{"id":12287,"date":"2023-08-09T11:00:52","date_gmt":"2023-08-09T10:00:52","guid":{"rendered":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=12287"},"modified":"2023-08-21T16:45:43","modified_gmt":"2023-08-21T15:45:43","slug":"phil-waterworth-blog-the-flaneur-1","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/phil-waterworth-blog-the-flaneur-1\/","title":{"rendered":"Phil Waterworth Researcher blog: The Fla\u0302neur Part 1"},"content":{"rendered":"<blockquote><p>Phil Waterworth is a practice based PhD candidate in Fine Art, whose PhD research explores \u2018<em>disabled fl\u00e2nerie<\/em>\u2019. This blog post series describes the process of Phil, with his support worker, Joe, undertaking an odyssey across Sheffield city centre as part of a film project. In this first part, the journey begins as we head to the Institute of Art at the Head Post Office.<\/p><\/blockquote>\n<h2>Introduction<\/h2>\n<p>Dorothy Allen Pickard, a documentary film maker, heard about my PhD research into \u2018<em>disabled fl\u00e2nerie<\/em>\u2019 and wanted to make a short film for the <a href=\"https:\/\/sheffdocfest.com\/composition\/filmmaker-challenge\" target=\"_blank\" rel=\"noopener\">Filmmaker Challenge 2023 at Sheffield DocFest<\/a>.<\/p>\n<p>Dorothy was interested in capturing how I access the city from a wheelchair perspective and engage in <em>fl\u00e2nerie<\/em> and <em>psychogeography<\/em>, practices that are historically speaking, \u2018walking practices\u2019. The <em>fl\u00e2neur<\/em> or <em>psychogeographer<\/em> is someone who, in the words of Walter Benjamin, is \u2018botanising the asphalt\u2019.<\/p>\n<p>The film shows how I use fl\u00e2nerie as a method to observe and explore the city streets on four wheels. A chief premise of the fl\u00e2neur is to <em>slow down<\/em> and be curious of the overlooked and disregarded parts of the\u00a0 urban landscape. As a wheelchair user, I am looking for what I call Islands of Solace. These are areas of terrain where the ground is smooth and flat, areas where the floor is kinder to four wheels. On these \u2018islands\u2019, I am able to experience freedom of movement.<\/p>\n<div id=\"attachment_12356\" style=\"width: 845px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-12356\" data-attachment-id=\"12356\" data-permalink=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/phil-waterworth-blog-the-flaneur-1\/img_0176\/\" data-orig-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/08\/IMG_0176.jpeg?fit=1170%2C1435&amp;ssl=1\" data-orig-size=\"1170,1435\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"IMG_0176\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/08\/IMG_0176.jpeg?fit=835%2C1024&amp;ssl=1\" class=\"wp-image-12356 size-large\" src=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/08\/IMG_0176-835x1024.jpeg?resize=835%2C1024&#038;ssl=1\" alt=\"This collage shows a strip f brown packing paper in the background. Ovee this paper, roads cut from a map forms a crossroads. An image of a football is contrasted with an obscured image of a person in a wheelchair. The numbers 123 are drawn over the collage in stencil font. The numbers join each other to form a triangle.\" width=\"835\" height=\"1024\" srcset=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/08\/IMG_0176.jpeg?resize=835%2C1024&amp;ssl=1 835w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/08\/IMG_0176.jpeg?resize=245%2C300&amp;ssl=1 245w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/08\/IMG_0176.jpeg?resize=768%2C942&amp;ssl=1 768w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/08\/IMG_0176.jpeg?w=1170&amp;ssl=1 1170w\" sizes=\"auto, (max-width: 835px) 100vw, 835px\" \/><p id=\"caption-attachment-12356\" class=\"wp-caption-text\">123, Phil Waterworth<\/p><\/div>\n<h2 class=\"p1\"><span class=\"s1\"><b>The Fl\u00e2neur <\/b><\/span><span class=\"s2\"><b>Notes on a film by Dorothy Allen-Pickard <\/b><\/span><\/h2>\n<blockquote>\n<p class=\"p1\"><i>To want nothing. Just to wait, until there is nothing left to wait for. Just to wander, and to sleep. To let yourself be carried along by the crowds, and the streets. To follow the gutters, the fences, the water\u2019s edge. To walk the length of the embankments, to hug the walls. To waste your time. To have no projects, to feel no impatience. To be without desire, or resentment, or revolt. <\/i>Georges Perec<\/p>\n<\/blockquote>\n<h3>Part One<\/h3>\n<div id=\"attachment_12305\" style=\"width: 1035px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-12305\" data-attachment-id=\"12305\" data-permalink=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/phil-waterworth-blog-the-flaneur-1\/phil-waterworth-blog-p1\/\" data-orig-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/08\/Phil-Waterworth-blog-P1.jpeg?fit=1025%2C1479&amp;ssl=1\" data-orig-size=\"1025,1479\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1691491373&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Phil Waterworth blog P1\" data-image-description=\"&lt;p&gt;Page 1 of a text based blog by Fine Art PhD Candidate Phil Waterworth, with a contour lines as a visual aspect. A Word version of the text without the lines is available on this page as a download.