{"id":13681,"date":"2026-05-15T12:30:17","date_gmt":"2026-05-15T11:30:17","guid":{"rendered":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=13681"},"modified":"2026-05-28T14:55:50","modified_gmt":"2026-05-28T13:55:50","slug":"indivisible-the-360-igloo-as-prism-portal-potential-docfest-13-june-2026","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/indivisible-the-360-igloo-as-prism-portal-potential-docfest-13-june-2026\/","title":{"rendered":"Indivisible: the 360 Igloo as prism\/portal\/potential &#8211; DocFest, 13 June 2026"},"content":{"rendered":"<h6><strong>Sheffield Creative Industries Institute at Docfest Alternate Realities Programme\u00a0<\/strong><\/h6>\n<p>&nbsp;<\/p>\n<p><i><span style=\"font-weight: 400\">Indivisible<\/span><\/i><span style=\"font-weight: 400\"> explores the unfolding opportunities afforded by the technology, physical experience, and connectedness of the Sheffield Hallam University<\/span><i><span style=\"font-weight: 400\"> Igloo<\/span><\/i><span style=\"font-weight: 400\"> 360 immersive space &#8211; extending participation beyond static exhibition site and into\u00a0 creative, embodied and critical, multi-sensory encounters.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Each selected piece explores the potential for immersive place-inspired storytelling: centering research, innovation, and knowledge exchange to tell stories about climate, nature, resilience, and to document hidden histories of the city.\u00a0<\/span><\/p>\n<p><i><span style=\"font-weight: 400\">Indivisible <\/span><\/i><span style=\"font-weight: 400\">is a showcase for inspiration, dialogue and provocation. We look forward to welcoming you to the space.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Curator &amp; Producer: Amy Carter Gordon: Associate Director: Innovation (Culture &amp; Curation)\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Specialist technical expertise: Tanni Moyana, Digital Skills Academic Lead for SY Institute of Technology<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Venue: South Yorkshire Institute of Technology<\/b><\/p>\n<p><span style=\"font-weight: 400\">Strines Building, Sheffield Hallam University \u2013 City Campus, S1 2LX<\/span><\/p>\n<p><b>Opening times:<\/b><span style=\"font-weight: 400\"> 10:00 &#8211; 18:00<\/span><\/p>\n<p><span style=\"font-weight: 400\">Free, no booking required<\/span><\/p>\n<p><b>Important information:<\/b><\/p>\n<p><span style=\"font-weight: 400\">Please note t<span data-olk-copy-source=\"MessageBody\">he showcase is only open to Docfest pass holders and to Sheffield Hallam University staff by appointment only, contact a.carter-gordon@shu.ac.uk. <\/span><\/span><\/p>\n<p><span style=\"font-weight: 400\">Due to limited capacity in the<\/span><i><span style=\"font-weight: 400\"> Igloo<\/span><\/i><span style=\"font-weight: 400\">, each piece will be screened multiple times during the day. If you arrive part-way through a showing, we kindly ask that you wait for the next one. Wait times will be minimal as the projections are short in duration.<\/span><\/p>\n<p><b>Artist talks:\u00a0<\/b><\/p>\n<p><span style=\"font-weight: 400\">Throughout the day, the artist-researchers will give informal talks about their work.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h3><b>Programme<\/b><\/h3>\n<p>&nbsp;<\/p>\n<p><b>Title: <\/b><i><span style=\"font-weight: 400\">Germinate and Reclaim Industrial Terrain (GRIT)<\/span><\/i><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><b>By:<\/b><span style=\"font-weight: 400\"> Jane Prophet: Professor of Art and Design<\/span><\/p>\n<p><b>Duration:<\/b> <span style=\"font-weight: 400\">00:07 minutes<\/span><\/p>\n<div id=\"attachment_13684\" style=\"width: 170px\" class=\"wp-caption alignleft\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-13684\" data-attachment-id=\"13684\" data-permalink=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/indivisible-the-360-igloo-as-prism-portal-potential-docfest-13-june-2026\/image-credit-jane-prophet-poppy\/\" data-orig-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2026\/05\/Image-credit-Jane-Prophet-poppy.png?fit=147%2C256&amp;ssl=1\" data-orig-size=\"147,256\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Image credit: Jane Prophet\" data-image-description=\"&lt;p&gt;Image credit: Jane Prophet&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Image credit: Jane Prophet&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2026\/05\/Image-credit-Jane-Prophet-poppy.png?fit=147%2C256&amp;ssl=1\" class=\"wp-image-13684\" src=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2026\/05\/Image-credit-Jane-Prophet-poppy.png?resize=160%2C279&#038;ssl=1\" alt=\"\" width=\"160\" height=\"279\" \/><p id=\"caption-attachment-13684\" class=\"wp-caption-text\">Image credit: Jane Prophet<\/p><\/div>\n<p><span style=\"font-weight: 400\">Weeds thrive in rubble and