{"id":3356,"date":"2014-05-21T12:00:55","date_gmt":"2014-05-21T11:00:55","guid":{"rendered":"http:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=3356"},"modified":"2018-07-26T12:32:16","modified_gmt":"2018-07-26T11:32:16","slug":"publication-transmission-4","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/publication-transmission-4\/","title":{"rendered":"Transmission Annual #4: Labour, Work, Action"},"content":{"rendered":"\n<table id=\"tablepress-48\" class=\"tablepress tablepress-id-48\">\n<tbody>\n<tr class=\"row-1\">\n\t<td class=\"column-1\">Title:<\/td><td class=\"column-2\">Transmission #4: Labour, Work, Action<\/td>\n<\/tr>\n<tr class=\"row-2\">\n\t<td class=\"column-1\">Series Title:<\/td><td class=\"column-2\"><a href=\"http:\/\/extra.shu.ac.uk\/transmission\/transpubs.html\" target=\"_blank\">Transmission<\/a><\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">Publisher: <\/td><td class=\"column-2\"><a href=\"https:\/\/www.artwords.co.uk\/\" target=\"_blank\">Artwords Bookshop<\/a><\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">Editor(s): <br \/>\n<\/td><td class=\"column-2\">Michael Corris, Jaspar Joseph-Lester, <a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/sharon-kivland\" target=\"_blank\">Sharon Kivland<\/a> with guest editors Maureen Connor and Elizabeth Legge<\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">Author(s):<\/td><td class=\"column-2\">Contributors: Ivana Bago, Jordan Bear, Pascal Beausse, Bernard Brunon, Pavel B\u00fcchler, Armin Chodzinski, Annie Coll, Michael Corris, Janeil Engelstad, Francesco Finizio, Charlie Gere, <a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/jerome-harrington\" target=\"_blank\">Jerome Harrington<\/a>, David Hopkins, Shannon Jackson, Vincent Victor Jouffe, the Pedagogy Group, Elizabeth Legge, Dale MacFarlane, Roberto Martinez, Mary-Lou Lobsinger, <a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/hester-reeve\" target=\"_blank\">Hester Reeve<\/a>, Oliver Ressler, John Paul Ricco, Abigail Satinsky, Juliet Steyn<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">Publication date:<\/td><td class=\"column-2\">May, 2014<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">Print ISBN:<\/td><td class=\"column-2\">9781906441319<\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">Format: <\/td><td class=\"column-2\">195mm x 130mm<\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">Number of pages:<\/td><td class=\"column-2\">76pp<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<!-- #tablepress-48 from cache -->\n<p><em>Transmission Annual #4: Labour, Work, Action<\/em> is framed by <a href=\"https:\/\/en.wikipedia.org\/wiki\/Hannah_Arendt\" target=\"_blank\">Hannah Arendt<\/a>\u2019s reflections on three important themes of human agency. Arendt refused to be called a philosopher, for philosophy, she said, deals with the singular, while she addressed the plural, that humans not man inhabit the world. She proposes that freedom is constructed in community, in common space, and it is associative, performative, and public. In <a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Human_Condition_(book)\" target=\"_blank\"><em>The Human Condition<\/em><\/a> (1958), she develops her theory of political action, drawing out the distinctions between what is social and what is political, and then what is labour, what is work, what is action (and thus, how is agency achieved, the capacity to act, to make choices, undetermined by supposedly natural forces). Arendt proposes three important human activities: labour, work, and political action. She is as materialist as Karl Marx: labour is a biological activity, a vital necessity operating under constraint.<\/p>\n<p>The goal of production is to produce, and there is a constant exchange of objects. It is never-ending, consumed quickly, making a slave of the labourer. Work may be thought of differently, most usefully with the term \u2018\u0153uvre\u2019: as what lasts or remains, as \u2018technique\u2019 and poiesis, as what is not spent or wasted and is transmitted; a \u2018common world\u2019 where life unfolds and objects endure beyond the act of their making. <em>Transmission<\/em>, in Arendt\u2019s sense, is a struggle against death, and thus already a form of liberty. It is, one might say, the distinction between what is kept and what is thrown away. Yet this freedom is only partial, for work is still instrumental, determined by causes and ends. To work and labour, like Arendt, we add an essential action, when \u2018something new is started which cannot be expected from whatever happened before\u2019, asking what role might be played by the artist or work of art, and this we propose, makes for agents and agency.