{"id":3432,"date":"2017-10-23T12:30:31","date_gmt":"2017-10-23T11:30:31","guid":{"rendered":"http:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=3432"},"modified":"2018-07-26T12:11:02","modified_gmt":"2018-07-26T11:11:02","slug":"esther-johnson-time-and-tide-plymouth","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/esther-johnson-time-and-tide-plymouth\/","title":{"rendered":"&#8216;Time and Tide&#8217;: Professor Esther Johnson to introduce and screen &#8216;Hinterland&#8217; and &#8216;Retreating the Line&#8217; at University of Plymouth"},"content":{"rendered":"<blockquote><p><strong>Update &#8211; 25 October 2017<\/strong><br \/>\n<em><a href=\"http:\/\/blanchepictures.com\/retreating-the-line\/\" target=\"_blank\">Retreating the Line<\/a><\/em> has been selected by Ali Smith, current Man Booker Prize shortlister, for the <a href=\"http:\/\/www.swedenborg.org.uk\/events\/swedenborg_film_festival\/swedenborg_film_festival_2017\/18_november_the_swedenborg_short_film_festival_competition\" target=\"_blank\">Swedenborg Film Festival<\/a>. The festival invited entries from the latest emerging and established talent of experimental and artist film, exploring the theme of &#8216;dreams&#8217;. The winner will be announced at Swedenborg Hall, London on 18 November 2017. See <a href=\"https:\/\/www.eventbrite.co.uk\/e\/the-swedenborg-film-festival-competition-2017-tickets-39004392187\" target=\"_blank\">here<\/a> for ticketing information.<\/p><\/blockquote>\n<blockquote><p>\u201cI reckon I\u2019ve got fifteen years before [the sea] gets to my door\u201d.<br \/>\n<strong>Charlie Mann (2002)<\/strong><\/p><\/blockquote>\n<p><a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/esther-johnson\" target=\"_blank\">Esther Johnson<\/a>, artist and filmmaker and Professor of Film and Media Arts at Sheffield Hallam University, will introduce and screen her artist film works <em><a href=\"http:\/\/blanchepictures.com\/hinterland\/\" target=\"_blank\">Hinterland<\/a><\/em> (2002) and <em><a href=\"http:\/\/blanchepictures.com\/retreating-the-line\/\" target=\"_blank\">Retreating the Line<\/a><\/em> (2017). These companion works focus on an East Yorkshire community which live on the fastest eroding coastline in Europe retreating at up to 2 metres a year.<\/p>\n<p><strong>Time and Tide artist film works by <a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/esther-johnson\" target=\"_blank\">Esther Johnson<\/a><br \/>\nWednesday 01 November 2017<br \/>\n<a href=\"https:\/\/www.plymouth.ac.uk\/schools\/school-of-art-design-and-architecture\" target=\"_blank\">School of Art, Design and Architecture<\/a>, University of Plymouth<\/strong><\/p>\n<p><em><a href=\"http:\/\/blanchepictures.com\/hinterland\/\" target=\"_blank\">Hinterland<\/a><\/em> asks how it feels to live in such a precarious situation with homes fatally threatened by the elements. The narratives of three Skipsea residents are explored: Charlie believes he has fifteen years until the land on which his house stands falls into the sea; Saffron speaks of how she always has a backpack ready to make a swift escape; and Peter recalls how far out the land reached in WWII, when he was a young man.<\/p>\n<p><em><a href=\"http:\/\/blanchepictures.com\/retreating-the-line\/\" target=\"_blank\">Retreating the Line<\/a><\/em>, commissioned by Hull 2017 and Film and Video Umbrella and exhibited at the recent <em><a href=\"https:\/\/www.hull2017.co.uk\/whatson\/events\/somewhere-becoming-sea\/\" target=\"_blank\">Somewhere Becoming Sea<\/a><\/em> exhibition at Humber Street Gallery, is the sequel to <em>Hinterland<\/em>. Filmed at the fifteen-year deadline that Charlie feared, this work documents the changes to the landscape, moving from the land to the sea edge and beyond. As predicted, the landscape of this \u2018plotland\u2019 has changed dramatically. Chalets first appeared in Skipsea in 1939, and the majority of the remaining resident-built structures that still stood in 2002, have since collapsed into the sea.<\/p>\n<p><em>Hinterland<\/em> was selected for the <a href=\"http:\/\/www.kaylaparker.co.uk\/presentations\/presentation\/film_programme_bodies-of-water.html\" target=\"_blank\"><em>Bodies of Water<\/em><\/a> exhibition and conference curated by Dr Kayla Parker and exhibited at the Royal West of England Academy, Bristol in 2014, with further screenings across the UK in 2015\u201317. <em>Hinterland<\/em> will also be exhibited in <a href=\"http:\/\/thenewartgallerywalsall.org.uk\/exhibition\/wilderness-artist-rooms-vija-celmins-mike-nelson-lionheart\/\" target=\"_blank\"><em>Wilderness<\/em><\/a> at The New Art Gallery Walsall in February 2018.<\/p>\n<p>The screening will be followed by a Q&amp;A.