{"id":3437,"date":"2014-11-11T12:00:35","date_gmt":"2014-11-11T12:00:35","guid":{"rendered":"http:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=3437"},"modified":"2018-07-26T11:49:23","modified_gmt":"2018-07-26T10:49:23","slug":"gravity-2014-2015-fine-art-lecture-series","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/gravity-2014-2015-fine-art-lecture-series\/","title":{"rendered":"Fine Art lecture series : Gravity 2014\/15 programme"},"content":{"rendered":"<p>The programme for the Fine Art lecture series, <a href=\"http:\/\/www.gravity21.org\/\" target=\"_blank\">Gravity<\/a>, has been announced for 2014\/15. Please see below for information on each discussion, the invited artist and the chair.<\/p>\n<p>In 2014\/15 we invited guests to discuss their work by focusing on <em>Time<\/em>. We will look at how time is used as form, content and material by artists and how they have used their work to represent, evoke, manipulate or transform time.<\/p>\n<p>Find out more about this series of lectures <a href=\"http:\/\/gravity21.org\/time.html\" target=\"_blank\">here<\/a>.<\/p>\n<p><strong>Thursday 09 October<\/strong><br \/>\nINTRODUCTION to Gravity for new students and a brief outline of the theme of Time<br \/>\n<a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/penny-mccarthy\" target=\"_blank\">Penny McCarthy<\/a>, <a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/gary-simmonds\" target=\"_blank\">Gary Simmonds<\/a>, <a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/andrew-sneddon\" target=\"_blank\">Andrew Sneddon<\/a><\/p>\n<p><strong>Thursday 16 October<\/strong><br \/>\n<a href=\"https:\/\/en.wikipedia.org\/wiki\/Dawn_Mellor\" target=\"_blank\">DAWN MELLOR <\/a><br \/>\n<a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/penny-mccarthy\" target=\"_blank\">Penny McCarthy<\/a><\/p>\n<p><strong>Thursday 23 October<\/strong><br \/>\n<a href=\"http:\/\/www.sophiemolins.com\/\" target=\"_blank\">SOPHIE MOLINS<\/a><\/p>\n<p><strong>Thursday 30 October<\/strong><br \/>\n<a href=\"http:\/\/www.trebusprojects.org\/\" target=\"_blank\">DAVID CLEGG <\/a><br \/>\n<a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/yuen-fong-ling\" target=\"_blank\">Yuen Fong Ling<\/a><\/p>\n<p><strong>Thursday 13 November<\/strong><br \/>\nCOLLOQUIUM<br \/>\n<a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/penny-mccarthy\" target=\"_blank\">Penny McCarthy<\/a>, <a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/gary-simmonds\" target=\"_blank\">Gary Simmonds<\/a>, <a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/andrew-sneddon\" target=\"_blank\">Andrew Sneddon<\/a><\/p>\n<p><strong>Thursday 20 November<\/strong><br \/>\n<a href=\"http:\/\/www.thomasyeomans.com\/About.html\" target=\"_blank\">THOMAS YEOMANS <\/a><br \/>\nDale Holmes<\/p>\n<p><strong>Thursday 27 November<\/strong><br \/>\n<a href=\"https:\/\/rbs.org.uk\/artists\/andrew-burton\" target=\"_blank\">ANDREW BURTON <\/a><br \/>\n<a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/gary-simmonds\" target=\"_blank\">Gary Simmonds<\/a><\/p>\n<p><strong>Thursday 04 December<\/strong><br \/>\n<a href=\"https:\/\/trendland.com\/livia-martin-broken-things-nature-morte\/\" target=\"_blank\">LIVIA MARTIN <\/a><br \/>\n<a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/gary-simmonds\" target=\"_blank\">Gary Simmonds<\/a><\/p>\n<p>All Gravity lectures take start at 4PM and take place in the <a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-services\/event-services\/venues\/pennine-lecture-theatre\" target=\"_blank\">Pennine Lecture Theatre<\/a> at Sheffield Hallam University<\/p>\n<p><strong>About Gravity<\/strong><br \/>\nGravity is a forum for discussion of the significance and diversity of material practices in contemporary art to stimulate dialogue on issues of art and culture. The project encompasses a wide range of artistic traditions and takes a broad interdisciplinary approach to making and thinking about art. Alongside our research initiatives, we run a lecture series based in the Fine Art subject area at Sheffield Institute of Art at Sheffield Hallam University. Dynamic discussions connect art practice to science, architecture, literature, film and technology. Attracting students from across undergraduate, postgraduate and research areas as well as a public audience, Gravity has presented a series of presentations each year based on themes such as Beauty, Colour, Atmosphere and Pleasure to illuminate under-explored aspects of art practice and contribute to new interpretations and understanding of creative research.<\/p>\n<p>All art works and creative processes result from some expenditure of time, as time is the medium in which thought and material production take place. The contemplation of lost time has inspired works of art over the centuries from memento mori and vanitas paintings to Mexican Day of the Dead constructions, continuing to occupy a central place in practices of artists as diverse as Andy Warhol, Robert Smithson, Tehching Hsieh, Marina Abramovic, On Kawara, Christian Marclay and Felix Gonzalez- Torres, whose works reflect on the subject of time and broaden our understanding of the time involved in the practice of making art. In our technologically driven culture, radical changes have taken place in our experience of time and increasingly much of our engagement with art is mediated and removed from time, not only the passage of time, but also the time used by the artist to make the work or even the time period in which it was produced.