{"id":2911,"date":"2017-09-14T15:40:35","date_gmt":"2017-09-14T14:40:35","guid":{"rendered":"http:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=2911"},"modified":"2018-07-26T12:12:44","modified_gmt":"2018-07-26T11:12:44","slug":"sharon-kivland-bob-calle-prix","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-bob-calle-prix\/","title":{"rendered":"Dr Sharon Kivland’s ‘A Lover’s Discourse’ pre-selected for the Bob Calle Prix du livre d’artiste 2017"},"content":{"rendered":"

Update – 16 October 2017<\/strong>
\nSharon Kivland has now been shortlisted for the Bob Calle Prix du livre d’artiste prize. The two winners will be announced today at a reception and exhibition at the Ecole des Beaux Arts<\/a> in Paris.<\/p><\/blockquote>\n

Dr Sharon Kivland<\/a>‘s book A Lover\u2019s Discourse \/ Un discours amoureux<\/em><\/a> has been pre-selected for the Bob Calle Prix du livre d’artiste, a prize dedicated to oncologist and renowned art collector Robert Calle<\/a>. Of those pre-selected, fifteen books as decided by a committee of internationally recognised specialists will go forward to the next round. Find out more about the prize here<\/a>.<\/p>\n

The ceremony award will take place in mid October 2017, in the lecture hall of the National School of Fine Arts in Paris<\/a>, accompanied by an exhibition, in the Fine Art Chapel, of the winning artist and of all the experts’ selected books.<\/p>\n

In the book, Sharon Kivland read and collected unsolicited \u2018encounter\u2019 emails as if they were intended for her alone in a sincere desire for a real love relation, until their repetition bored her. She posted them on Facebook, while she sought their form. Her friend A. C. wrote to tell her how much he was enjoying her lover\u2019s discourse. The form became clear: after the French edition of Roland Barthes\u2019s Fragments d\u2019un discours amoureux<\/em> (\u201cTel Quel\u201d, Seuil, 1977).<\/p>\n

Find out more about Sharon Kivland\u2019s books and other works here<\/a>.<\/p>\n

Dr Sharon Kivland<\/a> is a Reader in Fine Art at Sheffield Hallam University.<\/p>\n","protected":false},"excerpt":{"rendered":"