ruins, embodying regeneration and unruly vitality. Germinate <\/span><span style=\"font-weight: 400\">and Reclaim Industrial Terrain (GRIT) immerses participants in towering poppies and dandelions that resist human control and quantification. Using documentary and stock footage to train AI, alongside post-processed video, the 360 video celebrates resilient flowering weeds and challenges the human quantification of plants. Chosen for their ability to colonise post-industrial and disturbed spaces, poppies and dandelions push through rubble and compacted soil. Poppies famously flourished on the disturbed, nitrogen-rich ground of WWI battlefields, while dandelions\u2019 deep taproots and prolific seed dispersal allow rapid occupation of hostile environments. Together, these plants symbolise persistence, adaptation, and nature\u2019s capacity to reclaim damaged landscapes.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Credits:\u00a0<\/b><\/p>\n<p><span style=\"font-weight: 400\">Video: Jane Prophet | <\/span><span style=\"font-weight: 400\">Edited: Jane Prophet &amp; Bill Jackson | <\/span><span style=\"font-weight: 400\">Sound: Jane Prophet &amp; Bill Jackson | <\/span><span style=\"font-weight: 400\">Music: &#8216;In Ambience&#8217; by Addictive TV<\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><b>Title: <\/b><i><span style=\"font-weight: 400\">Storm-Cloud 360: Fragments in Connection<\/span><\/i><\/p>\n<p><b>By:<\/b><span style=\"font-weight: 400\"> Jake Goodall: Senior Lecturer in Graphic Design, Course Leader for BA (Hons) Creative Digital Design<\/span><b>\u00a0<\/b><\/p>\n<p><b>Duration: <\/b><span style=\"font-weight: 400\">00:16 minutes<\/span><\/p>\n<p><span style=\"font-weight: 400\">An immersive retelling of the distance between old foreshadowings and the current contexts of climate activism.<\/span><\/p>\n<p style=\"text-align: left\"><span style=\"font-weight: 400\">In 1884, John Ruskin foretold of ominous changes to weather phenomena in his prophetic lecture \u2018Storm-Cloud of the Nineteenth Century\u2019, attributing unsteady cloud patterns and subsequent environmental damage to the effects of industrialisation. This emotional warning to the world about human effects on nature rings true 140 years later as we\u2019re now living in the epicentre of a climate crisis, shouting about the same effects Ruskin observed and hoping for change. This immersive visual experience places participants at the centre of this perpetual conversation; unearthing archives, highlighting connections and celebrating those (past and present) fighting for a stable future.<\/span><\/p>\n<div id=\"attachment_13686\" style=\"width: 612px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-13686\" data-attachment-id=\"13686\" data-permalink=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/indivisible-the-360-igloo-as-prism-portal-potential-docfest-13-june-2026\/image-credit-jake-goodall\/\" data-orig-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2026\/05\/Image-credit-Jake-Goodall.jpg?fit=602%2C339&amp;ssl=1\" data-orig-size=\"602,339\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Image credit: Jake Goodall\" data-image-description=\"&lt;p&gt;Image credit: Jake Goodall&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Image credit: Jake Goodall&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2026\/05\/Image-credit-Jake-Goodall.jpg?fit=602%2C339&amp;ssl=1\" class=\"wp-image-13686 size-full\" src=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2026\/05\/Image-credit-Jake-Goodall.jpg?resize=602%2C339&#038;ssl=1\" alt=\"\" width=\"602\" height=\"339\" srcset=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2026\/05\/Image-credit-Jake-Goodall.jpg?w=602&amp;ssl=1 602w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2026\/05\/Image-credit-Jake-Goodall.jpg?resize=400%2C225&amp;ssl=1 400w\" sizes=\"auto, (max-width: 602px) 100vw, 602px\" \/><p id=\"caption-attachment-13686\" class=\"wp-caption-text\">Image credit: Jake Goodall<\/p><\/div>\n<p><b>Credits:<\/b><\/p>\n<p><span style=\"font-weight: 400\">Jake Goodall\u2019s <\/span><i><span style=\"font-weight: 400\">Fragments in Connection<\/span><\/i><span style=\"font-weight: 400\"> for Docfest 2026 breaks apart and remakes <\/span><i><span style=\"font-weight: 400\">Thrown into Form, <\/span><\/i><span style=\"font-weight: 400\">condensing Tom Payne\u2019s recorded performance, his own motion design expanded with new visual material, and David John Brady\u2019s score, into an immersive environment without live performer. With archival research by Ashley Gallant, drawings by Billy Hughes, and photographs by Becky Payne, the installation layers fragments of past versions into a new form.