{"id":1808,"date":"2017-05-15T15:38:45","date_gmt":"2017-05-15T14:38:45","guid":{"rendered":"http:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=1808"},"modified":"2017-07-31T16:14:05","modified_gmt":"2017-07-31T15:14:05","slug":"publication-sharon-kivland-4","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/publication-sharon-kivland-4\/","title":{"rendered":"Reading Nana &#8211; An experimental novel &#8211; Dr Sharon Kivland"},"content":{"rendered":"\n<table id=\"tablepress-41\" class=\"tablepress tablepress-id-41\">\n<tbody>\n<tr class=\"row-1\">\n\t<td class=\"column-1\">Title:<\/td><td class=\"column-2\">Reading Nana - An experimental novel<\/td>\n<\/tr>\n<tr class=\"row-2\">\n\t<td class=\"column-1\">Publisher: <\/td><td class=\"column-2\"><a href=\"http:\/\/www.anagrambooks.com\/publishers\/ma-bibliotheque\" target=\"_blank\">Ma Biblioth\u00e8que<\/a><\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">Authors:<\/td><td class=\"column-2\"><a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/sharon-kivland\" target=\"_blank\">Dr Sharon Kivland<\/a><\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">Publication date:<\/td><td class=\"column-2\">May, 2017<\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">Print ISBN:<\/td><td class=\"column-2\">978-1-910055-30-4<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">Format: <\/td><td class=\"column-2\">140mm x 205mm, perfect-bound<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">Number of pages:<\/td><td class=\"column-2\">104<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<!-- #tablepress-41 from cache -->\n<p>Zola\u2019s novel, his \u2018true story of the demi-monde\u2019, was published in instalments, first appearing in October 1879 in Le Voltaire. The definitive version in book form was published on 15 February by Charpentier. Emile Zola\u2019s novel Nana is re-read and re-written,ghost-written, condensed according to soft furnishings, lighting effects (including metaphor), other women, death and dying, cats, anti-semitism, money, smell, and many other categories. Kivland has been reading Nana by \u00c9mile Zola for some time now, over a number of years. Some parts of her reading have been published in instalments in Crux Desperationes, while others have been performed. She takes it upon herself to depict Nana, to speak for her and as her: a woman who is a book, a book that is a woman.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Zola\u2019s novel, his \u2018true story of the demi-monde\u2019, was published in instalments, first appearing in October 1879 in Le Voltaire. The definitive version in book form was published on 15 February by Charpentier. Emile Zola\u2019s novel Nana is re-read and re-written,ghost-written, condensed according to soft furnishings, lighting effects (including metaphor), other women, death and dying, cats, anti-semitism, money, smell, and [&#8230;]<\/p>\n","protected":false},"author":8633,"featured_media":1812,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[143],"tags":[5,355,109,144],"class_list":["post-1808","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publications","tag-art-and-design-research-centre","tag-emile-zola","tag-fine-art-research","tag-sharon-kivland"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/KIVLAND-2017-05-Reading-Nana.jpg?fit=300%2C400&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-ta","jetpack-related-posts":[{"id":2268,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/publication-sharon-kivland-5\/","url_meta":{"origin":1808,"position":0},"title":"Emptiness &amp; Silence. A Supplement to Reading Nana &#8211; Dr Sharon Kivland","author":"Ian Braddick","date":"03\/07\/2017","format":false,"excerpt":"Sharon Kivland\u2019s Emptiness & Silence. A Supplement to Reading Nana, follows READING NANA. An experimental novel, in which Emile Zola\u2019s novel Nana is re-read and re-written, ghost-written, condensed according to soft furnishings, lighting effects (including metaphor), other women, death and dying, cats, anti-semitism, money, odour, and many other categories. In\u2026","rel":"","context":"In &quot;Publications&quot;","block_context":{"text":"Publications","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/publications\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/06\/KIVLAND-2017-06-Emptiness-Silence.png?fit=290%2C218&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2208,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/kivland-berlin-miss-read\/","url_meta":{"origin":1808,"position":1},"title":"Dr Sharon Kivland (Fine Art) invited to present at The Conceptual Poetics Day of Miss Read: The Berlin Art Book Fair &#8211; 15 July 2017","author":"Ian Braddick","date":"22\/06\/2017","format":false,"excerpt":"SHU Reader of Fine Art Dr Sharon Kivland will present at this year's Miss Read: The Berlin Art Book Fair on their Conceptual Poetics Day, taking place in Berlin on Saturday 15 July. The Conceptual Poetics Day is an annual event that explores the imaginary border between visual art and\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Miss Read Book Fair logo (property of Miss Read Book Fair berlin)","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/06\/KIVLAND-07-2017-Miss-Read-Berlin.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/06\/KIVLAND-07-2017-Miss-Read-Berlin.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/06\/KIVLAND-07-2017-Miss-Read-Berlin.