Update – 16 October 2017 Sharon Kivland has now been shortlisted for the Bob Calle Prix du livre d’artiste prize. The two winners will be announced today at a reception and exhibition at the Ecole des Beaux Arts in Paris. Dr Sharon Kivland‘s book A Lover\u2019s Discourse \/ Un discours amoureux has been pre-selected for the Bob Calle Prix du […]<\/p>\n","protected":false},"author":8633,"featured_media":1194,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[139],"tags":[5,109,472,144,191],"class_list":["post-2911","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-art-and-design-research-centre","tag-fine-art-research","tag-prize","tag-sharon-kivland","tag-social-media"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/03\/KIVLAND-2017-03-Lovers-Discourse.png?fit=253%2C300&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-KX","jetpack-related-posts":[{"id":8693,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-exhibition\/","url_meta":{"origin":2911,"position":0},"title":"‘MAINS GANTE\u00c9ES ET PIEDS BOTT\u00c9S’: Sharon Kivland featured in exhibition","author":"Ian Braddick","date":"08\/01\/2019","format":false,"excerpt":"MAINS GANTE\u00c9ES ET PIEDS BOTT\u00c9S: Repr\u00e9sentations d'arm\u00e9es de femmes et corps collectifs f\u00e9minin \u00c9ditions Incertain Sens \/ Cabinet du livre d\u2019artiste, Universit\u00e9 Rennes\u00a0 17 February 2019 - 19 March 2019 Curated by Lise Lerichomme Women in battalions are often portrayed as caricatures, assigned to be only the mechanical or erotic\u2026","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Alexis Granowsky, Les Aventures du Roi Pausole, 1933","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2019-02-KIVLAND-Exhibition-Alexis-Granowsky-Les-Aventures-du-Roi-Pausole-1933.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2019-02-KIVLAND-Exhibition-Alexis-Granowsky-Les-Aventures-du-Roi-Pausole-1933.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2019-02-KIVLAND-Exhibition-Alexis-Granowsky-Les-Aventures-du-Roi-Pausole-1933.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2019-02-KIVLAND-Exhibition-Alexis-Granowsky-Les-Aventures-du-Roi-Pausole-1933.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1192,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/publication-sharon-kivland-2\/","url_meta":{"origin":2911,"position":1},"title":"A Lover’s Discourse – Un discours amoureux – Dr Sharon Kivland","author":"Ian Braddick","date":"06\/03\/2017","format":false,"excerpt":"Dr Sharon Kivland read and collected unsolicited \u2018encounter\u2019 emails as if they were intended for her alone in a sincere desire for a real love relation, until their repetition bored her. She posted them on Facebook, while she sought their form. Her friend A. C. wrote to tell her how\u2026","rel":"","context":"In "Publications"","block_context":{"text":"Publications","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/publications\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/03\/KIVLAND-2017-03-Lovers-Discourse.png?fit=253%2C300&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4544,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-set-up-paris\/","url_meta":{"origin":2911,"position":2},"title":"Dr Sharon Kivland featured in ‘SET UP’ at Cit\u00e9 internationale des arts – Friday 06 April 2018","author":"Ian Braddick","date":"05\/04\/2018","format":false,"excerpt":"Reader in Fine Art\u00a0Dr Sharon Kivland\u00a0will have work featured in\u00a0SET UP, an exhibition taking place at the\u00a0Cit\u00e9 internationale des arts\u00a0in Paris\u00a0this Friday 06 April.\u00a0SET UP\u00a0is a public rendering of the research projects of five artist\/commissioner pairs as part of a collaboration between CEA (Association fran\u00e7aise des commissaires d'exposition) and the\u00a0R\u00e9seau\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/exhibition\/"},"img":{"alt_text":"Image courtesy of Sharon Kivland - Maintenir le corps\u00a0by Sharon Kivland","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/KIVLAND-Foxes.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/KIVLAND-Foxes.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/KIVLAND-Foxes.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/KIVLAND-Foxes.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2852,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-dieselkraftwerk\/","url_meta":{"origin":2911,"position":3},"title":"Dr Sharon Kivland’s works acquired by Dieselkraftwerk Museum in Germany","author":"Ian Braddick","date":"17\/08\/2016","format":false,"excerpt":"The Dieselkraftwerk museum in Cottbus, Germany has acquired three sets of works by Sharon Kivland from her body of work entitled The Natural Forms, a series of works developed in three parts for three venues addresses gender constructions and economics. Sharon Kivland had a solo exhibition at the museum in\u2026","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Sharon Kivland's 'The Natural Forms'","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2016\/08\/KIVLAND-2016-08-Natural-Forms-Dieselkraftwerk.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2016\/08\/KIVLAND-2016-08-Natural-Forms-Dieselkraftwerk.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2016\/08\/KIVLAND-2016-08-Natural-Forms-Dieselkraftwerk.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2016\/08\/KIVLAND-2016-08-Natural-Forms-Dieselkraftwerk.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4769,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-culturehotel\/","url_meta":{"origin":2911,"position":4},"title":"Sharon Kivland announced as next artist-in-residence at CultureH\u00f4tel Switzerland","author":"Ian Braddick","date":"30\/04\/2018","format":false,"excerpt":"Dr Sharon Kivland, Reader in Fine Art at Sheffield Hallam University, has recently been announced as the latest artist-in-residence at CultureH\u00f4tel\u00a0located in Leysin in\u00a0the\u00a0Vaudoises\u00a0Alps. See the announcement here. Find out more about Sharon Kivland\u2019s work\u00a0here.","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Image from Sharon Kivland's window during her residency at CultureHotel Switzerland. Courtesy of Sharon Kivland.","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/KIVLAND-2018-05-Residency-at-CultureHotel.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/KIVLAND-2018-05-Residency-at-CultureHotel.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/KIVLAND-2018-05-Residency-at-CultureHotel.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/KIVLAND-2018-05-Residency-at-CultureHotel.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2268,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/publication-sharon-kivland-5\/","url_meta":{"origin":2911,"position":5},"title":"Emptiness & Silence. A Supplement to Reading Nana – Dr Sharon Kivland","author":"Ian Braddick","date":"03\/07\/2017","format":false,"excerpt":"Sharon Kivland\u2019s Emptiness & Silence. A Supplement to Reading Nana, follows READING NANA. An experimental novel, in which Emile Zola\u2019s novel Nana is re-read and re-written, ghost-written, condensed according to soft furnishings, lighting effects (including metaphor), other women, death and dying, cats, anti-semitism, money, odour, and many other categories. 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