{"id":3624,"date":"2017-11-10T15:08:15","date_gmt":"2017-11-10T15:08:15","guid":{"rendered":"http:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=3624"},"modified":"2018-01-22T11:18:55","modified_gmt":"2018-01-22T11:18:55","slug":"esther-johnson-asunder-blog","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/esther-johnson-asunder-blog\/","title":{"rendered":"Researcher Blog by Professor Esther Johnson: Asunder – The Story of an English Town in the First World War"},"content":{"rendered":"
\n

About the author<\/h4>\n
\n

Esther Johnson<\/a> is Professor of Film and Media Arts in the Art and Design Research Centre (ADRC) in C3RI at Sheffield Hallam University.\u00a0Esther’s work\u00a0<\/a>is at the intersection of artist moving image and documentary. Her poetic portraits focus on marginal worlds, revealing resonant stories that may otherwise remain hidden or ignored. Esther’s work has been exhibited internationally in 40 countries, and has also featured on television and radio. In 2012 Johnson won the Philip Leverhulme Research Prize in Performing and Visual Arts for young scholars.<\/p><\/blockquote>\n

Esther Johnson<\/a>\u00a0was commissioned to make a documentary film by 14-18 Now<\/a> as part of a five-year long cultural commemoration of World War I. The film Asunder: The Story of an English Town in the First World War<\/a><\/strong>\u00a0is the moving and poetic outcome of this commission. As we approach Remembrance Day 2017, Esther sheds light on the lives of some of the people she discovered during her research for the film.\u00a0<\/em><\/p>\n

 <\/p>\n

<\/h6>\n
\u201cAnd then\u2026all the world began to roar.\u201d<\/em><\/h5>\n
\u2013 Private William Finlay, Durham Light Infantry Regiment and Lincolnshire Regiment<\/h5>\n

 <\/p>\n

\"Still

Still image from Asunder film*. Esther Johnson.<\/p><\/div>\n

 <\/p>\n

Bella Reay, a young munitions worker, was a whizz footballer scoring 133 goals for Blyth Spartans in one season; and Robert Hope (Hepple), a 19-year old soldier and former shipyard worker, was shot at dawn for desertion. These are just some of the stories highlighted in my feature documentary,\u00a0Asunder<\/a><\/strong>. Commissioned as part of 14\u201318 NOW<\/a>\u2019s First World War centenary arts programme, the film tells the story of Sunderland and the North East, a vulnerable area during WW1 due to its shipyards and munitions factories. Asunder<\/strong> uses archive film with contemporary footage, alongside a specially commissioned score by Sunderland\u2019s Mercury-nominated Field Music<\/a> and Newcastle\u2019s Warm Digits<\/a>, with narration by Kate Adie<\/a> and Alun Armstrong<\/a>\u00a0written by Bob Stanley and incorporating oral histories, diaries and 1914\u201318 newspaper stories. The premiere took place in July 2016, marking the centenary of the horrific battle of the Somme. This was the largest battle of the War, commencing 1 July 1916, with the largest recorded losses by Britain in a single day, a staggering 57,470<\/a>\u00a0casualties.<\/p>\n

\"Still

Still image from Asunder film*. Esther Johnson.<\/p><\/div>\n

I was keen to create a work that would present a new way of understanding the War, and so set out to uncover hidden social histories of both the home and western fronts. I aimed to use stories and period footage a viewer might not expect, such as moments of magic during the horror, and attempts at finding normality in abnormal circumstances. I wanted to go beyond the footage of the frontline included in many accounts of WW1. Distinctive archive film includes young soldiers play-fighting and tending farm animals during their \u2018down-time\u2019; a soldier attempting to kiss a girl under the mistletoe; and animations of zeppelins, and a \u2018Man in the Moon\u2019. WW1 was the first major conflict with the large use of aircraft and tanks, so I wanted to include footage shot from a different point of view \u00ad\u2013 from the air and from the turret of a tank. This remarkable archive is collaged alongside contemporary footage I shot in North East locations that where once home to the film characters.<\/p>\n