<\/p>\n<p>To buy a copy of the book click <a href=\"https:\/\/www.artwords.co.uk\/index.php?page=search&amp;v=9781906441319\" target=\"_blank\">here<\/a>. Trade customers please order from <a href=\"http:\/\/www.centralbooks.com\/\" target=\"_blank\">Central Books<\/a>.<\/p>\n<p><a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/sharon-kivland\" target=\"_blank\">Dr Sharon Kivland<\/a> is a Reader in Fine Art at Sheffield Hallam University.Find out more about Sharon Kivland\u2019s work <a href=\"http:\/\/www.sharonkivland.com\/\" target=\"_blank\">here<\/a>.<\/p>\n<p><a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/hester-reeve\" target=\"_blank\">Hester Reeve<\/a> is a performance artist who works with Live Art actions, philosophy, dialogues, drawing and photography. Hester is a Reader in Fine Art at Sheffield Hallam University.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Transmission Annual #4: Labour, Work, Action is framed by Hannah Arendt\u2019s reflections on three important themes of human agency. Arendt refused to be called a philosopher, for philosophy, she said, deals with the singular, while she addressed the plural, that humans not man inhabit the world. She proposes that freedom is constructed in community, in common space, and it is [&#8230;]<\/p>\n","protected":false},"author":8633,"featured_media":3359,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[143],"tags":[5,109,418,534,144,533],"class_list":["post-3356","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publications","tag-art-and-design-research-centre","tag-fine-art-research","tag-hester-reeve","tag-jerome-harrington","tag-sharon-kivland","tag-transmission"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/10\/TRANSMISSION-2014-05-Labour-Work-Action.jpg?fit=295%2C443&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-S8","jetpack-related-posts":[{"id":9641,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/smizz-gives-lecture-in-transmission-series\/","url_meta":{"origin":3356,"position":0},"title":"Smizz gives lecture in Transmission series","author":"Kirsty Christer","date":"10\/11\/2020","format":false,"excerpt":"Smizz will give a talk this afternoon as part of the Transmission Fine Art Lecture series. Lab4Living researcher and PhD student Smizz, a graduate of both Fine Art and Radiotherapy at Sheffield Hallam University, will talk about how collectives, collaboration and friendship can be the best transmission of (radical) care.\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"Smizz at Transmission","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/11\/smizz-transmission-hero.jpg?fit=1200%2C405&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/11\/smizz-transmission-hero.jpg?fit=1200%2C405&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/11\/smizz-transmission-hero.jpg?fit=1200%2C405&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/11\/smizz-transmission-hero.jpg?fit=1200%2C405&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/11\/smizz-transmission-hero.jpg?fit=1200%2C405&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":6214,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/transmission-westerman-quinn\/","url_meta":{"origin":3356,"position":1},"title":"Transmission: Julie Westerman and Lulu Quinn &#8211; Tuesday 19 March 2019","author":"Ian Braddick","date":"07\/03\/2019","format":false,"excerpt":"Julie Westerman and Lulu Quinn have been friends and collaborators for twenty-five years. Inspired by each other\u2019s practice they have combined their expertise in many an epic, entertaining, exasperating, exhilarating, and ambitious public art project, triumphing over the torrents of life-threatening flood-swollen rivers and the threat of legionella. Julie Westerman\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"Transmission logo and image for Julie Westerman and Lulu Quinn","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-03-TRANSMISSION-Westerman-and-Quinn.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-03-TRANSMISSION-Westerman-and-Quinn.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-03-TRANSMISSION-Westerman-and-Quinn.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-03-TRANSMISSION-Westerman-and-Quinn.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8632,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/transmission-butler-wood\/","url_meta":{"origin":3356,"position":2},"title":"Transmission: Rose Butler and Sarah Wood &#8211; Tuesday 11 February 2020","author":"Ian Braddick","date":"10\/02\/2020","format":false,"excerpt":"TRANSMISSION 2020 Keywords are words or concepts of significance. Sometimes they are used as shortcuts to interpretation or expectation. Words (and concepts) have multiple and often contradictory meanings. They are not fixed, and there may be a struggle over their definitions. They change and flow or are blocked and fought\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"2020 TRANSMISSION BUTLER - Sarah Wood (2)","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-BUTLER-Sarah-Wood.