taking place at <a href=\"http:\/\/www.thenationalmuseum.de\/\" target=\"_blank\">nationalmuseum<\/a>, the exhibition considers how our man-made structures exist both in and out of time, and how the course of history continually reappraises objects, resources and even nature.<\/p>\n<p><strong><a href=\"http:\/\/www.thenationalmuseum.de\/?page_id=610\" target=\"_blank\"><em>The Immense Ventriloquism<\/em><\/a> &#8211; <a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/col-mccormack\" target=\"_blank\">TC McCormack<\/a><br \/>\n<a href=\"http:\/\/www.thenationalmuseum.de\/\" target=\"_blank\">nationalmuseum<\/a>, 10967 Berlin<br \/>\nExhibition opens with private viewing 7PM on Friday 01 December, closing Sunday 31 December 2017<\/strong><\/p>\n<p><em>&#8220;if I could, I would be ungraspable, I\u2019d rather be a broken hammer, than a nail, I surely would, If I could&#8221;<\/em> [1]<\/p>\n<p>The Immense Ventriloquism has a particular rhythmic structure, simultaneously achieved through the cadence of the films visual phrasing and via the recalcitrant curation of a series of patterned motifs, that in turn act upon the work and in the space. The title was inspired by the poem <em><a href=\"https:\/\/www.poetryfoundation.org\/poems\/52143\/not-ideas-about-the-thing-but-the-thing-itself\" target=\"_blank\">Not Ideas About the Thing but the Thing Itself<\/a><\/em>, The Collected Poems of Wallace Stevens, Alfred A Knopf, New York 1954.<\/p>\n<p>In this exhibition, TC McCormack considers how our man-made structures exist in and out of time, and how the course of history continually reappraises objects, resources and even nature.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/12\/MCCORMACK-2017-12-Berlin-exhibition.jpg?w=860&#038;ssl=1\" alt=\"Image courtesy of TC McCormack\" \/><\/p>\n<p>A diptych of films sets up a dialogue in nationalmuseum, a type of spatial and tonal conversation that pervades the other works. Their sequential construction allows different scenes to move between and across the two films. Each scene appears as a material configuration: from a divergent fragmentation, as an unfolding act of dislocation, to a rupture that triggers a reclassification of place.<\/p>\n<p>An arrangement of sculptures is situated on a low platform; this curated assemblage is animated by a new sequence of projected patterns. All participating artists have consented to their work being placed in close proximity. In modifying a technology [2] designed to displace the viewer\u2019s ability to view, the patterns dissolve and dissemble, when placed in contact with form and surface. This form of curation sets the conditions to reexamine sculpture in a different light.<\/p>\n<p>Assemblage platform features work by: Matthew Burbidge, Sonja Burbidge, Ingo Gerken, Marie von Heyl, Wolf von Kries, Lea Torp Nielsen, Michael Schultze and Oliver Zwink.<\/p>\n<p><em>[1] A line taken from the film diptych.<br \/>\n[2] Commercial designs made for negating digital camera\u2019s auto focus and sonar technology.<\/em><\/p>\n<p><a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/col-mccormack\" target=\"_blank\">TC McCormack<\/a>\u00a0is a Senior Lecturer in Fine Art at Sheffield Hallam University and researcher at the\u00a0<a href=\"https:\/\/www.shu.ac.uk\/research\/specialisms\/cultural-communication-and-computing-research-institute\/research-centres\/art-and-design-research-centre\" target=\"_blank\">Art &amp; Design Research Centre<\/a>. Follow <a href=\"https:\/\/twitter.com\/tcolmccormack?lang=en\" target=\"_blank\">@tcolmccormack<\/a> and find out more about his work <a href=\"http:\/\/www.tcmccormack.co.uk\/\" target=\"_blank\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TC McCormack, Senior Lecturer of Fine Art at Sheffield Hallam University, will be opening an exhibition titled The Immense Ventriloquism this Friday in Berlin. Taking place at nationalmuseum, the exhibition considers how our man-made structures exist both in and out of time, and how the course of history continually reappraises objects, resources and even nature. The Immense Ventriloquism &#8211; TC [&#8230;]<\/p>\n","protected":false},"author":8633,"featured_media":3753,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[139],"tags":[5,580,399,109,420],"class_list":["post-3739","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-art-and-design-research-centre","tag-berlin","tag-exhibition","tag-fine-art-research","tag-tc-mccormack"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/11\/MCCORMACK-2017-12-Berlin-exhibition-2.jpg?fit=890%2C290&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-Yj","jetpack-related-posts":[{"id":8820,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/tc-mccormack-immense-ventriloquism-2\/","url_meta":{"origin":3739,"position":0},"title":"The