{"id":2268,"date":"2017-07-03T15:10:55","date_gmt":"2017-07-03T14:10:55","guid":{"rendered":"http:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=2268"},"modified":"2017-07-03T15:15:40","modified_gmt":"2017-07-03T14:15:40","slug":"publication-sharon-kivland-5","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/publication-sharon-kivland-5\/","title":{"rendered":"Emptiness & Silence. A Supplement to Reading Nana – Dr Sharon Kivland"},"content":{"rendered":"\n\n\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t
Title:<\/td>Emptiness & Silence. A Supplement to Reading Nana<\/td>\n<\/tr>\n
Publisher: <\/td>MA BIBLIOTH\u00c8QUE<\/a>, Anagram Books<\/a><\/td>\n<\/tr>\n
Authors:<\/td>Dr Sharon Kivland<\/a><\/td>\n<\/tr>\n
Publication date:<\/td>June, 2017<\/td>\n<\/tr>\n
Print ISBN:<\/td>978-1-910055-32-8<\/td>\n<\/tr>\n
Format: <\/td>140mm x 205mm, softback, sewn<\/td>\n<\/tr>\n
Number of pages:<\/td>12<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n

Sharon Kivland<\/a>\u2019s Emptiness & Silence. A Supplement to Reading Nana<\/em>, follows READING NANA. An experimental novel<\/a><\/em>, in which Emile Zola\u2019s novel Nana is re-read and re-written, ghost-written, condensed according to soft furnishings, lighting effects (including metaphor), other women, death and dying, cats, anti-semitism, money, odour, and many other categories. In Emptiness & Silence<\/em> she abstracts references to disappearance, deafness, desertion, and dumbfoundment…<\/p>\n

See more of Sharon Kivland’s work here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Sharon Kivland\u2019s Emptiness & Silence. A Supplement to Reading Nana, follows READING NANA. An experimental novel, in which Emile Zola\u2019s novel Nana is re-read and re-written, ghost-written, condensed according to soft furnishings, lighting effects (including metaphor), other women, death and dying, cats, anti-semitism, money, odour, and many other categories. In Emptiness & Silence she abstracts references to disappearance, deafness, desertion, […]<\/p>\n","protected":false},"author":8633,"featured_media":2271,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[143],"tags":[5,355,109,144],"class_list":["post-2268","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publications","tag-art-and-design-research-centre","tag-emile-zola","tag-fine-art-research","tag-sharon-kivland"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/06\/KIVLAND-2017-06-Emptiness-Silence.png?fit=290%2C218&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-AA","jetpack-related-posts":[{"id":2208,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/kivland-berlin-miss-read\/","url_meta":{"origin":2268,"position":0},"title":"Dr Sharon Kivland (Fine Art) invited to present at The Conceptual Poetics Day of Miss Read: The Berlin Art Book Fair – 15 July 2017","author":"Ian Braddick","date":"22\/06\/2017","format":false,"excerpt":"SHU Reader of Fine Art Dr Sharon Kivland will present at this year's Miss Read: The Berlin Art Book Fair on their Conceptual Poetics Day, taking place in Berlin on Saturday 15 July. The Conceptual Poetics Day is an annual event that explores the imaginary border between visual art and\u2026","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Miss Read Book Fair logo (property of Miss Read Book Fair berlin)","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/06\/KIVLAND-07-2017-Miss-Read-Berlin.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/06\/KIVLAND-07-2017-Miss-Read-Berlin.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/06\/KIVLAND-07-2017-Miss-Read-Berlin.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/06\/KIVLAND-07-2017-Miss-Read-Berlin.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1808,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/publication-sharon-kivland-4\/","url_meta":{"origin":2268,"position":1},"title":"Reading Nana – An experimental novel – Dr Sharon Kivland","author":"Ian Braddick","date":"15\/05\/2017","format":false,"excerpt":"Zola\u2019s novel, his \u2018true story of the demi-monde\u2019, was published in instalments, first appearing in October 1879 in Le Voltaire. The definitive version in book form was published on 15 February by Charpentier. Emile Zola\u2019s novel Nana is re-read and re-written,ghost-written, condensed according to soft furnishings, lighting effects (including metaphor),\u2026","rel":"","context":"In "Publications"","block_context":{"text":"Publications","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/publications\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/KIVLAND-2017-05-Reading-Nana.jpg?fit=300%2C400&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5735,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-showgirl-manifesto-huddersfield\/","url_meta":{"origin":2268,"position":2},"title":"‘Showgirl Manifesto’: New exhibition in Huddersfield features Dr Sharon Kivland – On until 27 October","author":"Ian Braddick","date":"15\/10\/2018","format":false,"excerpt":"Showgirl Manifesto\u00a0is an exhibition emerging from\u00a0the recently published book\u00a0Viewing Pleasure and Being A Showgirl, How Do I Look?