{"id":2473,"date":"2015-03-30T15:41:34","date_gmt":"2015-03-30T14:41:34","guid":{"rendered":"http:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=2473"},"modified":"2017-07-21T15:48:06","modified_gmt":"2017-07-21T14:48:06","slug":"east-asian-film-noir-transnational-encounters-intercultural-dialogue-dr-chi-yun-shin-eds","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/east-asian-film-noir-transnational-encounters-intercultural-dialogue-dr-chi-yun-shin-eds\/","title":{"rendered":"East Asian Film Noir: Transnational Encounters and Intercultural Dialogue – Dr Chi-Yun Shin (Eds)"},"content":{"rendered":"\n\n\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
Title:<\/td>East Asian Film Noir: Transnational Encounters and Intercultural Dialogue<\/a><\/td>\n<\/tr>\n
Series Title:<\/td>Tauris World Cinema Series<\/a><\/td>\n<\/tr>\n
Publisher: <\/td>I.B.Tauris<\/a><\/td>\n<\/tr>\n
Editors:
\n<\/td>		Dr Chi-Yun Shin<\/a> & Dr Mark Gallagher (University of Nottingham)<\/td>\n<\/tr>\n
Publication date:<\/td>May 2015<\/td>\n<\/tr>\n
Print ISBN:<\/td>9781780760087 (Hardback)
\n9781780760094 (Paperback)<\/td>\n<\/tr>\n
Format: <\/td>234mm x 156mm hardcover or paperback<\/td>\n<\/tr>\n
Number of pages:<\/td>288<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n

Film noir has been understood as a genre exclusive to Hollywood. But classical US noir’s downbeat sensibility also finds expression in later films from Japan, South Korea and China (including Hong Kong) and Taiwan, that have both participated in and been excluded from circuits of global-noir traffic, past and present. East Asian Film Noir is the first book to explore these films and the filmmakers who made them. Looking at a range of examples from the 1950s to the present – including The Crimson Kimono, Brother, Ghost in the Shell, Nowhere to Hide, Duelist- and Rebels of the Neon God – this work conceptualizes and articulates an internationally situated ‘East Asian film noir’. In doing so, it raises fascinating questions around the politics of representation, authorial activity, genre and local and cross-cultural reception.<\/p>\n","protected":false},"excerpt":{"rendered":"

Film noir has been understood as a genre exclusive to Hollywood. But classical US noir’s downbeat sensibility also finds expression in later films from Japan, South Korea and China (including Hong Kong) and Taiwan, that have both participated in and been excluded from circuits of global-noir traffic, past and present. East Asian Film Noir is the first book to explore […]<\/p>\n","protected":false},"author":444,"featured_media":2476,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[143],"tags":[6,128,124],"class_list":["post-2473","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publications","tag-communication-and-computing-research-centre","tag-chi-yun-shin","tag-film-research"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/07\/SHIN-2015-03-east-asian-film-noir.jpg?fit=300%2C320&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-DT","jetpack-related-posts":[{"id":476,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/research-seminar-chi-yun-shin\/","url_meta":{"origin":2473,"position":0},"title":"Wednesday 3 December 2014 – Lunchtime Seminar with Dr Chi-Yun Shin (Stage & Screen, SHU)","author":"Alison Honnor","date":"03\/12\/2014","format":false,"excerpt":"Title: Pigeons, Rooftops and Heterotopia in \u2018On the Waterfront\u2019 and \u2018Ghost Dog: The Way of the Samurai\u2019 Speaker: Dr Chi-Yun Shin (Stage & Screen, SHU) Dr Chi-Yun Shin is a Senior Lecturer in Film Studies at Sheffield Hallam University. Her articles on East Asian cinema and Black British Diaspora films\u2026","rel":"","context":"In "Events"","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2014\/10\/ATT49466.jpeg?fit=543%2C407&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2014\/10\/ATT49466.jpeg?fit=543%2C407&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2014\/10\/ATT49466.jpeg?fit=543%2C407&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":10512,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/dr-chi-yun-shin-on-whats-behind-the-success-of-netflixs-squid-game\/","url_meta":{"origin":2473,"position":1},"title":"Dr Chi-Yun Shin on what’s behind the success of Netflix’s Squid Game","author":"Phoebe Bolton","date":"06\/10\/2021","format":false,"excerpt":"Principal lecturer in film studies, Dr Chi-Yun Shin, has been speaking on the PM programme on BBC Radio 4 about Squid Game, the Netflix series which looks set to be one of the most successful yet on the streaming service. Listen here from 51:45","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/10\/Squid-Game-Dr-Chi-Yun-Shin-1-e1633525378213.jpeg?fit=504%2C456&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10446,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/south-korean-womens-cinema-conference\/","url_meta":{"origin":2473,"position":2},"title":"South Korean Women’s Cinema Conference – 23-25 September 2021","author":"Ian Braddick","date":"15\/09\/2021","format":false,"excerpt":"The full programme for the South Korean Women's Cinema conference can be found here. Be sure to register on Eventbrite for details of how to join the conference. The South Korean Women's Cinema (SKWC) conference will take place online, from Thursday 23 September to Saturday 25 September 2021, hosted online\u2026","rel":"","context":"In "Events"","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"Still from Kangyu Garam's documentary Us, Day by Day (\uc6b0\ub9ac\ub294 \ub9e4\uc77c\ub9e4\uc77c, 2019) II","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/09\/Still-from-Kangyu-Garams-documentary-Us-Day-by-Day-%EC%9A%B0%EB%A6%AC%EB%8A%94-%EB%A7%A4%EC%9D%BC%EB%A7%A4%EC%9D%BC-2019-II.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/09\/Still-from-Kangyu-Garams-documentary-Us-Day-by-Day-%EC%9A%B0%EB%A6%AC%EB%8A%94-%EB%A7%A4%EC%9D%BC%EB%A7%A4%EC%9D%BC-2019-II.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/09\/Still-from-Kangyu-Garams-documentary-Us-Day-by-Day-%EC%9A%B0%EB%A6%AC%EB%8A%94-%EB%A7%A4%EC%9D%BC%EB%A7%A4%EC%9D%BC-2019-II.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/09\/Still-from-Kangyu-Garams-documentary-Us-Day-by-Day-%EC%9A%B0%EB%A6%AC%EB%8A%94-%EB%A7%A4%EC%9D%BC%EB%A7%A4%EC%9D%BC-2019-II.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":11964,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/esther-johnson-danang\/","url_meta":{"origin":2473,"position":3},"title":"Professor Esther Johnson film screening at inaugural DaNang Asian Film Festival (9-13 May 2023)","author":"Amy Lander","date":"10\/05\/2023","format":false,"excerpt":"Professor\u00a0Esther Johnson (Professor of Film and Media Arts) has been invited to screen her film 'DUST & METAL\u00a0(C\u00c1T B\u1ee4I & KIM LO\u1ea0I)'\u00a0at the inaugural\u00a0DaNang Asian Film Festival\u00a0taking place from 09\u2014 13 May 2023. 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