&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;The Fl\u00e2neur &amp;#8211; Notes on a film by Dorothy Allen-Pickard. Page 1 of 4. Words by Phil Waterworth&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/08\/Phil-Waterworth-blog-P1.jpeg?fit=710%2C1024&amp;ssl=1\" class=\"size-full wp-image-12305\" src=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/08\/Phil-Waterworth-blog-P1.jpeg?resize=860%2C1241&#038;ssl=1\" alt=\"Page 1 of a text based blog by Fine Art PhD Candidate Phil Waterworth, with a contour lines as a visual aspect. A Word version of the text without the lines is available on this page as a download.\" width=\"860\" height=\"1241\" srcset=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/08\/Phil-Waterworth-blog-P1.jpeg?w=1025&amp;ssl=1 1025w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/08\/Phil-Waterworth-blog-P1.jpeg?resize=208%2C300&amp;ssl=1 208w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/08\/Phil-Waterworth-blog-P1.jpeg?resize=710%2C1024&amp;ssl=1 710w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/08\/Phil-Waterworth-blog-P1.jpeg?resize=768%2C1108&amp;ssl=1 768w\" sizes=\"auto, (max-width: 860px) 100vw, 860px\" \/><p id=\"caption-attachment-12305\" class=\"wp-caption-text\">The Fl\u00e2neur &#8211; Notes on a film by Dorothy Allen-Pickard. Page 1 of 4. Words by Phil Waterworth<\/p><\/div>\n<div id=\"attachment_12341\" style=\"width: 841px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-12341\" data-attachment-id=\"12341\" data-permalink=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/phil-waterworth-blog-the-flaneur-1\/img_0001\/\" data-orig-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/08\/IMG_0001.jpeg?fit=1170%2C1442&amp;ssl=1\" data-orig-size=\"1170,1442\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"IMG_0001\" data-image-description=\"&lt;p&gt;In this image, i am shown in my wheelchair attempting to negotiate a kerb in a carpark. I am wearing a blue camouflage jacket and a red bob cap.  The words dropped kerb in absentia are written over the image in pink. They are capitalised. Phil Waterworth&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;DROPPED KERB IN ABSENTIA &amp;#8211; Phil Waterworth&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/08\/IMG_0001.jpeg?fit=831%2C1024&amp;ssl=1\" class=\"wp-image-12341 size-large\" src=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/08\/IMG_0001-831x1024.jpeg?resize=831%2C1024&#038;ssl=1\" alt=\"In this image, i am shown in my wheelchair attempting to negotiate a kerb in a carpark. I am wearing a blue camouflage jacket and a red bob cap. The words dropped kerb in absentia are written over the image in pink. They are capitalised. Phil Waterworth\" width=\"831\" height=\"1024\" srcset=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/08\/IMG_0001.jpeg?resize=831%2C1024&amp;ssl=1 831w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/08\/IMG_0001.jpeg?resize=243%2C300&amp;ssl=1 243w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/08\/IMG_0001.jpeg?resize=768%2C947&amp;ssl=1 768w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/08\/IMG_0001.jpeg?w=1170&amp;ssl=1 1170w\" sizes=\"auto, (max-width: 831px) 100vw, 831px\" \/><p id=\"caption-attachment-12341\" class=\"wp-caption-text\">DROPPED KERB IN ABSENTIA &#8211; Phil Waterworth<\/p><\/div>\n<p><em>&gt;&gt; Read <a href=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/phil-waterworth-blog-the-flaneur-2\/\" target=\"_blank\" rel=\"noopener\">Part Two<\/a><br \/>\n<\/em><em>&gt;&gt; Skip ahead to Part Three [coming soon]<\/em><\/p>\n<p>*A fl\u00e2neur is a French term to describe an urban wanderer or idler and fl\u00e2nerie is a description of their practice.<\/p>\n<h2>Resources<\/h2>\n<ul>\n<li>Watch the film: <a href=\"https:\/\/vimeo.com\/837899850\/487dd5f2f5\" target=\"_blank\" rel=\"noopener\">The Fl\u00e2neur. Commissioned by Sheffield DocFest as part of the Filmmaker Challenge, 2023.<\/a><\/li>\n<li>PDF version of full blogpost: <a href=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/08\/The-Fla\u0302neur.pdf\">The Fla\u0302neur &#8211; Phil Waterworth blog post PDF<\/a>.<\/li>\n<li>Text-only version of full blogpost: <a href=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/08\/The-flaneur-text-version.docx\">The flaneur text version<\/a>.<\/li>\n<\/ul>\n<h2>About the artist<\/h2>\n<blockquote>\n<p class=\"Body\"><span lang=\"EN-US\">Phil Waterworth is a Sheffield-based artist and writer, currently working on a practice based PhD. His work questions the complex relationship of disability and urban ethnography, how Fl\u00e2nerie and psychogeographic practices can help us shift our perspectives and relationship to urban space.