{"id":13505,"date":"2025-03-11T13:38:26","date_gmt":"2025-03-11T13:38:26","guid":{"rendered":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=13505"},"modified":"2025-03-13T13:54:31","modified_gmt":"2025-03-13T13:54:31","slug":"michelle-athertons-low-lying-soil-seance-sessions-v-opens-6th-march-2025","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/michelle-athertons-low-lying-soil-seance-sessions-v-opens-6th-march-2025\/","title":{"rendered":"Michelle Atherton&#8217;s &#8216;Low Lying &amp; Soil S\u00e9ance Sessions V&#8217; Opens 6th March 2025"},"content":{"rendered":"<p><em>Credit: Michelle Atherton Soil S\u00e9ance Sessions V 2025 Album Cover<\/em><\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: center\">Low Lying &amp; Soil S\u00e9ance Sessions V<\/h3>\n<h5 style=\"text-align: center\">Museum f\u00fcr Sepulkralkultur<\/h5>\n<h5 style=\"text-align: center\">Opening 19:00 Thursday 6 March 2025<\/h5>\n<p>&nbsp;<\/p>\n<p>A new commission by <a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/michelle-atherton#firstSection\">Michelle Atherton<\/a> at Museum f\u00fcr Sepulkralkultur as part of the next instalment of <a href=\"https:\/\/www.sepulkralmuseum.de\/EN\/exhibitions\/archive\/inbetween.-you-life-and-finiteness\"><em>In Between. You, life and finiteness<\/em><\/a><\/p>\n<p>Kassel, Germany 7 March \u2013 10 August 2025.<\/p>\n<p>&nbsp;<\/p>\n<p>The installation features a vinyl record, automatic turntable, headphones and a hammock. Visitors can lie in a leisurely state of suspension as they listen to the sounds from the ground.<\/p>\n<p>&nbsp;<\/p>\n<p>For centuries people across the planet have buried their dead, many believing that our ancestors continue to live on in the earth. Indeed, the very origin of the word <em>\u2018human\u2019<\/em> might refer to <em>\u2018being of the earth\u2019<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p>The tracks on <em><strong>Soil S\u00e9ance Sessions V<\/strong><\/em> document the frequencies from above and below ground, simultaneously transmitted via contact microphones attached to the earth through kitchen skewers.<\/p>\n<p>The album includes recordings made by the artist at FriedWald and K\u00fcnstler-Nekropole and by members of the public who were invited to spend as long as they liked listening to the soil at Westfriedhof and Hauptfriedhof during the summer of 2024.<\/p>\n<p>&nbsp;<\/p>\n<p>Soils have no clear boundary. They hold mutable spaces, constantly shifting and changing over time. Soils have a genesis and a lifespan. The earth erodes boundaries and separations, not least through constant climatic action, rot and shifting regeneration. Soils defy the modern dualisms between nature and culture, the living bios and the non-living matter of geos. They trouble modern temporal divides between past, present and future.<\/p>\n<p>&nbsp;<\/p>\n<p>Sound is not matter, it is energy, registering in these recordings how matter is variously worked. Underground it is difficult to tell from where a sound travels. Loudness does not necessarily mean proximity. Above ground we may use sound to navigate but below ground this soil-sonic space is amorphous, imprecise.<\/p>\n<p>&nbsp;<\/p>\n<p><em><strong>Low Lying &amp; Soil S\u00e9ance Sessions V<\/strong><\/em> presents a provocation to audiences to shift their auditory perceptions down to the ground. To use acoustic devices as portals to the underworld, where hidden actions, processes and movements are transformed into energies, transmuting into sonic apparitions through vibratory matters.<\/p>\n<p>&nbsp;<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"13506\" data-permalink=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/michelle-athertons-low-lying-soil-seance-sessions-v-opens-6th-march-2025\/michelle-atherton-soil-seance-sessions-v\/\" data-orig-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2025\/03\/Michelle-Atherton-Soil-Seance-Sessions-V.jpg?fit=2373%2C2483&amp;ssl=1\" data-orig-size=\"2373,2483\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 11&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1734704840&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.25&quot;,&quot;iso&quot;:&quot;64&quot;,&quot;shutter_speed&quot;:&quot;0.0082644628099174&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Michelle Atherton Soil Seance Sessions V\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2025\/03\/Michelle-Atherton-Soil-Seance-Sessions-V.jpg?fit=860%2C900&amp;ssl=1\" class=\"aligncenter wp-image-13506\" src=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2025\/03\/Michelle-Atherton-Soil-Seance-Sessions-V-979x1024.jpg?resize=511%2C534&#038;ssl=1\" alt=\"\" width=\"511\" height=\"534\" srcset=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2025\/03\/Michelle-Atherton-Soil-Seance-Sessions-V.jpg?resize=979%2C1024&amp;ssl=1 979w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2025\/03\/Michelle-Atherton-Soil-Seance-Sessions-V.jpg?resize=287%2C300&amp;ssl=1 287w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2025\/03\/Michelle-Atherton-Soil-Seance-Sessions-V.jpg?resize=768%2C804&amp;ssl=1 768w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2025\/03\/Michelle-Atherton-Soil-Seance-Sessions-V.jpg?resize=1468%2C1536&amp;ssl=1 1468w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2025\/03\/Michelle-Atherton-Soil-Seance-Sessions-V.jpg?resize=1957%2C2048&amp;ssl=1 1957w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2025\/03\/Michelle-Atherton-Soil-Seance-Sessions-V.jpg?w=1720 1720w\" sizes=\"auto, (max-width: 511px) 100vw, 511px\" \/><\/p>\n<p>A very warm thank you to all the people who generously participated in Kassel listening sessions and to Hauptfriedhof, Westfriedhof, K\u00fcnstler-Nekropole and FriedWald for agreeing to be involved with the project.