{"id":1372,"date":"2017-03-22T09:37:45","date_gmt":"2017-03-22T09:37:45","guid":{"rendered":"http:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=1372"},"modified":"2017-03-30T10:24:23","modified_gmt":"2017-03-30T09:24:23","slug":"research-seminar-julie-westerman","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/research-seminar-julie-westerman\/","title":{"rendered":"Tuesday 28 March 2017 &#8211; lunchtime seminar with Julie Westerman (Fine Art, SHU)"},"content":{"rendered":"<p><strong>Speaker: <a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/julie-westerman\" target=\"_blank\">Julie Westerman<\/a>\u00a0(Fine Art, SHU)<br \/>\nTitle:\u00a0Trigger Point &#8211; Lisbon<\/strong><\/p>\n<p><a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/julie-westerman\" target=\"_blank\">Julie&#8217;s<\/a>\u00a0practice embraces both individual research concerns and interdisciplinary curatorial practice. She works across sculpture, drawing, film, animation, and CAD processes.<\/p>\n<p>Ongoing research brings together a body of work that considers our pervading anxiety over global warming and our reactions to catastrophic events of natural forces. Recent curatorial projects have been concerned with the rethinking of utopian modernist architecture in the contemporary unban cityscape, in Sheffield and Berlin. The research talk will look at the development of Trigger Point, an interdisciplinary project in progress focused on the city of Lisbon.<\/p>\n<p>Trigger Point is an evolving series of projects that use interdisciplinary collaborations and the host guest relationship to unpick the city. Art has the ability not only to represent the city but also to shape it and give it form. Trigger Point aims to create new points of interaction between artists and experts from a broad range of disciplines to consider how art can have a role in shaping of the future city, and for sustainable international discussion across disciplines.<\/p>\n<p>In collaboration with Jaspar Joseph-Lester we have evolved an ongoing network of participants, including, academics in architecture, urban studies, social anthropology, human and physical geography, futurology, civil engineers curators and artists. This network was brought together in Lisbon for the first phase of Trigger Point to share knowledge and working methods. The outcomes included a series of workshops to develop five collaborative and interdisciplinary walking tours set to expose a series of alternative spatial narratives of the city, an exhibition of collaborative exploratory maps, and a series of films.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1.00PM \u2013 2.00PM<br \/>\nTuesday 28 March 2017<br \/>\nHPO MA Design Studio\u00a0(Room 16-1-16)<br \/>\n<\/strong><\/p>\n<p>See <a href=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/seminars-201617\/\" target=\"_blank\">here <\/a>for details of other seminars in the series.<\/p>\n<p>All SHU staff and students are welcome to attend the C3RI Lunchtime Research Seminars. If you are from outside of the University and would like to attend a seminar, please email <a href=\"mailto:C3RI@shu.ac.uk?subject=Attending%20a%20C3RI%20research%20seminar\" target=\"_blank\">C3RI Administrator<\/a> to arrange entry.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Speaker: Julie Westerman\u00a0(Fine Art, SHU) Title:\u00a0Trigger Point &#8211; Lisbon Julie&#8217;s\u00a0practice embraces both individual research concerns and interdisciplinary curatorial practice. She works across sculpture, drawing, film, animation, and CAD processes. Ongoing research brings together a body of work that considers our pervading anxiety over global warming and our reactions to catastrophic events of natural forces. Recent curatorial projects have been concerned [&#8230;]<\/p>\n","protected":false},"author":444,"featured_media":1373,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[103],"tags":[5,109,289],"class_list":["post-1372","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","tag-art-and-design-research-centre","tag-fine-art-research","tag-julie-westerman"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/03\/2017-03-28-WESTERMAN-Julie-trigger-point-lisbon.jpg?fit=860%2C290&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-m8","jetpack-related-posts":[{"id":6214,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/transmission-westerman-quinn\/","url_meta":{"origin":1372,"position":0},"title":"Transmission: Julie Westerman and Lulu Quinn &#8211; Tuesday 19 March 2019","author":"Ian Braddick","date":"07\/03\/2019","format":false,"excerpt":"Julie Westerman and Lulu Quinn have been friends and collaborators for twenty-five years. Inspired by each other\u2019s practice they have combined their expertise in many an epic, entertaining, exasperating, exhilarating, and ambitious public art project, triumphing over the torrents of life-threatening flood-swollen rivers and the threat of legionella. Julie Westerman\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"Transmission logo and image for Julie Westerman and Lulu Quinn","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-03-TRANSMISSION-Westerman-and-Quinn.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-03-TRANSMISSION-Westerman-and-Quinn.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-03-TRANSMISSION-Westerman-and-Quinn.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/02\/2019-03-TRANSMISSION-Westerman-and-Quinn.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4260,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/julie-westerman-hard-engineering-gulbenkian\/","url_meta":{"origin":1372,"position":1},"title":"&#8216;Hard Engineering: Propositions for Future Ruins&#8217; &#8211; Julie Westerman&#8217;s exhibition open at the Gulbenkian in Lisbon","author":"Ian Braddick","date":"14\/02\/2018","format":false,"excerpt":"Hard Engineering: Propositions for Future Ruins\u00a0explores how the urban environment is produced by everyday acts and how the city is constructed from material and immaterial structures of civic organisation, representation, power and control. Six speculative guides to Lisbon re-imagine the contemporary urban environment by\u00a0exploring overlooked livelihoods, traces of profound social\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/exhibition\/"},"img":{"alt_text":"Banner image for Hard Engineering exhibition, provided by Julie Westerman","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/02\/WESTERMAN-2018-02-Gulbenkian-exhibition-2.