{"id":1686,"date":"2017-03-25T15:01:00","date_gmt":"2017-03-25T15:01:00","guid":{"rendered":"http:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=1686"},"modified":"2017-05-03T17:12:45","modified_gmt":"2017-05-03T16:12:45","slug":"visibility_conference","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/visibility_conference\/","title":{"rendered":"Visibility Conference &#8211; Askance? Oblique &#8211; 31 March 2017"},"content":{"rendered":"<p>It is central to the shaping of political, ethical and socio-economic concerns, in culture and within the subcultures it informs. Visibility within practice-based research can expose and question visual hierarchies, authority, authorship, the politics of technology, balances of power and representation or prompt dissent. Here, visibility is a concept that we have adapted and extended from the philosophies of Michel Foucault and Gilles Deleuze, where it shifts from a quality; of visibility, to an entity; the visibility. The concept of visibility generates a dual arrangement: of what can be seen operating with what cannot be seen. Our understanding of visibility provides a broad contemporary framework founded in the histories of post-colonialism and feminism.<\/p>\n<p>We will examine the many dialogues which incorporate themes of visibility within art, visual practice and participatory practice to prompt a discussion between multiple disciplines. Artwork that incorporates documentation expands the making process into one that could involve broader considerations, such as gaining access, subject matter, permissions, negotiating authorship, representation and use of technology or technique. This dynamic thematic will enable new perspectives on the conditions of practice based research.<\/p>\n<p>Some questions which we will consider:<br \/>\nWho or what is made visible, and what remains invisible?<br \/>\nHow do perceptions of visibility affect power dynamics?<br \/>\nWhat is hidden within practice-based artistic research?<br \/>\nHow are the politics of representation examined through visibility within arts practice?<br \/>\nHow does visibility broaden considerations of context and approach within practice-based research?<\/p>\n<p>Our speakers and researchers cover a diverse range of disciplines. <strong>For more information please visit our conference<\/strong>\u00a0<strong><a href=\"https:\/\/visibilityconference.carbonmade.com\/\" target=\"_blank\">website<\/a>.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>The conference takes place on 31st March 2017, Cantor Building, Sheffield Hallam University.\u00a0<strong><em>We have limited tickets available please ensure that if you wish to attend you have booked your ticket through\u00a0<a href=\"https:\/\/www.eventbrite.co.uk\/e\/askanceoblique-conference-2017-tickets-32173296195\">Eventbrite<\/a>.<\/em><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Organised by a group of\u00a0practice-based C3RI PhD students, this project is funded by the <a href=\"https:\/\/blogs.shu.ac.uk\/doctoralschool\/\" target=\"_blank\">Sheffield Hallam University Doctoral School<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p>Contact:\u00a0<a href=\"javascript:DeCryptX('3l0n0v0i2u1j0b3l3o2k1u1z0c1p0n1g1f0r2g0n0c3h0@1h3p2c1j2n313f1p2o')\">invisibilityconference [at] gmail [dot] com<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div class=\"content\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>It is central to the shaping of political, ethical and socio-economic concerns, in culture and within the subcultures it informs. Visibility within practice-based research can expose and question visual hierarchies, authority, authorship, the politics of technology, balances of power and representation or prompt dissent. Here, visibility is a concept that we have adapted and extended from the philosophies of Michel [&#8230;]<\/p>\n","protected":false},"author":444,"featured_media":1687,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[183,103],"tags":[5,185,338],"class_list":["post-1686","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-doctoral-research","category-events","tag-art-and-design-research-centre","tag-phd-students","tag-visibility"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/04\/visability-conference.jpg?fit=860%2C290&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-rc","jetpack-related-posts":[{"id":1752,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/rose-butler-askanceoblique-blog\/","url_meta":{"origin":1686,"position":0},"title":"Researcher Blog by Rose Butler: Askance?Oblique: A Conference on Visibility","author":"Alison Honnor","date":"09\/05\/2017","format":false,"excerpt":"About the author Rose Butler\u00a0is a senior lecturer in Fine Art\u00a0in the Art & Design Research Centre (ADRC) where she is also pursuing a practice-based PhD. Rose works with video, photography, sound, animation and installation. Rose\u2019s Director of Studies is\u00a0Professor Lise Autogena\u00a0and supervisors are Professor David Waddington\u00a0(SHU) and Professor David\u2026","rel":"","context":"In &quot;Doctoral research&quot;","block_context":{"text":"Doctoral research","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/doctoral-research\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/BUTLER-AskanceOblique-Butler-Noise-2017.gif?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/BUTLER-AskanceOblique-Butler-Noise-2017.gif?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/BUTLER-AskanceOblique-Butler-Noise-2017.gif?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/BUTLER-AskanceOblique-Butler-Noise-2017.gif?