{"id":12693,"date":"2023-11-23T10:47:13","date_gmt":"2023-11-23T10:47:13","guid":{"rendered":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=12693"},"modified":"2024-03-19T09:49:59","modified_gmt":"2024-03-19T09:49:59","slug":"re-embroidering-blackwork-exhibition","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/re-embroidering-blackwork-exhibition\/","title":{"rendered":"\u2018Re-embroidering Blackwork: an unstitched coif &amp; other works\u2019 exhibition: 19-23 December 2023"},"content":{"rendered":"<p><em>Re-embroidering Blackwork\u00a0<\/em>is the culmination of a 5 year Ph.D research project by artist and embroiderer <a href=\"https:\/\/tonibuckby.com\/\">Toni Buckby<\/a>. Working with the collection of 16th century blackwork embroideries held at the Victoria &amp; Albert Museum (London), Toni has been exploring questions of decay, loss, fragility, and reconstruction within and beyond the museum archive.\u00a0<em>Re-embroidering Blackwork\u00a0<\/em>will present selected pieces from <a href=\"http:\/\/blackworkembroidery.org\/\">Toni\u2019s studio research practice<\/a> alongside several final works, including the first complete presentation of\u00a0<em>\u201can unstitched coif\u2026\u201d<\/em>, a collective embroidery project undertaken by over 130 needleworkers in 2023.<\/p>\n<div id=\"attachment_12695\" style=\"width: 508px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-12695\" data-attachment-id=\"12695\" data-permalink=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/re-embroidering-blackwork-exhibition\/re-embroidering-blackwork-an-unstitched-coif-other-works-copy\/\" data-orig-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/11\/Re-embroidering-Blackwork-an-unstitched-coif-other-works-Copy.png?fit=1080%2C1080&amp;ssl=1\" data-orig-size=\"1080,1080\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Re-embroidering Blackwork an unstitched coif &amp;amp; other works exhibition flyer. Image credit: Toni Buckby\" data-image-description=\"&lt;p&gt;Re-embroidering Blackwork an unstitched coif &amp;amp; other works exhibition flyer. Image credit: Toni Buckby&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Re-embroidering Blackwork an unstitched coif &amp;amp; other works exhibition flyer. Image credit: Toni Buckby&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/11\/Re-embroidering-Blackwork-an-unstitched-coif-other-works-Copy.png?fit=860%2C860&amp;ssl=1\" class=\" wp-image-12695\" src=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/11\/Re-embroidering-Blackwork-an-unstitched-coif-other-works-Copy-300x300.png?resize=498%2C498&#038;ssl=1\" alt=\"\" width=\"498\" height=\"498\" srcset=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/11\/Re-embroidering-Blackwork-an-unstitched-coif-other-works-Copy.png?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/11\/Re-embroidering-Blackwork-an-unstitched-coif-other-works-Copy.png?resize=1024%2C1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/11\/Re-embroidering-Blackwork-an-unstitched-coif-other-works-Copy.png?resize=200%2C200&amp;ssl=1 200w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/11\/Re-embroidering-Blackwork-an-unstitched-coif-other-works-Copy.png?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/11\/Re-embroidering-Blackwork-an-unstitched-coif-other-works-Copy.png?resize=144%2C144&amp;ssl=1 144w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/11\/Re-embroidering-Blackwork-an-unstitched-coif-other-works-Copy.png?resize=90%2C90&amp;ssl=1 90w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/11\/Re-embroidering-Blackwork-an-unstitched-coif-other-works-Copy.png?resize=75%2C75&amp;ssl=1 75w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/11\/Re-embroidering-Blackwork-an-unstitched-coif-other-works-Copy.png?w=1080&amp;ssl=1 1080w\" sizes=\"auto, (max-width: 498px) 100vw, 498px\" \/><p id=\"caption-attachment-12695\" class=\"wp-caption-text\"><em>Image credit: Toni Buckby<\/em><\/p><\/div>\n<p>Toni Buckby is a Sheffield based artist working with fine hand embroidery, weaving, drawing, diy electronics, coding, and acts of collective making. Her work explores ideas of skilled practice, the value of labour, the visibility of authorship, and the creation and accessibility of practical knowledge.<\/p>\n<blockquote><p>The &#8216;Re-embroidering Blackwork&#8217; exhibition is open between Tuesday 19 &#8211; Saturday 23 December, 12:00-18:00, at Bloc Projects (71 Eyre Lane, Sheffield, S1 4RB). Launch Event: Tuesday 19 December, 18:00-20:00.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Re-embroidering Blackwork\u00a0is the culmination of a 5 year Ph.D research project by artist and embroiderer Toni Buckby. Working with the collection of 16th century blackwork embroideries held at the Victoria &amp; Albert Museum (London), Toni has been exploring questions of decay, loss, fragility, and reconstruction within and beyond the museum archive.