<\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><b>Title: <\/b><i><span style=\"font-weight: 400\">Good Storytelling Is\u2026<\/span><\/i><\/p>\n<p><b>By:<\/b><span style=\"font-weight: 400\"> Jake Goodall: Senior Lecturer in Graphic Design, Course Leader for BA(Hons) Creative Digital Design<\/span><\/p>\n<p><b>Duration: <\/b><span style=\"font-weight: 400\">10:00 mins<\/span><\/p>\n<div id=\"attachment_13687\" style=\"width: 435px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-13687\" data-attachment-id=\"13687\" data-permalink=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/indivisible-the-360-igloo-as-prism-portal-potential-docfest-13-june-2026\/image-credit-jake-goodall-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2026\/05\/Image-credit-Jake-Goodall-1.jpg?fit=602%2C339&amp;ssl=1\" data-orig-size=\"602,339\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Image credit: Jake Goodall\" data-image-description=\"&lt;p&gt;Image credit: Jake Goodall&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Image credit: Jake Goodall&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2026\/05\/Image-credit-Jake-Goodall-1.jpg?fit=602%2C339&amp;ssl=1\" class=\"wp-image-13687\" src=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2026\/05\/Image-credit-Jake-Goodall-1-400x225.jpg?resize=425%2C239&#038;ssl=1\" alt=\"\" width=\"425\" height=\"239\" srcset=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2026\/05\/Image-credit-Jake-Goodall-1.jpg?resize=400%2C225&amp;ssl=1 400w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2026\/05\/Image-credit-Jake-Goodall-1.jpg?w=602&amp;ssl=1 602w\" sizes=\"auto, (max-width: 425px) 100vw, 425px\" \/><p id=\"caption-attachment-13687\" class=\"wp-caption-text\">Image credit: Jake Goodall<\/p><\/div>\n<p><i><span style=\"font-weight: 400\">Good Storytelling Is\u2026 <\/span><\/i><span style=\"font-weight: 400\">an interactive tool and experience, designed to challenge ideas of what \u2018good\u2019 storytelling is through abstract data visualisation. It serves to prompt participants to consider creating their own tools, and opens dialogue around the cost of software and skills in the current economical and educational climate. The piece consists of a short immersive documentary, followed by a chance to experiment for yourself.<\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><b>Title:<\/b> <i><span style=\"font-weight: 400\">City of Echoes: Point Clouds and Memory Paths\u00a0<\/span><\/i><\/p>\n<p><b>By: <\/b><span style=\"font-weight: 400\">Anne Doncaster, Senior Lecturer in Digital Media Production<\/span><\/p>\n<p><b>Duration: <\/b><span style=\"font-weight: 400\">04:00 minutes<\/span><\/p>\n<p><span style=\"font-weight: 400\">City of Echoes: Point Clouds and Memory Paths is a digital installation exploring memory, urban transformation, and the fragility of the built environment. The project reconstructs demolished historical structures across Sheffield using 3D point cloud models derived from scans, photographs, and archival sources. Rather than presenting complete reconstructions, the buildings appear as fragmented constellations of data\u2014ghost-like forms that hover between presence and absence.<\/span><\/p>\n<p><span style=\"font-weight: 400\">As visitors follow a series of \u2018memory paths\u2019, they encounter dispersed traces of the city\u2019s lost architecture. This work revisits the story of the Tinsley Cooling Towers, once a defining landmark of Sheffield\u2019s skyline, re-emerging as ephemeral digital fragments.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Combining archival research with digital visualisation, the installation presents the city as a shifting archive where past structures persist as echoes within Sheffield\u2019s evolving urban landscape.<\/span><\/p>\n<div id=\"attachment_13688\" style=\"width: 385px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-13688\" data-attachment-id=\"13688\" data-permalink=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/indivisible-the-360-igloo-as-prism-portal-potential-docfest-13-june-2026\/image-creditanne-doncaster-provided\/\" data-orig-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2026\/05\/Image-creditAnne-Doncaster-provided.jpg?fit=602%2C481&amp;ssl=1\" data-orig-size=\"602,481\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Image credit: Anne Doncaster\" data-image-description=\"&lt;p&gt;Image credit: Anne Doncaster&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Image credit: Anne Doncaster&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2026\/05\/Image-creditAnne-Doncaster-provided.jpg?fit=602%2C481&amp;ssl=1\" class=\"wp-image-13688 size-medium\" src=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2026\/05\/Image-creditAnne-Doncaster-provided-375x300.jpg?resize=375%2C300&#038;ssl=1\" alt=\"\" width=\"375\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2026\/05\/Image-creditAnne-Doncaster-provided.jpg?resize=375%2C300&amp;ssl=1 375w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2026\/05\/Image-creditAnne-Doncaster-provided.jpg?w=602&amp;ssl=1 602w\" sizes=\"auto, (max-width: 375px) 100vw, 375px\" \/><p id=\"caption-attachment-13688\" class=\"wp-caption-text\">Image credit: Anne Doncaster<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">Special thanks: Dr Zelda Hannay freelance producer &amp; Rachel Scarfe, Innovation Services.