Immense Ventriloquism &#8211; Part.2 TC McCormack &amp; guest artists exhibition in Berlin &#8211; 6 March to 5 April 2020","author":"Laura Hetherington","date":"04\/03\/2020","format":false,"excerpt":"Senior Lecturer of Fine Art at Sheffield Hallam University, TC McCormack, will be showcasing his new work at exhibition The Immense Ventriloquism - Part.2 this Friday in Berlin at nationalmuseum. His work will be presented alongside new and existing works by guest artists: Clara Bausch, Matthew Burbidge, Ingo Gerken, Marie\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/03\/immense-ventriloquism-1.jpg?fit=890%2C292&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/03\/immense-ventriloquism-1.jpg?fit=890%2C292&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/03\/immense-ventriloquism-1.jpg?fit=890%2C292&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/03\/immense-ventriloquism-1.jpg?fit=890%2C292&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4042,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/tc-mcormack-blog-immense-ventriloquism\/","url_meta":{"origin":3739,"position":1},"title":"Researcher Blog by TC McCormack: The Immense Ventriloquism","author":"Alison Honnor","date":"22\/01\/2018","format":false,"excerpt":"About the author TC McCormack is Senior Lecturer in Fine Art at Sheffield Institute of Arts (SIA) and in C3RI's Art & Design Research Centre (ADRC). TC's practice-led research takes a multi-disciplinary approach using\u00a0video, photography, collage, text and curatorial practice. His\u00a0research incorporates subjects as diverse as the contradictions of modernist\u2026","rel":"","context":"In &quot;Researcher blog&quot;","block_context":{"text":"Researcher blog","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/researcher-blog\/"},"img":{"alt_text":"The Immense Ventriloquism, Platform side view (detail), nationalmuseum, Berlin. TC McCormack (2017).","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/01\/1.-Platform-side-view-detail-e1516638899988.jpg?fit=999%2C291&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/01\/1.-Platform-side-view-detail-e1516638899988.jpg?fit=999%2C291&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/01\/1.-Platform-side-view-detail-e1516638899988.jpg?fit=999%2C291&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/01\/1.-Platform-side-view-detail-e1516638899988.jpg?fit=999%2C291&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":5314,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/as-much-about-forgetting-viborg\/","url_meta":{"origin":3739,"position":2},"title":"Michelle Atherton and TC McCormack co-curate the group exhibition &#8216;AS MUCH ABOUT FORGETTING&#8217; with Jette Gejl (Danish artist, curator and academic) at Viborg Kunsthal, Denmark","author":"Ian Braddick","date":"04\/09\/2018","format":false,"excerpt":"This Friday sees the public opening of a new exhibition featuring Sheffield Hallam University Senior Lecturers in Fine Art Michelle Atherton and TC McCormack\u00a0at\u00a0Viborg Kunsthal, Denmark. The exhibition AS MUCH ABOUT FORGETTING has the tensions of history and memory at its core. The participating artists use installations, sculptures, videos, large-scale\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/exhibition\/"},"img":{"alt_text":"Banner image for 'AS MUCH ABOUT FORGETTING' - an exhibition at Viborg Kunsthal, also featuring logo of Viborg Kunsthal","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/09\/ATHERTON-MCCORMACK-2018-09-Viborg-As-Much-About-Forgetting.jpg?fit=890%2C291&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/09\/ATHERTON-MCCORMACK-2018-09-Viborg-As-Much-About-Forgetting.jpg?fit=890%2C291&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/09\/ATHERTON-MCCORMACK-2018-09-Viborg-As-Much-About-Forgetting.jpg?fit=890%2C291&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/09\/ATHERTON-MCCORMACK-2018-09-Viborg-As-Much-About-Forgetting.jpg?fit=890%2C291&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2414,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/michelle-atherton-col-mccormack-simulated-heritage-lab\/","url_meta":{"origin":3739,"position":3},"title":"&#8216;Simulated Heritage Laboratory&#8217; at KH7 Aarhus &#8211; exhibition by Michelle