{"id":13351,"date":"2025-01-13T14:46:49","date_gmt":"2025-01-13T14:46:49","guid":{"rendered":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=13351"},"modified":"2025-01-13T14:46:49","modified_gmt":"2025-01-13T14:46:49","slug":"ana-maria-sanchez-arce-featured-in-new-york-times","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/ana-maria-sanchez-arce-featured-in-new-york-times\/","title":{"rendered":"Ana Mar\u00eda S\u00e1nchez-Arce featured in New York Times"},"content":{"rendered":"

Ana Mar\u00eda S\u00e1nchez-Arce<\/strong>, reader in English, has been featured in\u00a0a New York Times<\/a>\u00a0piece discussing the history of European directors \u201cgoing Hollywood\u201d and making the leap to English-language filmmaking.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ana Mar\u00eda S\u00e1nchez-Arce, reader in English, has been featured in\u00a0a New York Times\u00a0piece discussing the history of European directors \u201cgoing Hollywood\u201d and making the leap to English-language filmmaking.<\/p>\n","protected":false},"author":20701,"featured_media":13352,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[139],"tags":[1461,2109,2291,2392,2393,2391],"class_list":["post-13351","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-ana-maria-sanchez","tag-english","tag-english-research","tag-film-directors","tag-film-making","tag-new-york-times"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2025\/01\/Ana-Maria-Sachez-Acre-202035-e1736779598663.jpg?fit=400%2C400&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-3tl","jetpack-related-posts":[{"id":11368,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/dr-ana-maria-sanchez-arces-monograph-the-cinema-of-pedro-almodovar-has-just-come-out-on-paperback\/","url_meta":{"origin":13351,"position":0},"title":"Dr Ana Mar\u00eda S\u00e1nchez-Arce\u2019s monograph, The cinema of Pedro Almod\u00f3var, has just come out on paperback","author":"lh1112","date":"21\/12\/2022","format":false,"excerpt":"Dr Ana Mar\u00eda S\u00e1nchez-Arce\u2019s monograph, The cinema of Pedro Almod\u00f3var, has just come out on paperback. As Professor Dolores Tierney says, \u201cThe cinema of Pedro Almod\u00f3var successfully manages the difficult task of finding new things to say about an auteur who has been widely written about and studied. For more\u2026","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8660,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/transnational-popular-culture\/","url_meta":{"origin":13351,"position":1},"title":"Transnational Popular Culture as a Catalyst for Social Change – 22-23 June 2020 – Call for contributions open until 29 March","author":"Ian Braddick","date":"20\/02\/2020","format":false,"excerpt":"Transnational Popular Culture as a Catalyst for Social Change Workshops Sheffield Hallam University, Monday 22 and Tuesday 23 June 2020 Call for contributions Changing minds changes lives. Popular culture has enormous discursive power which creates meaning through storytelling and performance, and can thus be used as a political tool for\u2026","rel":"","context":"In "Events"","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"Transnational Popular Culture as a catalyst for social change Sheffield Hallam University Research Cluster","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-06-Transnational-Popular-Culture-Workshop.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-06-Transnational-Popular-Culture-Workshop.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-06-Transnational-Popular-Culture-Workshop.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/02\/2020-06-Transnational-Popular-Culture-Workshop.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4260,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/julie-westerman-hard-engineering-gulbenkian\/","url_meta":{"origin":13351,"position":2},"title":"‘Hard Engineering: Propositions for Future Ruins’ – Julie Westerman’s exhibition open at the Gulbenkian in Lisbon","author":"Ian Braddick","date":"14\/02\/2018","format":false,"excerpt":"Hard Engineering: Propositions for Future Ruins\u00a0explores how the urban environment is produced by everyday acts and how the city is constructed from material and immaterial structures of civic organisation, representation, power and control. Six speculative guides to Lisbon re-imagine the contemporary urban environment by\u00a0exploring overlooked livelihoods, traces of profound social\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/exhibition\/"},"img":{"alt_text":"Banner image for Hard Engineering exhibition, provided by Julie Westerman","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/02\/WESTERMAN-2018-02-Gulbenkian-exhibition-2.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/02\/WESTERMAN-2018-02-Gulbenkian-exhibition-2.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/02\/WESTERMAN-2018-02-Gulbenkian-exhibition-2.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/02\/WESTERMAN-2018-02-Gulbenkian-exhibition-2.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4539,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/esther-johnson-viewfinder\/","url_meta":{"origin":13351,"position":3},"title":"Professor Esther Johnson featured in British Universities Film & Video Council Viewfinder magazine","author":"Ian Braddick","date":"05\/04\/2018","format":false,"excerpt":"Esther Johnson has written a feature article for the latest edition of\u00a0Viewfinder, the British Universities Film & Video Council (BUFVC) magazine, about the research behind her film\u00a0Asunder. The article, to be featured in the April edition, can be found on Esther's website here. Asunder\u00a0tells the story of what happened to\u2026","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"ASUNDER - main banner image","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/10\/JOHNSON-2017-ASUNDER.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/10\/JOHNSON-2017-ASUNDER.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/10\/JOHNSON-2017-ASUNDER.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/10\/JOHNSON-2017-ASUNDER.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":3304,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/esther-johnson-asunder-1418now\/","url_meta":{"origin":13351,"position":4},"title":"Dr Esther Johnson’s ‘Asunder’ supported by 14-18 NOW, WW1 Centenary Art Commissions","author":"Ian Braddick","date":"12\/10\/2017","format":false,"excerpt":"Esther Johnson's poetic documentary feature film Asunder is featured in the current 14-18 NOW programme of arts events connecting people with the First World War. Asunder tells the story of what happened to an English town during the First World War, with almost all of its men fighting abroad and\u2026","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Stills from Esther Johnson's Asunder","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/JOHNSON-2017-06-10-Asunder-at-DocFest.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/JOHNSON-2017-06-10-Asunder-at-DocFest.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/JOHNSON-2017-06-10-Asunder-at-DocFest.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/JOHNSON-2017-06-10-Asunder-at-DocFest.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":7837,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/three-chords-heath-atkinson-woodstock\/","url_meta":{"origin":13351,"position":5},"title":"‘Three Chords and the Truth’ – Professors Virginia Heath and Paul Atkinson’s short film screening at Woodstock Film Festival this weekend","author":"Ian Braddick","date":"30\/09\/2019","format":false,"excerpt":"Three Chords and the Truth\u00a0will screen at Woodstock Film Festival\u00a0in upstate New York this weekend, in competition for Best Short Documentary. Woodstock is celebrating its 20th\u00a0anniversary as a champion of Independent Film and runs from Wednesday 02 to Sunday 06 October 2019. Woodstock is hailed as a true American maverick\u2026","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Still from Three Chords and the Truth by Paul Atkinson and Virginia Heath and Woodstock Film Festival logo","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/09\/2019-09-HEATH-ATKINSON-Three-Chords-at-Woodstock.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/09\/2019-09-HEATH-ATKINSON-Three-Chords-at-Woodstock.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/09\/2019-09-HEATH-ATKINSON-Three-Chords-at-Woodstock.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/09\/2019-09-HEATH-ATKINSON-Three-Chords-at-Woodstock.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/13351","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/comments?post=13351"}],"version-history":[{"count":1,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/13351\/revisions"}],"predecessor-version":[{"id":13353,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/13351\/revisions\/13353"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media\/13352"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media?parent=13351"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/categories?post=13351"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/tags?post=13351"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}