{"id":3463,"date":"2017-10-30T17:23:14","date_gmt":"2017-10-30T17:23:14","guid":{"rendered":"http:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=3463"},"modified":"2017-10-30T17:31:04","modified_gmt":"2017-10-30T17:31:04","slug":"block-party-peter-krashes-keith-wilson-reviews","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/block-party-peter-krashes-keith-wilson-reviews\/","title":{"rendered":"Prof Keith Wilson’s co-curated exhibition: Block Party shows Peter Krashes’ paintings in New York’s James Gallery (Reviews)"},"content":{"rendered":"

Block Party<\/a>:\u00a0<\/em>an exhibition linking the practices of painting and of activism points out the problematic of actions that can be consumed, ignored, and considered irrelevant by those in official political power through displaying the work of\u00a0Peter Krashes<\/a>.<\/p>\n

This show attracted a number of favourable reviews which available on the links below:<\/p>\n

1)\u00a0Huffington Post<\/strong>, 25 October 2017. Reviewed by G. Roger Denson.<\/p>\n

Off Photography, On Politics & About Painting: Peter Krashes Reviews Figurative Populism as Activism<\/a>.<\/p>\n

2)\u00a0Hyperallergic<\/strong>, 19 October 2017. Reviewed by Patrick Neal.<\/p>\n

How an Artist\u2019s Activism Nurtured His Painting<\/a>. This exhibition is a ten-year survey concentrating on Peter Krashes\u2019s paintings that emerged in an almost symbiotic relationship with his political involvement as a community organizer.<\/p>\n

3)\u00a0Delicious Line<\/strong>, 21 September 2017. Reviewed by Will Corwin.<\/p>\n

Peter Krashes: Block Party<\/a>\u00a0James Gallery, Graduate Center, City University of New York.<\/p>\n

4) Atlantic Yards \/ Pacific Park Report<\/strong>, 2 October 2017. Review by Norman Oder.<\/p>\n

“Block Party”: Peter Krashes’ paintings express community solidarity and neighborhood resistance\/frustration<\/a>.<\/p>\n

 <\/p>\n

The exhibition was\u00a0organised by\u00a0Professor Keith Wilson<\/a>\u00a0of Sheffield Hallam University’s\u00a0Art & Design Research Centre<\/a>\u00a0in collaboration with Katherine Carl at City University of New York.<\/p>\n

Block Party<\/em>
\nJames Gallery, City University of New York
\nFriday 15 September 2017 – Saturday 28 October 2017<\/strong><\/p>\n

Find out more about the exhibition\u00a0here<\/a>.<\/p>\n

 <\/p>\n

Keith Wilson<\/a>\u00a0is a Professor of Sculpture at Sheffield Hallam University and is currently working at the\u00a0Graduate Centre<\/a>\u00a0of\u00a0City University of New York<\/a>‘s Centre for the Humanities as Acting Executive Director.<\/p>\n","protected":false},"excerpt":{"rendered":"

Block Party:\u00a0an exhibition linking the practices of painting and of activism points out the problematic of actions that can be consumed, ignored, and considered irrelevant by those in official political power through displaying the work of\u00a0Peter Krashes. This show attracted a number of favourable reviews which available on the links below: 1)\u00a0Huffington Post, 25 October 2017. Reviewed by G. Roger […]<\/p>\n","protected":false},"author":1158,"featured_media":2466,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[139],"tags":[425,5,399,126,555],"class_list":["post-3463","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-activism","tag-art-and-design-research-centre","tag-exhibition","tag-keith-wilson","tag-painting"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/07\/WILSON-2017-09-Block-Party-Peter-Krashes-at-CUNY.jpg?fit=890%2C290&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-TR","jetpack-related-posts":[{"id":2465,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/block-party-james-gallery-keith-wilson\/","url_meta":{"origin":3463,"position":0},"title":"Block Party – Exhibition opens 15 September displaying Peter Krashes’ work in New York’s James Gallery – Co-organised by Professor Keith Wilson","author":"Ian Braddick","date":"15\/08\/2017","format":false,"excerpt":"Block Party is an exhibition linking the practices of painting and of activism points out the problematic of actions that can be consumed, ignored, and considered irrelevant by those in official political power through displaying the work of Peter Krashes. The exhibition has been organised by Professor Keith Wilson of\u2026","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Summer Streets by Peter Krashes","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/07\/WILSON-2017-09-Block-Party-Peter-Krashes-at-CUNY.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/07\/WILSON-2017-09-Block-Party-Peter-Krashes-at-CUNY.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/07\/WILSON-2017-09-Block-Party-Peter-Krashes-at-CUNY.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/07\/WILSON-2017-09-Block-Party-Peter-Krashes-at-CUNY.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4514,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/malevolent-eldritch-shrieking\/","url_meta":{"origin":3463,"position":1},"title":"An exhibition about painting (in some aspect) – ‘Malevolent Eldritch Shrieking’ features past and present staff and students, opens in Sheffield on 24 March 2018","author":"Ian Braddick","date":"20\/03\/2018","format":false,"excerpt":"Malevolent Eldritch Shrieking is an exhibition of painting in its broadest sense. 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