Atherton and TC McCormack open until July 24","author":"Ian Braddick","date":"20\/07\/2017","format":false,"excerpt":"Michelle Atherton (Fine Art, SHU) and TC McCormack (Fine Art, SHU) in collaboration with Danish artist Jette Gejl will be resident at KH7artspace in Denmark for a period of eight days working on a new project entitled the Simulated Heritage Laboratory. Simulated Heritage Laboratory KH7 Aarhus, Denmark 2.30PM - 4PM\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/exhibition\/"},"img":{"alt_text":"Image of the exhibition space at KH7 Aarhus for Dirty Magic by Michelle Atherton and TC McCormack. Image courtesy of TC McCormack.","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/07\/ATHERTON-McCORMACK-2017-07-Dirty-Magic.jpg?fit=800%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/07\/ATHERTON-McCORMACK-2017-07-Dirty-Magic.jpg?fit=800%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/07\/ATHERTON-McCORMACK-2017-07-Dirty-Magic.jpg?fit=800%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/07\/ATHERTON-McCORMACK-2017-07-Dirty-Magic.jpg?fit=800%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":10032,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/tc-mccormack-paysages-sous-tensions\/","url_meta":{"origin":3739,"position":4},"title":"&#8216;Paysages sous tensions&#8217; &#8211; TC McCormack &#8216;Most Objects Go Unseen&#8217; in group exhibition at Espace d&#8217;art La Brava in Th\u00f4nes","author":"Ian Braddick","date":"22\/04\/2021","format":false,"excerpt":"Paysages Sous Tensions Espace d\u2019art La Brava, Th\u00f4nes, France Saturday 03 April 2021 - Saturday 29 May 2021 L\u2019exposition s\u2019empare des questions soulev\u00e9es par les relations qu\u2019entretiennent espaces naturels et activit\u00e9s humaines. Les artistes pr\u00e9sent\u00e9s envisagent le paysage comme sujet de r\u00e9flexion po\u00e9tique, esth\u00e9tique et politique : en posant un\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Exhibition poster for Paysages sous tensions - Group exhibition featuring work by TC McCormack at Espace d'art La Brava Th\u00f4nes","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/Paysages-sous-tensions-Th%C3%B4nes-Exhibition-1.jpg?fit=1200%2C391&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/Paysages-sous-tensions-Th%C3%B4nes-Exhibition-1.jpg?fit=1200%2C391&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/Paysages-sous-tensions-Th%C3%B4nes-Exhibition-1.jpg?fit=1200%2C391&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/Paysages-sous-tensions-Th%C3%B4nes-Exhibition-1.jpg?fit=1200%2C391&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/Paysages-sous-tensions-Th%C3%B4nes-Exhibition-1.jpg?fit=1200%2C391&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":3610,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/tc-mccormack-algomech\/","url_meta":{"origin":3739,"position":5},"title":"&#8216;Playing the ends against the middle&#8217; &#8211; TC McCormack&#8217;s work exhibited as part of AlgoMech festival until 12 November","author":"Ian Braddick","date":"09\/11\/2017","format":false,"excerpt":"TC McCormack, Senior Lecturer of Fine Art at Sheffield Hallam University, will be exhibiting this week as part of AlgoMech Festival in Sheffield, an exhibition of algorithmic and mechanical movement. Playing the ends against the middle is a new site-specific work made in collaboration with Darren Chouings , and the\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Banner image of Algomech festival logo","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/11\/MCCORMACK-2017-11-Algomech.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/11\/MCCORMACK-2017-11-Algomech.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/11\/MCCORMACK-2017-11-Algomech.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/11\/MCCORMACK-2017-11-Algomech.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/3739","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/comments?post=3739"}],"version-history":[{"count":6,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/3739\/revisions"}],"predecessor-version":[{"id":3752,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/3739\/revisions\/3752"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media\/3753"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media?parent=3739"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/categories?post=3739"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/tags?post=3739"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}