\u00a0Re-embroidering Blackwork\u00a0will present selected pieces from Toni\u2019s studio research practice [&#8230;]<\/p>\n","protected":false},"author":9742,"featured_media":12694,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[103,198,139],"tags":[1648,1556,1296,2241,953,2242,399,2240,529,2243],"class_list":["post-12693","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-exhibition","category-news","tag-admrc","tag-art","tag-art-and-design","tag-blackwork-embroideries","tag-doctoral-research","tag-embroidery","tag-exhibition","tag-toni-buckby","tag-va","tag-victoria-albert-museum-london"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/11\/Re-embroidering-Blackwork-an-unstitched-coif-other-works-banner-edit.jpg?fit=890%2C290&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-3iJ","jetpack-related-posts":[{"id":7682,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/inspiration-older-people\/","url_meta":{"origin":12693,"position":0},"title":"The 100 year life \u2013 drawing inspiration from older people","author":"Kirsty Christer","date":"12\/09\/2019","format":false,"excerpt":"In this researcher blog post, Claire Craig reflects on the changing model of life stages: In their book, \u2018the 100 year Life\u2019 Gratton and Scott (2016) suggested that the three stage life (birth\/education\/work\/retirement) would be replaced by a multi-stage life characterised by a range of transitions where individuals would engage\u2026","rel":"","context":"In &quot;Researcher blog&quot;","block_context":{"text":"Researcher blog","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/researcher-blog\/"},"img":{"alt_text":"Monica Andrew","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/09\/Monica.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/09\/Monica.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/09\/Monica.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/09\/Monica.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":861,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/phd-students-rachel-emily-taylor\/","url_meta":{"origin":12693,"position":1},"title":"PhD student, Rachel Emily Taylor&#8217;s exhibition at The Foundling Museum, London","author":"Alison Honnor","date":"14\/10\/2016","format":false,"excerpt":"These portraits are the result of art workshops conducted by doctoral student, Rachel Emily Taylor, during her residency at The Foundling Museum, London from February - October 2016. Rachel Emily Taylor's project analyses how biographical narratives are employed within the heritage discourse: unravelling the dialogues, particularly in the presentation of\u2026","rel":"","context":"In &quot;Doctoral research&quot;","block_context":{"text":"Doctoral research","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/doctoral-research\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/02\/TAYLOR-Rachel-Emily-2016-news-Artist-in-Residence.gif?fit=880%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/02\/TAYLOR-Rachel-Emily-2016-news-Artist-in-Residence.gif?fit=880%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/02\/TAYLOR-Rachel-Emily-2016-news-Artist-in-Residence.gif?fit=880%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/02\/TAYLOR-Rachel-Emily-2016-news-Artist-in-Residence.gif?fit=880%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":6359,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/engagingaging-in-london\/","url_meta":{"origin":12693,"position":2},"title":"&#8216;engagingaging&#8217; &#8211; Lab4Living&#8217;s exhibition on at The Building Centre, London","author":"Ian Braddick","date":"01\/12\/2010","format":false,"excerpt":"The Building Centre\u00a0in London is currently playing host to engagingaging: an exciting series of events including a workshop and an exhibition centred on the theme of ageing and identity. The work represents an international collaboration between Sheffield Hallam University in the UK and Chang Gung University in Taiwan and forms\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Image of The Building Centre London for engagingaging exhibition","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2010\/12\/2010-L4L-engagingaging-at-Building-Centre-London.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2010\/12\/2010-L4L-engagingaging-at-Building-Centre-London.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2010\/12\/2010-L4L-engagingaging-at-Building-Centre-London.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2010\/12\/2010-L4L-engagingaging-at-Building-Centre-London.