<\/p>\n<p><a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/penny-mccarthy\" target=\"_blank\">Penny McCarthy<\/a> is Reader in Fine Art and researcher with the <a href=\"https:\/\/www.shu.ac.uk\/research\/specialisms\/cultural-communication-and-computing-research-institute\/research-centres\/art-and-design-research-centre\" target=\"_blank\">Art &amp; Design Research Centre<\/a> (ADRC).<br \/>\n<a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/gary-simmonds\" target=\"_blank\">Gary Simmonds<\/a> is Senior Lecturer and Course Leader in Creative Art Practice at SHU.<br \/>\n<a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/andrew-sneddon\" target=\"_blank\">Andrew Sneddon<\/a> is Senior Lecturer in Contemporary Fine Art and course leader for BA (Hons) Creative Art Practices at SHU.<br \/>\n<a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/yuen-fong-ling\" target=\"_blank\">Yuen Fong Ling<\/a> is a Senior Lecturer in Fine Art at Sheffield Hallam University.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The programme for the Fine Art lecture series, Gravity, has been announced for 2014\/15. Please see below for information on each discussion, the invited artist and the chair. In 2014\/15 we invited guests to discuss their work by focusing on Time. We will look at how time is used as form, content and material by artists and how they have [&#8230;]<\/p>\n","protected":false},"author":8633,"featured_media":3441,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[103],"tags":[5,552,554,549,551,548,550,146,553],"class_list":["post-3437","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","tag-art-and-design-research-centre","tag-andrew-sneddon","tag-dale-holmes","tag-fine-art","tag-gary-simmonds","tag-gravity","tag-lectures","tag-penny-mccarthy","tag-yuen-fong-ling"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/10\/2014-2015-Gravity-lectures.png?fit=890%2C290&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-Tr","jetpack-related-posts":[{"id":8578,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/gravity-2020-museum-2\/","url_meta":{"origin":3437,"position":0},"title":"&#8216;Gravity 2020: Museum&#8217; &#8211; Gary Simmonds and Bob Partridge discuss Gwen John\u2019s &#8216;A Corner of The Artist&#8217;s Room in Paris&#8217;","author":"Ian Braddick","date":"04\/02\/2020","format":false,"excerpt":"Gravity: Museum We look forward to a new season of Gravity lectures convened in partnership with Museums Sheffield. Through Gravity, we offer an innovation platform that aims to build a learning community seeking new forms of understanding of art practice through speculative conversations that are often propositional and co-created between\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"2020-02-06 SIMMONDS Gary - Gravity Museum II - Image detail from Gwen John\u2019s A Corner of The Artist's Room in Paris (1907-9)","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-02-06-SIMMONDS-Gary-Gravity-Museum-II-Image-detail-from-Gwen-John%E2%80%99s-A-Corner-of-The-Artists-Room-in-Paris-1907-9.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-02-06-SIMMONDS-Gary-Gravity-Museum-II-Image-detail-from-Gwen-John%E2%80%99s-A-Corner-of-The-Artists-Room-in-Paris-1907-9.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-02-06-SIMMONDS-Gary-Gravity-Museum-II-Image-detail-from-Gwen-John%E2%80%99s-A-Corner-of-The-Artists-Room-in-Paris-1907-9.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-02-06-SIMMONDS-Gary-Gravity-Museum-II-Image-detail-from-Gwen-John%E2%80%99s-A-Corner-of-The-Artists-Room-in-Paris-1907-9.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8501,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/gravity-2020-museum-1\/","url_meta":{"origin":3437,"position":1},"title":"&#8216;Introduction to Gravity with Penny McCarthy&#8217; &#8211; First lecture of the Gravity 2020: Museum series on Thursday 30 January","author":"Ian Braddick","date":"27\/01\/2020","format":false,"excerpt":"Gravity: Museum We look forward to a new season of Gravity lectures convened in partnership with Museums Sheffield. Through Gravity, we offer an innovation platform that aims to build a learning community seeking new forms of understanding of art practice through speculative conversations that are often propositional and co-created between\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"Image of Gravity logo, Museum Sheffield logo and Detail from The Temple of Time by Emma Willard (1846)","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/2020-01-30-McCARTHY-Penny-Gravity-Museum-I-Image-detail-from-The-Temple-of-Time-by-Emma-Willard-1846.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/2020-01-30-McCARTHY-Penny-Gravity-Museum-I-Image-detail-from-The-Temple-of-Time-by-Emma-Willard-1846.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/2020-01-30-McCARTHY-Penny-Gravity-Museum-I-Image-detail-from-The-Temple-of-Time-by-Emma-Willard-1846.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/2020-01-30-McCARTHY-Penny-Gravity-Museum-I-Image-detail-from-The-Temple-of-Time-by-Emma-Willard-1846.