<\/span><\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Phil Waterworth is a practice based PhD candidate in Fine Art, whose PhD research explores \u2018disabled fl\u00e2nerie\u2019. This blog post series describes the process of Phil, with his support worker, Joe, undertaking an odyssey across Sheffield city centre as part of a film project. In this first part, the journey begins as we head to the Institute of Art at [&#8230;]<\/p>\n","protected":false},"author":3578,"featured_media":12328,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[183,139,228],"tags":[1648,109,185,1515],"class_list":["post-12287","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-doctoral-research","category-news","category-researcher-blog","tag-admrc","tag-fine-art-research","tag-phd-students","tag-researcher-blog"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/08\/Phil-banner-image.jpeg?fit=1170%2C401&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-3cb","jetpack-related-posts":[{"id":12303,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/phil-waterworth-blog-the-flaneur-3\/","url_meta":{"origin":12287,"position":0},"title":"Phil Waterworth Researcher blog: The Fla\u0302neur Part 3","author":"Kirsty Christer","date":"23\/08\/2023","format":false,"excerpt":"In this final part of the Researcher blog, Phil Waterworth, The Disabled Fl\u00e2neur and Fine Art PhD candidate, completes his odyssey across Sheffield city centre as part of a film project with filmmaker Dorothy Allen Pickard and support worker Joe. In this final part, the journey continues through The Moor\u2026","rel":"","context":"In &quot;Doctoral research&quot;","block_context":{"text":"Doctoral research","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/doctoral-research\/"},"img":{"alt_text":"Image shows Phil Waterworth in his wheelchair in Sheffield City Centre","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/08\/Phil-banner-image.jpeg?fit=1170%2C401&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/08\/Phil-banner-image.jpeg?fit=1170%2C401&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/08\/Phil-banner-image.jpeg?fit=1170%2C401&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/08\/Phil-banner-image.jpeg?fit=1170%2C401&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/08\/Phil-banner-image.jpeg?fit=1170%2C401&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":12301,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/phil-waterworth-blog-the-flaneur-2\/","url_meta":{"origin":12287,"position":1},"title":"Phil Waterworth Researcher blog: The Fla\u0302neur Part 2","author":"Kirsty Christer","date":"16\/08\/2023","format":false,"excerpt":"Phil Waterworth, The Disabled Fl\u00e2neur and Fine Art PhD candidate, continues his odyssey across Sheffield city centre as part of a film project with filmmaker Dorothy Allen Pickard and support worker Joe. In this second part, the journey continues from the High Street to the Peace Gardens on Pinstone Street.\u2026","rel":"","context":"In &quot;Doctoral research&quot;","block_context":{"text":"Doctoral research","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/doctoral-research\/"},"img":{"alt_text":"Image shows Phil Waterworth in his wheelchair in Sheffield City Centre","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/08\/Phil-banner-image.jpeg?fit=1170%2C401&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/08\/Phil-banner-image.jpeg?fit=1170%2C401&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/08\/Phil-banner-image.jpeg?fit=1170%2C401&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/08\/Phil-banner-image.jpeg?fit=1170%2C401&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/08\/Phil-banner-image.jpeg?fit=1170%2C401&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":10945,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/dr-becky-shaw-researcher-blog-becky-shaw-and-emma-bolland-phd-candidate-and-fine-art-associate-lecturer-report-on-participation-in-the-national-association-of-fine-art-education-nafae-annual-con\/","url_meta":{"origin":12287,"position":2},"title":"Dr Becky Shaw Researcher Blog &#8211; Becky Shaw and Emma Bolland (PhD candidate and Fine Art Associate Lecturer) report on participation in the National Association of Fine Art Education (NAFAE) annual conference, and their paper on oHPo Radio","author":"Phoebe Bolton","date":"03\/05\/2022","format":false,"excerpt":"NAFAE explores and champions the changing terrain of fine art education in the UK. The focus of this years\u2019 conference (May 29th) was Making Communities and Making with Communities, looking at the significance of community both within fine art education and in the communities that fine art education interacts with\u2026","rel":"","context":"In &quot;Doctoral research&quot;","block_context":{"text":"Doctoral research","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/doctoral-research\/"},"img":{"alt_text":"oHPo Radio","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2022\/05\/oHPo-Radio-blog-1-e1651599285564.png?fit=1200%2C609&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2022\/05\/oHPo-Radio-blog-1-e1651599285564.png?fit=1200%2C609&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2022\/05\/oHPo-Radio-blog-1-e1651599285564.png?fit=1200%2C609&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2022\/05\/oHPo-Radio-blog-1-e1651599285564.png?fit=1200%2C609&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2022\/05\/oHPo-Radio-blog-1-e1651599285564.png?fit=1200%2C609&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":9399,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/three-new-lab4living-phd-studentship-opportunities\/","url_meta":{"origin":12287,"position":3},"title":"Three