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":12579,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/professor-david-cotterrells-gateway-ll-at-the-blavatnik-art-film-and-photography-galleries-exhibition-at-the-imperial-war-museum-10-november-2023\/","url_meta":{"origin":12693,"position":3},"title":"Professor David Cotterrell&#8217;s Gateway II at the Blavatnik Art, Film and Photography Galleries exhibition, at the Imperial War Museum, 10 November 2023","author":"Phoebe Bolton","date":"31\/10\/2023","format":false,"excerpt":"David's work,\u00a0Gateway\u00a0II, has been selected for inclusion in the inaugural\u00a0Blavatnik Art, Film and Photography Galleries\u00a0exhibition, at the\u00a0Imperial War Museum (IWM), London. This is the first time in IWM\u2019s history that a permanent gallery space has been created to display the three collections together - visual art, film and photography. Stepping\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/exhibition\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/10\/IWM-London-David-Cotterrell-banner-size.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/10\/IWM-London-David-Cotterrell-banner-size.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/10\/IWM-London-David-Cotterrell-banner-size.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/10\/IWM-London-David-Cotterrell-banner-size.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1858,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/victoria-lucas-blog\/","url_meta":{"origin":12693,"position":4},"title":"Researcher Blog by PhD candidate Victoria Lucas: Lay of the Land (and other such myths)","author":"Alison Honnor","date":"17\/05\/2017","format":false,"excerpt":"About the author Victoria Lucas is a doctoral student in the Art & Design\u00a0Research Centre (ADRC) where she is pursuing a practice-based PhD in Fine Art. She is also a lecturer in Fine Art at the University of Central Lancashire. Victoria\u2019s supervisors are: Michelle Atherton\u00a0(Director of Studies) and Hester Reeve.\u2026","rel":"","context":"In &quot;Doctoral research&quot;","block_context":{"text":"Doctoral research","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/doctoral-research\/"},"img":{"alt_text":"Lay of the Land (and other myths), Installation view, AirSpace Gallery, 2017. Image credit: Jules Lister.","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/LUCAS-Blog-2-cropped.jpg?fit=1200%2C391&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/LUCAS-Blog-2-cropped.jpg?fit=1200%2C391&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/LUCAS-Blog-2-cropped.jpg?fit=1200%2C391&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/LUCAS-Blog-2-cropped.jpg?fit=1200%2C391&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/LUCAS-Blog-2-cropped.jpg?fit=1200%2C391&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":5250,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-garage-moscow\/","url_meta":{"origin":12693,"position":5},"title":"&#8216;The Fabric of Felicity&#8217; &#8211; Dr Sharon Kivland featuring in upcoming exhibition at Garage MCA, Moscow","author":"Ian Braddick","date":"01\/08\/2018","format":false,"excerpt":"Reader in Fine Art\u00a0Dr Sharon Kivland will feature her work\u00a0The Terror is nothing other than prompt, severe, inflexible justice in an international project showcasing\u00a0clothes in art outside of the context of the fashion industry next month at the Garage Museum of Contemporary Art in Moscow. The exhibition, entitled\u00a0The Fabric of\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/exhibition\/"},"img":{"alt_text":"Image courtesy of Sharon Kivland - Maintenir le corps\u00a0by Sharon Kivland plus Garage MCA logo","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/08\/KIVLAND-2018-09-Garage-Moscow.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/08\/KIVLAND-2018-09-Garage-Moscow.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/08\/KIVLAND-2018-09-Garage-Moscow.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/08\/KIVLAND-2018-09-Garage-Moscow.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/12693","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/comments?post=12693"}],"version-history":[{"count":2,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/12693\/revisions"}],"predecessor-version":[{"id":12697,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/12693\/revisions\/12697"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media\/12694"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media?parent=12693"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/categories?post=12693"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/tags?post=12693"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}