<\/p>\n<p>Thank you also to Edward Simpson &amp; Tom Fisher\/Action Pyramid; and Dub Studios, Bristol; RAD Printing, Kent; ADMRC &amp; SCII, Sheffield Hallam University and the Museum f\u00fcr Sepulkralkultur.<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><strong>References:<\/strong><\/p>\n<p>Kristina M. Lyons Vital Decomposition: Soil Practitioners + Life Politics Duke University Press 2020<\/p>\n<p>George Monbiot Regenesis Alan Lane, Pengiun Random House 2022 p23<\/p>\n<p>Elvia Wilk Death By Landscape: Essay Soft Skull 2022<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Visit the exhibition at:<\/strong><\/p>\n<p>Museum f\u00fcr Sepulkralkultur Weinbergstra\u00dfe 25-27 34117 Kassel, Germany<\/p>\n<p>Telefon: 0561 \/ 918 93 15<\/p>\n<p>Tues 10.00 &#8211; 17.00 | Wed 10.00 &#8211; 20.00 | Thur-Sun 10.00 &#8211; 17.00 | Mon closed<\/p>\n<p><strong>Email:<\/strong> museum@sepulkralmuseum.de<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Credit: Michelle Atherton Soil S\u00e9ance Sessions V 2025 Album Cover &nbsp; Low Lying &amp; Soil S\u00e9ance Sessions V Museum f\u00fcr Sepulkralkultur Opening 19:00 Thursday 6 March 2025 &nbsp; A new commission by Michelle Atherton at Museum f\u00fcr Sepulkralkultur as part of the next instalment of In Between. You, life and finiteness Kassel, Germany 7 March \u2013 10 August 2025. &nbsp; [&#8230;]<\/p>\n","protected":false},"author":20701,"featured_media":13506,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[198],"tags":[1648,399,549,181,2401,2399,264,2400,2226],"class_list":["post-13505","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition","tag-admrc","tag-exhibition","tag-fine-art","tag-headerslider","tag-in-between-you-life-and-finiteness","tag-low-lying","tag-michelle-atherton","tag-museum-fur-sepulkralkultur","tag-soil-seance-sessions"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2025\/03\/Michelle-Atherton-Soil-Seance-Sessions-V.jpg?fit=2373%2C2483&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-3vP","jetpack-related-posts":[{"id":12637,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/soil-seance-sessions-season-1-atherton\/","url_meta":{"origin":13505,"position":0},"title":"Soil S\u00e9ance Sessions: Season 1 &#8211; Update from Michelle Atherton","author":"Amy Lander","date":"09\/11\/2023","format":false,"excerpt":"The Soil S\u00e9ance Sessions by Michelle Atherton has just completed its first season. The\u00a0Sessions\u00a0invite individuals to spend time listening to the soil at a site of their choosing. To turn their auditory perception downwards, by using an acoustic device as a portal to the underworld. An offer to transduce, to\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Credit- Sylvia Faustenhammer ISAScience 2023 resized","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/11\/Credit-Sylvia-Faustenhammer-ISAScience-2023-290x890-1.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/11\/Credit-Sylvia-Faustenhammer-ISAScience-2023-290x890-1.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/11\/Credit-Sylvia-Faustenhammer-ISAScience-2023-290x890-1.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/11\/Credit-Sylvia-Faustenhammer-ISAScience-2023-290x890-1.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":12439,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/atherton-errant-vibrations-underground-research-2023\/","url_meta":{"origin":13505,"position":1},"title":"Michelle Atherton presents &#8216;Errant Vibrations with the Underground&#8217; research at Bath Spa University symposium","author":"Amy Lander","date":"11\/09\/2023","format":false,"excerpt":"Michelle Atherton was invited to present her research \u2018Errant Vibrations with the Underground\u2019 at Fiction Machine IV Symposium at Bath Spa University considering methods of fiction and personification within art practice to engage with, and give voice to, more than human lifeforms and materials. Michelle\u2019s exploratory paper was based on\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/09\/Michelle-Atherton-Image-from-Errant-Vibrations-with-the-Underground-2023-1-e1694422615875.png?fit=889%2C291&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/09\/Michelle-Atherton-Image-from-Errant-Vibrations-with-the-Underground-2023-1-e1694422615875.png?fit=889%2C291&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/09\/Michelle-Atherton-Image-from-Errant-Vibrations-with-the-Underground-2023-1-e1694422615875.png?fit=889%2C291&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/09\/Michelle-Atherton-Image-from-Errant-Vibrations-with-the-Underground-2023-1-e1694422615875.png?fit=889%2C291&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":11944,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/an-unwell-world-michelle-atherton\/","url_meta":{"origin":13505,"position":2},"title":"An Unwell World? Michelle Atherton speaks at Association of Social Anthropologists conference","author":"Kirsty Christer","date":"09\/05\/2023","format":false,"excerpt":"Michelle Atherton was invited to contribute to the Association of Social Anthropologists conference at SOAS, London last month.