new Lab4Living PhD Studentship opportunities","author":"Kirsty Christer","date":"11\/09\/2020","format":false,"excerpt":"Lab4Living is now advertising for three new PhD Studentships, to join its existing cohort of eight students. The studentships will support art and design led research projects that explore a range of socially urgent topics under the broader themes of the 100-Year Life\u00a0and the Future Home. The studentships will focus\u2026","rel":"","context":"In &quot;Doctoral research&quot;","block_context":{"text":"Doctoral research","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/doctoral-research\/"},"img":{"alt_text":"Lab4Living PhD Studentships","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/09\/L4L.jpg?fit=1200%2C405&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/09\/L4L.jpg?fit=1200%2C405&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/09\/L4L.jpg?fit=1200%2C405&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/09\/L4L.jpg?fit=1200%2C405&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2020\/09\/L4L.jpg?fit=1200%2C405&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2782,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/rose-butlers-fairs-nafp\/","url_meta":{"origin":12287,"position":4},"title":"Rose Butler&#8217;s &#8216;The Fairs&#8217; selected for Northern Artists&#8217; Film Programme","author":"Ian Braddick","date":"01\/11\/2014","format":false,"excerpt":"The Northern Artists' Film Programme is a selection of cutting-edge work from innovative artists across the north, featuring work from students and new talent as well as established filmmakers. Work was submitted through open call and selected by a professional panel. For one day Quays Culture are presenting a diverse\u2026","rel":"","context":"In &quot;Doctoral research&quot;","block_context":{"text":"Doctoral research","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/doctoral-research\/"},"img":{"alt_text":"Cropped still from Rose Butler's 'The Fair', courtesy of Rose Butler (http:\/\/www.rosebutler.com\/projects\/fairs) - Featuring a fair ground ride in the background of a quiet Sheffield car park.","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/BUTLER-2017-05-28-Golden-Age-The-Fair.jpg?fit=890%2C289&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/BUTLER-2017-05-28-Golden-Age-The-Fair.jpg?fit=890%2C289&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/BUTLER-2017-05-28-Golden-Age-The-Fair.jpg?fit=890%2C289&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/BUTLER-2017-05-28-Golden-Age-The-Fair.jpg?fit=890%2C289&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2848,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/rose-butler-fairs-swedenborg\/","url_meta":{"origin":12287,"position":5},"title":"Rose Butler&#8217;s short film &#8216;The Fairs&#8217; selected for the Swedenborg Film Festival 2016","author":"Ian Braddick","date":"02\/11\/2016","format":false,"excerpt":"Rose Butler's new dual screen work The Fairs has been selected for the Swedenborg Film Festival 2016 and will be entered for an award selected by film maker Andrew Kotting. The festival takes place in London on 26 November 2016 and is curated by Gareth Evans of Whitechapel Gallery and\u2026","rel":"","context":"In &quot;Doctoral research&quot;","block_context":{"text":"Doctoral research","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/doctoral-research\/"},"img":{"alt_text":"Cropped still from Rose Butler's 'The Fair', courtesy of Rose Butler (http:\/\/www.rosebutler.com\/projects\/fairs) - Featuring a fair ground ride in the background of a quiet Sheffield car park.","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/BUTLER-2017-05-28-Golden-Age-The-Fair.jpg?fit=890%2C289&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/BUTLER-2017-05-28-Golden-Age-The-Fair.jpg?fit=890%2C289&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/BUTLER-2017-05-28-Golden-Age-The-Fair.jpg?fit=890%2C289&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/BUTLER-2017-05-28-Golden-Age-The-Fair.jpg?fit=890%2C289&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/12287","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/comments?post=12287"}],"version-history":[{"count":26,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/12287\/revisions"}],"predecessor-version":[{"id":12385,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/12287\/revisions\/12385"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media\/12328"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media?parent=12287"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/categories?post=12287"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/tags?post=12287"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}