\u00a0by artist and writer\u00a0Alison J Carr. In the book, Carr contextualises showgirl experiences, framing their relevance for contemporary feminism as well as artists and performers. Accessibly written, the book interprets a range of\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/exhibition\/"},"img":{"alt_text":"Showgirl Manifesto banner","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/10\/KIVLAND-2018-10-Showgirl-Manifesto-Banner.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/10\/KIVLAND-2018-10-Showgirl-Manifesto-Banner.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/10\/KIVLAND-2018-10-Showgirl-Manifesto-Banner.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/10\/KIVLAND-2018-10-Showgirl-Manifesto-Banner.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":5696,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/kivland-book-lovers-collection\/","url_meta":{"origin":2268,"position":3},"title":"Two of Dr Sharon Kivland’s books added to ‘The Book Lovers’ research project and collection","author":"Ian Braddick","date":"21\/11\/2018","format":false,"excerpt":"Sharon Kivland\u2019s books A Case of Hysteria (1999) and Reading Nana (2017) have been added to the\u00a0The Book Lovers\u00a0collection as the result of a research project. The Book Lovers is a research project on the phenomenon of artists' novels curated by David Maroto and Joanna Zielinska. The central question of\u2026","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Composite image of Sharon Kivland's 'A Case of Hysteria' and 'Reading Nana'","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/11\/2018-11-KIVLAND-The-Book-Lovers-collection.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/11\/2018-11-KIVLAND-The-Book-Lovers-collection.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/11\/2018-11-KIVLAND-The-Book-Lovers-collection.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/11\/2018-11-KIVLAND-The-Book-Lovers-collection.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2852,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-dieselkraftwerk\/","url_meta":{"origin":2268,"position":4},"title":"Dr Sharon Kivland’s works acquired by Dieselkraftwerk Museum in Germany","author":"Ian Braddick","date":"17\/08\/2016","format":false,"excerpt":"The Dieselkraftwerk museum in Cottbus, Germany has acquired three sets of works by Sharon Kivland from her body of work entitled The Natural Forms, a series of works developed in three parts for three venues addresses gender constructions and economics. Sharon Kivland had a solo exhibition at the museum in\u2026","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Sharon Kivland's 'The Natural Forms'","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2016\/08\/KIVLAND-2016-08-Natural-Forms-Dieselkraftwerk.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2016\/08\/KIVLAND-2016-08-Natural-Forms-Dieselkraftwerk.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2016\/08\/KIVLAND-2016-08-Natural-Forms-Dieselkraftwerk.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2016\/08\/KIVLAND-2016-08-Natural-Forms-Dieselkraftwerk.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4769,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-culturehotel\/","url_meta":{"origin":2268,"position":5},"title":"Sharon Kivland announced as next artist-in-residence at CultureH\u00f4tel Switzerland","author":"Ian Braddick","date":"30\/04\/2018","format":false,"excerpt":"Dr Sharon Kivland, Reader in Fine Art at Sheffield Hallam University, has recently been announced as the latest artist-in-residence at CultureH\u00f4tel\u00a0located in Leysin in\u00a0the\u00a0Vaudoises\u00a0Alps. See the announcement here. Find out more about Sharon Kivland\u2019s work\u00a0here.","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Image from Sharon Kivland's window during her residency at CultureHotel Switzerland. Courtesy of Sharon Kivland.","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/KIVLAND-2018-05-Residency-at-CultureHotel.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/KIVLAND-2018-05-Residency-at-CultureHotel.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/KIVLAND-2018-05-Residency-at-CultureHotel.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/KIVLAND-2018-05-Residency-at-CultureHotel.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/2268","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/comments?post=2268"}],"version-history":[{"count":2,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/2268\/revisions"}],"predecessor-version":[{"id":2270,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/2268\/revisions\/2270"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media\/2271"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media?parent=2268"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/categories?post=2268"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/tags?post=2268"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}