\u00a0The 2023 ASA conference \u2018An Unwell World? Anthropology in a Speculative Mode\u2019 focused on the world we live in today. Her practice-based presentation explored how undertaking a natural burial for a close relative\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Michelle Atherton Low Frequencies","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/MA-Low-Frequencies-ASA-2023.png?fit=1200%2C708&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/MA-Low-Frequencies-ASA-2023.png?fit=1200%2C708&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/MA-Low-Frequencies-ASA-2023.png?fit=1200%2C708&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/MA-Low-Frequencies-ASA-2023.png?fit=1200%2C708&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/MA-Low-Frequencies-ASA-2023.png?fit=1200%2C708&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":11955,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/reveil-2023-michelle-artherton-broadcast\/","url_meta":{"origin":13505,"position":3},"title":"Reveil 2023: Michelle Artherton broadcasts from Eden Valley Burial Ground","author":"Kirsty Christer","date":"09\/05\/2023","format":false,"excerpt":"Michelle Atherton was invited to participate in Reveil 2023, a live 24hr global broadcast for World Dawn Chorus Day which took place 6-7 May. The broadcasts followed the sun\u2019s rise across the planet for the period of one day. Michelle contributed a broadcast from Eden Valley Burial Ground, Kent, as\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Michelle Atherton Reveil 2023 Broadcasters","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/2-Reveil-2023-Broadcasters-new-hero.jpg?fit=1200%2C351&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/2-Reveil-2023-Broadcasters-new-hero.jpg?fit=1200%2C351&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/2-Reveil-2023-Broadcasters-new-hero.jpg?fit=1200%2C351&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/2-Reveil-2023-Broadcasters-new-hero.jpg?fit=1200%2C351&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/2-Reveil-2023-Broadcasters-new-hero.jpg?fit=1200%2C351&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":11950,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/ecstatic-rot-michelle-atherton-residency\/","url_meta":{"origin":13505,"position":4},"title":"Ecstatic Rot: Michelle Atherton begins residency at Bethnal Green Nature Reserve","author":"Kirsty Christer","date":"30\/04\/2023","format":false,"excerpt":"Michelle Atherton has begun her new practice-based research residency Ecstatic Rot at Bethnal Green Nature Reserve, East London, investigating our relationships with transience, decomposition and recomposition as more-than-human activities. She is interested in finding experimental ways to explore ephemera: the loss and flows of materialities, including cycles of transformation across\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Image: Ecstatic Rot: Probes with Soils Michelle Atherton 2022","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/Probes-with-Soil-MA-2022-crop.jpeg?fit=889%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/Probes-with-Soil-MA-2022-crop.jpeg?fit=889%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/Probes-with-Soil-MA-2022-crop.jpeg?fit=889%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/Probes-with-Soil-MA-2022-crop.jpeg?fit=889%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1216,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/research-seminar-michelle-atherton\/","url_meta":{"origin":13505,"position":5},"title":"Wednesday 18 May 2016 &#8211; Lunchtime seminar with Michelle Atherton (Fine Art, SHU)","author":"Ian Braddick","date":"18\/05\/2016","format":false,"excerpt":"Title: Submersive Aesthetics Speaker: Michelle Atherton (Fine Art, SHU) Michelle Atherton is an artist whose work objectifies cultural phenomena as a means to investigate structures, systems and preoccupations. 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Most recent exhibitions include:\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"Image of a night sky","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/02\/2016-05-18-ATHERTON-Michelle-Submersive-aesthetics.png?fit=400%2C236&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/13505","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/comments?post=13505"}],"version-history":[{"count":1,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/13505\/revisions"}],"predecessor-version":[{"id":13507,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/13505\/revisions\/13507"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media\/13506"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media?parent=13505"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/categories?post=13505"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/tags?post=13505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}