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/02\/WESTERMAN-2018-02-Gulbenkian-exhibition-2.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/02\/WESTERMAN-2018-02-Gulbenkian-exhibition-2.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/02\/WESTERMAN-2018-02-Gulbenkian-exhibition-2.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":3024,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/julie-westerman-hard-engineering-lisbon\/","url_meta":{"origin":1372,"position":2},"title":"&#8216;Hard Engineering: Propositions for Future Ruins&#8217; &#8211; Exhibition in Lisbon curated by and featuring Julie Westerman&#8217;s work","author":"Ian Braddick","date":"29\/09\/2017","format":false,"excerpt":"Immaterial structures and material products are invariably subject to physical decay and social decline - no matter how grandiose or technologically advanced they might be. This exhibition explores sites of urban development and transformation to consider how we navigate and repurpose the future ruins of our urban surroundings. Hard Engineering\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Banner for Hard Engineering exhibition (with Julie Westerman), Lisbon","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/09\/WESTERMAN-2017-09-Hard-Engineering-banner-1.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/09\/WESTERMAN-2017-09-Hard-Engineering-banner-1.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/09\/WESTERMAN-2017-09-Hard-Engineering-banner-1.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/09\/WESTERMAN-2017-09-Hard-Engineering-banner-1.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2221,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-armel-beaufils\/","url_meta":{"origin":1372,"position":3},"title":"Dr Sharon Kivland&#8217;s &#8216;Armel Beaufils, le Regard des femmes&#8217; exhibition opens 01 July","author":"Ian Braddick","date":"22\/06\/2017","format":false,"excerpt":"As part of the Festival d\u2019art, the commune of Saint-Briac-sur-Mer, which holds a significant collection of works by the sculptor Armel Beaufils (1882-1952) has invited the artist and SHU's Reader of Fine Art Dr Sharon Kivland to curate an exhibition based on this collection, titled Armel Beaufils, le Regard des\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Exhibition invitation image for Armel Beaufils, le Regard des femmes (courtesy of Sharon Kivland, SHU)","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/06\/KIVLAND-07-2017-Armel-Beaufils-le-regard-des-femmes-2.jpg?fit=890%2C291&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/06\/KIVLAND-07-2017-Armel-Beaufils-le-regard-des-femmes-2.jpg?fit=890%2C291&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/06\/KIVLAND-07-2017-Armel-Beaufils-le-regard-des-femmes-2.jpg?fit=890%2C291&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/06\/KIVLAND-07-2017-Armel-Beaufils-le-regard-des-femmes-2.jpg?fit=890%2C291&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8683,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/transmission-2018-2019\/","url_meta":{"origin":1372,"position":4},"title":"Transmission &#8216;In Conversation&#8217; &#8211; 2018-2019","author":"Ian Braddick","date":"01\/10\/2018","format":false,"excerpt":"Transmission\u00a0is an annual series of lectures and symposia, now in its fifteenth year, and is a collaboration between Fine Art, the Art & Design Research Centre at Sheffield Hallam University, and\u00a0Site Gallery. Convened by Sharon Kivland in 2001,\u00a0Transmission\u00a0was developed collaboratively with Lesley Sanderson from 2001 to 2004, and with Jasper\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"Transmission 2018-2019 Banner","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2018-TRANSMISSION.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2018-TRANSMISSION.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2018-TRANSMISSION.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2018-TRANSMISSION.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4514,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/malevolent-eldritch-shrieking\/","url_meta":{"origin":1372,"position":5},"title":"An exhibition about painting (in some aspect) &#8211; &#8216;Malevolent Eldritch Shrieking&#8217; features past and present staff and students, opens in Sheffield on 24 March 2018","author":"Ian Braddick","date":"20\/03\/2018","format":false,"excerpt":"Malevolent Eldritch Shrieking is an exhibition of painting in its broadest sense. Curated by SHU alumni artist Paul Morrison and located at his Attercliffe\u2122 space in Sheffield, the exhibition presents works by more than 90 artists including many past and present staff and students from Sheffield Hallam. The salon style\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/exhibition\/"},"img":{"alt_text":"Title and info taken from Malevolent Eldritch Shrieking flyer","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/2018-03-Malevolent-Eldritch-Shrieking.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/2018-03-Malevolent-Eldritch-Shrieking.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/2018-03-Malevolent-Eldritch-Shrieking.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/04\/2018-03-Malevolent-Eldritch-Shrieking.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/1372","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/comments?post=1372"}],"version-history":[{"count":1,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/1372\/revisions"}],"predecessor-version":[{"id":1374,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/1372\/revisions\/1374"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media\/1373"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media?parent=1372"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/categories?post=1372"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/tags?post=1372"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}