<\/p>\n<p><a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/esther-johnson\" target=\"_blank\">Esther Johnson<\/a> (MA Royal College of Art, London) is an artist and filmmaker working at the intersection of artist moving image and documentary. Her poetic portraits focus on marginal worlds, to reveal resonant stories that may otherwise remain hidden or ignored. Her film works have exhibited in 40 countries and have been shown on BBC and Channel 4. Her audio works have been broadcast on ABC Australia, BBC Radio 4, Resonance FM and RT\u00c9 radio. She is Professor of Film and Media Arts within the Art and Design Research Centre, Sheffield Hallam University, and was awarded the UK Philip Leverhulme Research Prize in Performing and Visual Arts. Find out more about Esther&#8217;s work <a href=\"http:\/\/blanchepictures.com\" target=\"_blank\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Update &#8211; 25 October 2017 Retreating the Line has been selected by Ali Smith, current Man Booker Prize shortlister, for the Swedenborg Film Festival. The festival invited entries from the latest emerging and established talent of experimental and artist film, exploring the theme of &#8216;dreams&#8217;. The winner will be announced at Swedenborg Hall, London on 18 November 2017. See here [&#8230;]<\/p>\n","protected":false},"author":8633,"featured_media":3436,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[139],"tags":[5,140,124,435,115,547,546],"class_list":["post-3432","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-art-and-design-research-centre","tag-esther-johnson","tag-film-research","tag-hinterland","tag-media-arts-research","tag-plymouth","tag-retreating-the-line"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/10\/JOHNSON-2017-11-Retreating-the-Line-at-Plymouth-Uni.jpg?fit=890%2C290&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-Tm","jetpack-related-posts":[{"id":8445,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/esther-johnson-shifting-sands\/","url_meta":{"origin":3432,"position":0},"title":"Professor Esther Johnson&#8217;s &#8216;Hinterland&#8217; and &#8216;Retreating the Line&#8217; screen at immersive film\/music event Shifting Sands in Scarborough Market Hall and Vaults","author":"Ian Braddick","date":"14\/01\/2020","format":false,"excerpt":"Hinterland and Retreating the Line screen at immersive film\/music event Shifting Sands in Scarborough Market Hall and Vaults Professor Esther Johnson\u2019s artist film works Hinterland and Film and Video Umbrella and Hull City of Culture 2017 commission Retreating the Line both screen this Friday 17 January 2020 7PM - 9PM\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Shifting Sands screenings - Esther Johnson (stills from Retreating the Line\/Hinterland)","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/2020-01-JOHNSON-Esther-Shifting-Sands.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/2020-01-JOHNSON-Esther-Shifting-Sands.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/2020-01-JOHNSON-Esther-Shifting-Sands.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/01\/2020-01-JOHNSON-Esther-Shifting-Sands.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1303,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/esther-johnson-somewhere-becoming-sea-hull\/","url_meta":{"origin":3432,"position":1},"title":"Somewhere Becoming Sea &#8211; Esther Johnson&#8217;s moving image work included in Film &amp; Video Umbrella Hull 2017 (April &#8211; June)","author":"Ian Braddick","date":"16\/03\/2017","format":false,"excerpt":"Esther Johnson's Hinterland (2002), and new commission Retreating the Line (2017), have been selected for Somewhere Becoming Sea curated by Film and Video Umbrella as part of Hull 2017 UK City of Culture. 5 April 2017 - 17 June 2017 Somewhere Becoming Sea Humber Street Gallery, Hull HU1 1TU Somewhere\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/exhibition\/"},"img":{"alt_text":"Concrete blocks near the sea, with warning of coastal erosion","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/03\/JOHNSON-Esther-Retreating-the-Line-Hull.jpg?fit=890%2C342&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/03\/JOHNSON-Esther-Retreating-the-Line-Hull.jpg?fit=890%2C342&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/03\/JOHNSON-Esther-Retreating-the-Line-Hull.jpg?fit=890%2C342&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/03\/JOHNSON-Esther-Retreating-the-Line-Hull.jpg?fit=890%2C342&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2560,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/esther-johnson-hinterland-hull\/","url_meta":{"origin":3432,"position":2},"title":"Dr Esther Johnson&#8217;s film &#8216;Hinterland&#8217; selected for exhibition at Hull&#8217;s new Humber Street Gallery","author":"Ian Braddick","date":"11\/01\/2017","format":false,"excerpt":"Hinterland, Dr Esther Johnson's 16mm artist film has been selected for an exhibition opening in April 2017, curated by Film and Video Umbrella for Hull's new Humber Street Gallery. Focusing on an East Yorkshire community which live on the fastest eroding coastline in Europe, Hinterland asks how it feels to\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Still from Esther Johnson's 'Hinterland'","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/07\/JOHNSON-2017-1-Hinterland-Hull.