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":12924,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wednesday-20-march-2024-overspill-presences-processes-perspectives-in-conversation-with-performance-artist-nando-messias\/","url_meta":{"origin":1686,"position":1},"title":"WEDNESDAY 20 March 2024 \u2013 \u2018OVERSPILL: PRESENCES, PROCESSES, PERSPECTIVES\u2019 \u2013 In conversation with performance artist Nando Messias","author":"Phoebe Bolton","date":"15\/02\/2024","format":false,"excerpt":"All are warmly invited to this in conversation with Nando Messias. This event is part of the research seminar series Overspill: Presences, Processes & Perspectives\u00a0hosted at Sheffield Hallam University by\u00a0Dr Sophie Swoffer\u00a0(Lecturer in Performance). __________________________________ Nando Messias' work straddles performance art, dance and theatre. Their performances combine beautiful images with\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/09\/Overspill-logo-Sophie-Swoffer-1.png?fit=940%2C788&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/09\/Overspill-logo-Sophie-Swoffer-1.png?fit=940%2C788&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/09\/Overspill-logo-Sophie-Swoffer-1.png?fit=940%2C788&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/09\/Overspill-logo-Sophie-Swoffer-1.png?fit=940%2C788&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":12693,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/re-embroidering-blackwork-exhibition\/","url_meta":{"origin":1686,"position":2},"title":"\u2018Re-embroidering Blackwork: an unstitched coif &amp; other works\u2019 exhibition: 19-23 December 2023","author":"Amy Lander","date":"23\/11\/2023","format":false,"excerpt":"Re-embroidering Blackwork\u00a0is the culmination of a 5 year Ph.D research project by artist and embroiderer Toni Buckby. Working with the collection of 16th century blackwork embroideries held at the Victoria & Albert Museum (London), Toni has been exploring questions of decay, loss, fragility, and reconstruction within and beyond the museum\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/11\/Re-embroidering-Blackwork-an-unstitched-coif-other-works-banner-edit.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/11\/Re-embroidering-Blackwork-an-unstitched-coif-other-works-banner-edit.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/11\/Re-embroidering-Blackwork-an-unstitched-coif-other-works-banner-edit.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/11\/Re-embroidering-Blackwork-an-unstitched-coif-other-works-banner-edit.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":10550,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/aitken-remembering-black-victims-of-the-holodcaust\/","url_meta":{"origin":1686,"position":3},"title":"Remembering Germany&#8217;s Black victims of the Holocaust &#8211; Professor Robbie Aitken","author":"Ian Braddick","date":"08\/09\/2021","format":false,"excerpt":"Remembering the forgotten Black victims of the Holocaust is the aim of two new memorials initiated by Professor of Imperial History, Robbie Aitken. He applied to lay the new memorials to bring new visibility to Germany\u2019s Black history, following his extensive research into the history of Germany\u2019s Black community and\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Picture of Professor Robbie Aitken","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/06\/2c2e4992-c3a8-a3bb-4c5e-75aaeda2d359.png?fit=1200%2C628&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/06\/2c2e4992-c3a8-a3bb-4c5e-75aaeda2d359.png?fit=1200%2C628&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/06\/2c2e4992-c3a8-a3bb-4c5e-75aaeda2d359.png?fit=1200%2C628&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/06\/2c2e4992-c3a8-a3bb-4c5e-75aaeda2d359.png?fit=1200%2C628&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/06\/2c2e4992-c3a8-a3bb-4c5e-75aaeda2d359.png?fit=1200%2C628&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":431,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/research-seminar-becky-shaw\/","url_meta":{"origin":1686,"position":4},"title":"Wednesday 15 October 2014 &#8211; Lunchtime seminar with Dr Becky Shaw (Fine Art, SHU)","author":"Alison Honnor","date":"08\/10\/2014","format":false,"excerpt":"Title: Critical Care: the position of artist and patient in artworks made in care contexts Speaker: Dr Becky Shaw I explore the relationship between individual and society through live artworks made in care, education and production contexts. Works are made through rigorous responsiveness to situation, with no prior known outcome.\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2014\/09\/ATT20503.jpeg?fit=399%2C300&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10936,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/dr-becky-shaw-researcher-blog-running-across-subsidence-the-ordinary-failure-of-public-art-and-public-infrastructure-services\/","url_meta":{"origin":1686,"position":5},"title":"Dr Becky Shaw Researcher Blog &#8211; Running across subsidence: The ordinary failure of public art and public infrastructure services","author":"Phoebe Bolton","date":"03\/05\/2022","format":false,"excerpt":"Becky\u2019s Shaw\u2019s exploration of the unstable space of commissioning included in new book on public art and failure. When an artist is commissioned to explore an institution or organisation the pretext is often to \u2018celebrate:\u2019 to communicate complicated\u00a0\u2018hidden\u2019 work to a public; to reach a \u2018hard to reach\u2019 community; to\u2026","rel":"","context":"In &quot;Researcher blog&quot;","block_context":{"text":"Researcher blog","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/researcher-blog\/"},"img":{"alt_text":"Becky Shaw Putting myself in every pipe in the City of Calgary. Live work September 2017. 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