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sheffield Creative Industries Institute at Docfest Alternate Realities Programme\u00a0 &nbsp; Indivisible explores the unfolding opportunities afforded by the technology, physical experience, and connectedness of the Sheffield Hallam University Igloo 360 immersive space &#8211; extending participation beyond static exhibition site and into\u00a0 creative, embodied and critical, multi-sensory encounters. Each selected piece explores the potential for immersive place-inspired storytelling: centering research, innovation, [&#8230;]<\/p>\n","protected":false},"author":20701,"featured_media":13690,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[103,198,139],"tags":[1916,2420,1296,728,1236,181,2415,2414,2417,2419,2413,1893,2352,2418,2416,1858],"class_list":["post-13681","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-exhibition","category-news","tag-amy-carter-gordon","tag-anne-doncaster","tag-art-and-design","tag-doc-fest","tag-head-up","tag-headerslider","tag-igloo-360","tag-indivisible","tag-jake-goodall","tag-jane-prohet","tag-scii","tag-sheffield-docfest","tag-storm-cloud","tag-strines-building","tag-sy-institute-of-technology","tag-tom-payne"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2026\/05\/promo-portrait-good-storytelling-is.jpg?fit=1080%2C1920&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-3yF","jetpack-related-posts":[{"id":11988,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sheffield-docfest-30th-anniversary-exhibition\/","url_meta":{"origin":13681,"position":0},"title":"Sheffield DocFest 30th Anniversary exhibition &#8211; 10th-19th June 2023","author":"Amy Lander","date":"11\/05\/2023","format":false,"excerpt":"Update:\u00a0James has also been quoted in a BBC article and how his research has formed the basis of the exhibition on DocFest's history. Read it on the BBC here. To coincide with the 30th Edition of Sheffield DocFest, and based on the ongoing research of Sheffield Hallam University researchers, this\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/Sheffield-DocFest-2023-crop.jpg?fit=890%2C300&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/Sheffield-DocFest-2023-crop.jpg?fit=890%2C300&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/Sheffield-DocFest-2023-crop.jpg?fit=890%2C300&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/Sheffield-DocFest-2023-crop.jpg?fit=890%2C300&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":12159,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sheffield-docfest-2023-exhibition-exposed-magazine-article\/","url_meta":{"origin":13681,"position":1},"title":"Sheffield DocFest 2023 Exhibition mentioned in Exposed magazine","author":"Amy Lander","date":"08\/06\/2023","format":false,"excerpt":"An exhibition charting the 30-year history of Sheffield DocFest 2023 and its links with Sheffield - created by Hallam researchers Anna Richards, James Fenwick, and Rinella Cere - is mentioned in Exposed magazine. To read the article in Exposed magazine, please click here.","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/exhibition\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":11117,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/professor-esther-johnsons-new-feature-film-dust-metal-will-receive-its-world-premiere-at-this-years-sheffield-docfest-2022\/","url_meta":{"origin":13681,"position":2},"title":"Professor Esther Johnson&#8217;s new feature film DUST &amp; METAL will receive its world premiere at this year\u2019s Sheffield DocFest (2022)","author":"Phoebe Bolton","date":"24\/06\/2022","format":false,"excerpt":"Professor\u00a0Esther Johnson's new feature film\u00a0DUST & METAL\u00a0will receive its world premiere at this year\u2019s\u00a0Sheffield DocFest\u00a0with a live\u00a0soundtrack performance\u00a0on\u00a0Monday 27 June from 8pm\u00a0at the magnificent\u00a0Memorial Hall\u00a0in Sheffield City Hall. The film will screen in the form of a\u00a0\u00a0\u201ccine-concert\u201d with the film\u2019s new electronic score performed live by Vietnamese artist\u00a0Xo Xinh. \u00a0\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"Dust & Metal film poster","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2022\/06\/Dust-and-metal-one.jpg?fit=1181%2C888&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2022\/06\/Dust-and-metal-one.jpg?fit=1181%2C888&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2022\/06\/Dust-and-metal-one.jpg?fit=1181%2C888&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2022\/06\/Dust-and-metal-one.jpg?fit=1181%2C888&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2022\/06\/Dust-and-metal-one.jpg?fit=1181%2C888&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":4816,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/without-brutality-docfest\/","url_meta":{"origin":13681,"position":3},"title":"Without