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-BUTLER-Sarah-Wood.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-BUTLER-Sarah-Wood.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-BUTLER-Sarah-Wood.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":6084,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/transmission-ling-jacques\/","url_meta":{"origin":3356,"position":3},"title":"Transmission: Yuen Fong Ling and Juliet Jacques &#8211; Tuesday 19 February 2019","author":"Ian Braddick","date":"12\/02\/2019","format":false,"excerpt":"A two-part talk, followed by a conversation: Yuen Fong Ling will explore the construction of \u2018self\u2019 through tactical life modelling where the artist\u2019s body is a supplement to other historical bodies, focusing on the recent project Towards Memorial, which examines the legacy of socialist, writer, poet, and activist Edward Carpenter\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"Transmission logo and image for Yuen Fong Ling and Juliet Jacques","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-02-TRANSMISSION-Ling-and-Jacques.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-02-TRANSMISSION-Ling-and-Jacques.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-02-TRANSMISSION-Ling-and-Jacques.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-02-TRANSMISSION-Ling-and-Jacques.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8545,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/transmission-autogena-tan\/","url_meta":{"origin":3356,"position":4},"title":"Transmission: Lise Autogena and Jack Tan &#8211; Tuesday 28 January 2020","author":"Ian Braddick","date":"28\/01\/2020","format":false,"excerpt":"TRANSMISSION 2020 Keywords are words or concepts of significance. Sometimes they are used as shortcuts to interpretation or expectation. Words (and concepts) have multiple and often contradictory meanings. They are not fixed, and there may be a struggle over their definitions. They change and flow or are blocked and fought\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"2020 TRANSMISSION AUTOGENA Lise - Jack Tan - Dog","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-AUTOGENA-Lise-Jack-Tan-Dog-2.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-AUTOGENA-Lise-Jack-Tan-Dog-2.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-AUTOGENA-Lise-Jack-Tan-Dog-2.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-AUTOGENA-Lise-Jack-Tan-Dog-2.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8638,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/transmission-site-gallery-freelands-artist-programme\/","url_meta":{"origin":3356,"position":5},"title":"Transmission: Site Gallery hosts the first cohort of the Freelands Artist Programme &#8211; Tuesday 03 March 2020","author":"Ian Braddick","date":"26\/02\/2020","format":false,"excerpt":"TRANSMISSION 2020 Keywords are words or concepts of significance. Sometimes they are used as shortcuts to interpretation or expectation. Words (and concepts) have multiple and often contradictory meanings. They are not fixed, and there may be a struggle over their definitions. They change and flow or are blocked and fought\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"2020 TRANSMISSION Ling Yuen Fong - Carr, Street, Vann, Williams - Photo by Jules Lister","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-Ling-Yuen-Fong-Carr-Street-Vann-Williams-Photo-by-Jules-Lister.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-Ling-Yuen-Fong-Carr-Street-Vann-Williams-Photo-by-Jules-Lister.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-Ling-Yuen-Fong-Carr-Street-Vann-Williams-Photo-by-Jules-Lister.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-TRANSMISSION-Ling-Yuen-Fong-Carr-Street-Vann-Williams-Photo-by-Jules-Lister.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/3356","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/comments?post=3356"}],"version-history":[{"count":1,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/3356\/revisions"}],"predecessor-version":[{"id":3358,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/3356\/revisions\/3358"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media\/3359"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media?parent=3356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/categories?post=3356"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/tags?post=3356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}