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/07\/JOHNSON-2017-1-Hinterland-Hull.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/07\/JOHNSON-2017-1-Hinterland-Hull.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/07\/JOHNSON-2017-1-Hinterland-Hull.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2848,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/rose-butler-fairs-swedenborg\/","url_meta":{"origin":3432,"position":3},"title":"Rose Butler&#8217;s short film &#8216;The Fairs&#8217; selected for the Swedenborg Film Festival 2016","author":"Ian Braddick","date":"02\/11\/2016","format":false,"excerpt":"Rose Butler's new dual screen work The Fairs has been selected for the Swedenborg Film Festival 2016 and will be entered for an award selected by film maker Andrew Kotting. The festival takes place in London on 26 November 2016 and is curated by Gareth Evans of Whitechapel Gallery and\u2026","rel":"","context":"In &quot;Doctoral research&quot;","block_context":{"text":"Doctoral research","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/doctoral-research\/"},"img":{"alt_text":"Cropped still from Rose Butler's 'The Fair', courtesy of Rose Butler (http:\/\/www.rosebutler.com\/projects\/fairs) - Featuring a fair ground ride in the background of a quiet Sheffield car park.","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/BUTLER-2017-05-28-Golden-Age-The-Fair.jpg?fit=890%2C289&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/BUTLER-2017-05-28-Golden-Age-The-Fair.jpg?fit=890%2C289&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/BUTLER-2017-05-28-Golden-Age-The-Fair.jpg?fit=890%2C289&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/BUTLER-2017-05-28-Golden-Age-The-Fair.jpg?fit=890%2C289&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4097,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/esther-johnson-wilderness-walsall\/","url_meta":{"origin":3432,"position":4},"title":"&#8216;Wilderness&#8217;: Professor Esther Johnson exhibiting &#8216;Hinterland&#8217; at the New Art Gallery, Walsall &#8211; Opens with preview on 01 February 2018","author":"Ian Braddick","date":"31\/01\/2018","format":false,"excerpt":"Professor Esther Johnson,\u00a0Professor of Film and Media Arts at Sheffield Hallam University, will be exhibiting work as part of a new exhibition entitled\u00a0Wilderness\u00a0at\u00a0The New Art Gallery\u00a0opening in Walsall with a preview on Thursday 01 February 2018. As part of a season of exhibitions exploring the theme of wilderness, The New\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/exhibition\/"},"img":{"alt_text":"Composite image of two stills from Esther Johnson's Hinterland (2002)","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/01\/JOHNSON-2018-02-Wilderness-at-Walsall.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/01\/JOHNSON-2018-02-Wilderness-at-Walsall.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/01\/JOHNSON-2018-02-Wilderness-at-Walsall.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/01\/JOHNSON-2018-02-Wilderness-at-Walsall.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2938,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/esther-johnson-belgium-com-nu-ties\/","url_meta":{"origin":3432,"position":5},"title":"&#8216;COM \u2229\u222a TIES&#8217; &#8211; Exhibition in Brussels features work by Professor Esther Johnson &#8211; Opening 22 September","author":"Ian Braddick","date":"18\/09\/2017","format":false,"excerpt":"Two Brussels institutions, Argos and ISELP, have teamed-up to organise a large-scale exhibition on the theme of what community means in the modern day, what thresholds must be crossed and how we define 'community'. Professor of Film & Media Arts Esther Johnson will feature in this dual exhibition contemplating the\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Still from Professor Esther Johnson's 'Hinterland', and Com Nu Ties logo (from Argos\/ISELP)","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/09\/JOHNSON-2017-1-Hinterland-Brussels-Argos-ISELP.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/09\/JOHNSON-2017-1-Hinterland-Brussels-Argos-ISELP.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/09\/JOHNSON-2017-1-Hinterland-Brussels-Argos-ISELP.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/09\/JOHNSON-2017-1-Hinterland-Brussels-Argos-ISELP.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/3432","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/comments?post=3432"}],"version-history":[{"count":4,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/3432\/revisions"}],"predecessor-version":[{"id":3449,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/3432\/revisions\/3449"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media\/3436"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media?parent=3432"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/categories?post=3432"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/tags?post=3432"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}