Brutality: 25 Years of the Art and Design Research Centre &#8211; Professor Esther Johnson curates Sheffield Doc\/Fest film programme","author":"Ian Braddick","date":"14\/05\/2018","format":false,"excerpt":"\u2018Life without industry is guilt, and industry without art is brutality.' \u2013 John Ruskin 2018 sees the 25th anniversaries of both Doc\/Fest\u00a0and the Art and Design Research Centre (ADRC)\u00a0at Sheffield Hallam University. Without Brutality consists of films by students and staff of the university, from 1969 to 1993, when the\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Composite image of DocFest logo and details with still from Welcome to Sheffield Polytechnic 1969, courtesy of Esther Johnson","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/05\/2018-06-07-DOCFEST-JOHNSON-ESTHER-Without-Brutality.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/05\/2018-06-07-DOCFEST-JOHNSON-ESTHER-Without-Brutality.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/05\/2018-06-07-DOCFEST-JOHNSON-ESTHER-Without-Brutality.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/05\/2018-06-07-DOCFEST-JOHNSON-ESTHER-Without-Brutality.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":10899,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/dr-james-fenwicks-funded-research-project-to-investigate-the-working-experiences-of-yorkshires-film-festival-programmers\/","url_meta":{"origin":13681,"position":4},"title":"Dr James Fenwick&#8217;s funded research project to investigate the working experiences of Yorkshire\u2019s film festival programmers","author":"Phoebe Bolton","date":"13\/04\/2022","format":false,"excerpt":"Dr James Fenwick, senior lecturer in the Department of Media Arts and Communication, has received \u00a310,000 in research funding from the Screen Industries Growth Network (SIGN). His project will investigate the experiences of Yorkshire\u2019s film festival programmers, the barriers and challenges they face to entering and maintaining a career in\u2026","rel":"","context":"In \"CCMS\"","block_context":{"text":"CCMS","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/tag\/ccms\/"},"img":{"alt_text":"Dr James Fenwick","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/03\/Dr-James-Fenwick-e1649859065156.jpg?fit=1080%2C720&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/03\/Dr-James-Fenwick-e1649859065156.jpg?fit=1080%2C720&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/03\/Dr-James-Fenwick-e1649859065156.jpg?fit=1080%2C720&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/03\/Dr-James-Fenwick-e1649859065156.jpg?fit=1080%2C720&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/03\/Dr-James-Fenwick-e1649859065156.jpg?fit=1080%2C720&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":13563,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/no-bounds-festival-10-12-october-2025\/","url_meta":{"origin":13681,"position":5},"title":"No Bounds Festival: 10-12 October 2025","author":"Phoebe Bolton","date":"27\/08\/2025","format":false,"excerpt":"Sheffield Hallam partners with Treatment Studio for this year\u2019s No Bounds Festival. No Bounds festival returns to venues across Sheffield and Rotherham from the 10-12 October 2025, featuring new installations from artist-researchers at Sheffield Hallam University and Treatment Studio, London. \u00a0 This programme of commissions is entitled\u00a0switch room.\u00a0 switch room\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2025\/08\/switchroom-1-e1757580545827.png?fit=1200%2C465&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2025\/08\/switchroom-1-e1757580545827.png?fit=1200%2C465&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2025\/08\/switchroom-1-e1757580545827.png?fit=1200%2C465&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2025\/08\/switchroom-1-e1757580545827.png?fit=1200%2C465&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2025\/08\/switchroom-1-e1757580545827.png?fit=1200%2C465&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/13681","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/comments?post=13681"}],"version-history":[{"count":11,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/13681\/revisions"}],"predecessor-version":[{"id":13699,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/13681\/revisions\/13699"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media\/13690"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media?parent=13681"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/categories?post=13681"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/tags?post=13681"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}