\"Still

Still image from Asunder film*. Esther Johnson.<\/p><\/div>\n

After researching in 12 local and national archives, and 5 film archives I choose the stories of 9 individuals who experienced the War first hand. These extraordinary stories include the immense changes for women during the period; from the new possibilities in jobs, seen in the life of Margaret Holmes, a young tram conductress who survived a zeppelin raid on Sunderland; to stories of working women\u2019s suffrage activism highlighted in the account of Lisbeth Simm, a miner\u2019s daughter who wrote a column about the social conditions in the NE for the Northern Democrat. <\/em><\/p>\n

In contrast to the narratives of women on the home front, there is the story of Norman Gaudie<\/a>, a devout Quaker, and Sunderland AFC centre forward. As a conscientious objector, Gaudie was interned in Richmond Castle and sentenced to death, a sentence later repealed. The walls of Richmond Castle are home to a gallery of delicate pencil drawings by successive prisoners in the cells, one a faithful depiction of Norman Gaudie\u2019s mother.<\/p>\n

One of the most rewarding aspects of the research has been to uncover details about individuals that living family members didn\u2019t know existed. I\u2019ve managed to track down several living relatives connected to stories in the film, and hand my research over to these families. I have since been contacted by additional living relatives who on hearing about the project have got in touch and shared further details about their family history. Public screening Q&As has enabled an extension to the research with audience members sharing their own family experiences of the War. I have also received letters and short stories written in response to the film, and was invited to speak at a centenary remembrance service<\/a> for Robert Hope in Ypres during July of this year.<\/p>\n

\"Grave

Grave of Robert Hope (Hepple), Ypres. Esther Johnson.<\/p><\/div>\n

The premiere performance took place in the fitting Music Hall surroundings of the Sunderland Empire<\/a> with a live score performed by Field Music, Warm Digits, The Cornshed Sisters<\/a>, and the Royal Northern Sinfonia<\/a>. \u00a0Asunder<\/strong> has since been performed with live music at the Barbican<\/a> London, and is currently touring<\/a> to cinemas, community, schools and educational venues across the UK.\u00a0Asunder<\/strong> won the 2017 Journal Culture<\/a> Best Event Sunderland<\/em> Award, and was finalist for the Best Use of Footage in a Factual Production <\/em>Award by Focal International, the Federation of Commercial and Audio Visual Libraries<\/a>.<\/p>\n

 <\/p>\n

There will be a screening plus Q&A at\u00a0Curzon, Sheffield on 29 November 2017<\/a>.<\/p>\n

 <\/p>\n

* Asunder archive film stills courtesy of\u00a0British Film Institute, Imperial War Museum and North East Film Archive.<\/h6>\n
\n

Please note: Views expressed are those of the Author(s) and do not necessarily reflect those of SHU, C3RI\u00a0or the C3RI Impact\u00a0Blog.<\/em><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

About the author Esther Johnson is Professor of Film and Media Arts in the Art and Design Research Centre (ADRC) in C3RI at Sheffield Hallam University.\u00a0Esther’s work\u00a0is at the intersection of artist moving image and documentary. Her poetic portraits focus on marginal worlds, revealing resonant stories that may otherwise remain hidden or ignored. Esther’s work has been exhibited internationally in […]<\/p>\n","protected":false},"author":1158,"featured_media":3452,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[228],"tags":[5,571,141,140,124,115,570,569],"class_list":["post-3624","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-researcher-blog","tag-art-and-design-research-centre","tag-archives","tag-asunder","tag-esther-johnson","tag-film-research","tag-media-arts-research","tag-remembrance","tag-ww1"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/10\/JOHNSON-2017-ASUNDER.jpg?fit=890%2C290&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-Ws","jetpack-related-posts":[{"id":2935,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/asunder-esther-johnson-interviews\/","url_meta":{"origin":3624,"position":0},"title":"‘Asunder’ – Interviews with Professor Esther Johnson","author":"Ian Braddick","date":"18\/09\/2017","format":false,"excerpt":"Asunder, the award-winning film from film-maker and Professor of Film & Media Arts at Sheffield Hallam University Esther Johnson, was the focus of two recent interviews Esther gave over the last couple of weeks. 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