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4640,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/malevolent-eldritch-shrieking-gravity-lecture\/","url_meta":{"origin":3437,"position":2},"title":"&#8216;Malevolent Eldritch Shrieking&#8217; &#8211; SHU Gravity Lecture and exhibition tour with artist\/curator Paul Morrison &#8211; Tuesday 17 April 2018","author":"Ian Braddick","date":"16\/04\/2018","format":false,"excerpt":"Malevolent Eldritch Shrieking is an exhibition of painting in its broadest sense. As part of the Sheffield Institute of Art's Fine Art lecture series Gravity, Penny McCarthy and Gary Simmonds\u00a0will be hosting a discussion and tour of the exhibition with artist\/curator Paul Morrison on Tuesday 17 April at 4.30PM. For\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"Title and info taken from Malevolent Eldritch Shrieking flyer","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/2018-03-Malevolent-Eldritch-Shrieking.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/2018-03-Malevolent-Eldritch-Shrieking.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/2018-03-Malevolent-Eldritch-Shrieking.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/2018-03-Malevolent-Eldritch-Shrieking.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8585,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/gravity-2020-museum-3\/","url_meta":{"origin":3437,"position":3},"title":"&#8216;Gravity 2020: Museum&#8217; &#8211; Becky Shaw and Frances Scott in discussion","author":"Ian Braddick","date":"12\/02\/2020","format":false,"excerpt":"\u00a0 Gravity: Museum \u00a0 We look forward to a new season of Gravity lectures convened in partnership with Museums Sheffield. Through Gravity, we offer an innovation platform that aims to build a learning community seeking new forms of understanding of art practice through speculative conversations that are often propositional and\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"2020-02-13 SHAW Becky - Gravity Museum III - Image detail from PHX - X is for Xylonite","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-02-13-SHAW-Becky-Gravity-Museum-III-Image-detail-from-PHX-X-is-for-Xylonite.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-02-13-SHAW-Becky-Gravity-Museum-III-Image-detail-from-PHX-X-is-for-Xylonite.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-02-13-SHAW-Becky-Gravity-Museum-III-Image-detail-from-PHX-X-is-for-Xylonite.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-02-13-SHAW-Becky-Gravity-Museum-III-Image-detail-from-PHX-X-is-for-Xylonite.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":6211,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/transmission-sneddon-skoulding\/","url_meta":{"origin":3437,"position":4},"title":"Transmission: Andrew Sneddon and Zo\u00eb Skoulding &#8211; Tuesday 12 March 2019","author":"Ian Braddick","date":"05\/03\/2019","format":false,"excerpt":"A discussion that might revolve around the poetics of place, how inspiration might be received from particular locations, gardens and anti-gardens, nature excluded from architectural space, hidden or buried rivers. Andrew Sneddon is a Scottish artist living and working in the UK. He recently completed his doctorate, Confusions of meaning\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"Transmission logo and image for Andrew Sneddon and Zo\u00eb Skoulding","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-03-TRANSMISSION-Andrew-Sneddon-and-Zo%C3%AB-Skoulding.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-03-TRANSMISSION-Andrew-Sneddon-and-Zo%C3%AB-Skoulding.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-03-TRANSMISSION-Andrew-Sneddon-and-Zo%C3%AB-Skoulding.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-03-TRANSMISSION-Andrew-Sneddon-and-Zo%C3%AB-Skoulding.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":6206,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/transmission-simmonds-holmes\/","url_meta":{"origin":3437,"position":5},"title":"Transmission: Gary Simmonds and Dale Holmes &#8211; Tuesday 05 March 2019","author":"Ian Braddick","date":"26\/02\/2019","format":false,"excerpt":"Painting as a dialogue. Painting as a message. Painting as an exchange. Gary Simmonds and Dale Holmes started a conversation through painting ten years ago. The modes of address have changed, morphed, abstracted, reconfigured, and made new to fit the need to carry on communicating. They have used the languages\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"Transmission logo and image for Gary Simmonds and Dale Holmes","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-03-TRANSMISSION-Simmonds-and-Holmes.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-03-TRANSMISSION-Simmonds-and-Holmes.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-03-TRANSMISSION-Simmonds-and-Holmes.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-03-TRANSMISSION-Simmonds-and-Holmes.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/3437","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/comments?post=3437"}],"version-history":[{"count":5,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/3437\/revisions"}],"predecessor-version":[{"id":3521,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/3437\/revisions\/3521"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media\/3441"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media?parent=3437"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/categories?post=3437"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/tags?post=3437"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}