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/06\/KIVLAND-07-2017-Miss-Read-Berlin.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":5735,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-showgirl-manifesto-huddersfield\/","url_meta":{"origin":1808,"position":2},"title":"&#8216;Showgirl Manifesto&#8217;: New exhibition in Huddersfield features Dr Sharon Kivland &#8211; On until 27 October","author":"Ian Braddick","date":"15\/10\/2018","format":false,"excerpt":"Showgirl Manifesto\u00a0is an exhibition emerging from\u00a0the recently published book\u00a0Viewing Pleasure and Being A Showgirl, How Do I Look?\u00a0by artist and writer\u00a0Alison J Carr. In the book, Carr contextualises showgirl experiences, framing their relevance for contemporary feminism as well as artists and performers. Accessibly written, the book interprets a range of\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/exhibition\/"},"img":{"alt_text":"Showgirl Manifesto banner","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/10\/KIVLAND-2018-10-Showgirl-Manifesto-Banner.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/10\/KIVLAND-2018-10-Showgirl-Manifesto-Banner.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/10\/KIVLAND-2018-10-Showgirl-Manifesto-Banner.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/10\/KIVLAND-2018-10-Showgirl-Manifesto-Banner.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":5696,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/kivland-book-lovers-collection\/","url_meta":{"origin":1808,"position":3},"title":"Two of Dr Sharon Kivland&#8217;s books added to &#8216;The Book Lovers&#8217; research project and collection","author":"Ian Braddick","date":"21\/11\/2018","format":false,"excerpt":"Sharon Kivland\u2019s books A Case of Hysteria (1999) and Reading Nana (2017) have been added to the\u00a0The Book Lovers\u00a0collection as the result of a research project. The Book Lovers is a research project on the phenomenon of artists' novels curated by David Maroto and Joanna Zielinska. The central question of\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Composite image of Sharon Kivland's 'A Case of Hysteria' and 'Reading Nana'","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/11\/2018-11-KIVLAND-The-Book-Lovers-collection.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/11\/2018-11-KIVLAND-The-Book-Lovers-collection.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/11\/2018-11-KIVLAND-The-Book-Lovers-collection.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/11\/2018-11-KIVLAND-The-Book-Lovers-collection.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":5005,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/publication-sharon-kivland-10\/","url_meta":{"origin":1808,"position":4},"title":"The Desire for Haiku &#8211; Features Dr Sharon Kivland and Emma Bolland","author":"Ian Braddick","date":"30\/04\/2018","format":false,"excerpt":"For two years we have been reading The Preparation of the Novel by Roland Barthes, the collection of the series of lectures he gave at the Coll\u00e8ge de France between 1978 and 1980, completed shortly before his death in 1981. He declared his intention to write a novel, and in\u2026","rel":"","context":"In &quot;Doctoral research&quot;","block_context":{"text":"Doctoral research","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/doctoral-research\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/06\/KIVLAND-BOLLAND-2018-04-Desire-for-Haiku.jpg?fit=263%2C369&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5700,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-uoc-reading\/","url_meta":{"origin":1808,"position":5},"title":"Dr Sharon Kivland invited to give reading at the Faculty of English, University of  Cambridge","author":"Ian Braddick","date":"18\/11\/2018","format":false,"excerpt":"On Monday 19 November, Sharon Kivland\u00a0will join novelist Anna Moschovakis and translator Charlotte Collins\u00a0at the Faculty of English at University of Cambridge in a session of readings hosted by Dr Sophie Seita. Judith E. Wilson Drama Studio, University of Cambridge Monday 19 November 2018, 7.30PM For more information please see\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Sharon Kivland reading","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/11\/2018-11-19-KIVLAND-Readings-at-University-of-Cambridge.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/11\/2018-11-19-KIVLAND-Readings-at-University-of-Cambridge.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/11\/2018-11-19-KIVLAND-Readings-at-University-of-Cambridge.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/11\/2018-11-19-KIVLAND-Readings-at-University-of-Cambridge.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/1808","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/comments?post=1808"}],"version-history":[{"count":4,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/1808\/revisions"}],"predecessor-version":[{"id":2596,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/1808\/revisions\/2596"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media\/1812"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media?parent=1808"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/categories?post=1808"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/tags?post=1808"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}