{"id":1224,"date":"2016-06-22T13:00:56","date_gmt":"2016-06-22T12:00:56","guid":{"rendered":"http:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=1224"},"modified":"2017-03-31T12:19:48","modified_gmt":"2017-03-31T11:19:48","slug":"research-seminar-amelia-knowlson","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/research-seminar-amelia-knowlson\/","title":{"rendered":"Wednesday 22 June 2016 – Lunchtime seminar with Amelia Knowlson (C3RI PhD student)"},"content":{"rendered":"

Title: Co-creation and curators – developing 3D printed museum objects with museum professionals at Museums Sheffield<\/a>
\nSpeaker: Amelia Knowlson<\/a> (C3RI PhD student)<\/p>\n

Amelia Knowlson<\/a> is a PhD researcher and Sheffield Hallam and freelance curator, specialising in 3D print and capture technology. Using user centred methods she works with museums across the UK to examine how and why 3D printing effects museum policy, practice and audiences. Before starting her PhD, Amelia was a Research Assistant on the AHRC project ‘Co-curate’ at Newcastle University where she engaged communities in the production of 3D printed workshops and exhibitions.<\/p>\n

Amelia has built a strong reputation of working with museums where, as a freelance curator she has led workshops and curated exhibitions using 3D print and capture technology. She has worked with The Laing Art Gallery, The Centre for Life and The Great North Museum. For Amelia, 3D printing is a vital tool for future engagements within museums and this belief has influenced all aspects of her academic and practical work. At present, she is one of the project leads on the Art Catalyst funded project ‘Please Touch’ which seeks to co-design multisensory interactives with Museums Sheffield and The Sheffield Royal Society for the Blind. <\/p>\n

Amelia will present findings from her recent acclimatisation project as part of her PhD project ‘The Printed Museum: 3D printing’s effect on museum policy, practice and audience’. The study exposes curators at Museums Sheffield to the intricate processes of 3D printing and scanning, in a bid to co-produce a visual and physical archive of replicated museum objects. <\/p>\n

The 3D printing process transforms museum objects into contemporary manufactured objects, blurring the boundaries of design. Their form is historical while their materiality is contemporary. The presentation of this study, its construction and realisation of museum objects in a contemporary and digital frame changed or augmented the political and social environment within the museums. <\/p>\n

The acclimatisation study forms the initial part of Amelia’s PhD the results of which will be used to support audiences’ workshops and interviews with museum professionals in site based research at a regional, national and international museum.<\/p>\n

1.00PM \u2013 2.00PM
\nWEDNESDAY 22 JUNE 2016
\nCANTOR 9138<\/strong><\/p>\n

See here<\/a> for details of other seminars in the series.<\/p>\n

All SHU staff and students are welcome to attend the C3RI Lunchtime Research Seminars. If you are from outside of the University and would like to attend a seminar, please email C3RI Administrator<\/a> to arrange entry.<\/p>\n","protected":false},"excerpt":{"rendered":"

Title: Co-creation and curators – developing 3D printed museum objects with museum professionals at Museums Sheffield Speaker: Amelia Knowlson (C3RI PhD student) Amelia Knowlson is a PhD researcher and Sheffield Hallam and freelance curator, specialising in 3D print and capture technology. Using user centred methods she works with museums across the UK to examine how and why 3D printing effects […]<\/p>\n","protected":false},"author":8633,"featured_media":1039,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[103],"tags":[272,5,262,273,214],"class_list":["post-1224","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","tag-3d-printing","tag-art-and-design-research-centre","tag-amelia-knowlson","tag-archiving","tag-museums"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/02\/2016-06-22-KNOWLSON-Amelia-Co-creation-and-curators.png?fit=400%2C243&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-jK","jetpack-related-posts":[{"id":1260,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/amelia-knowlson-grice-ivory-blog\/","url_meta":{"origin":1224,"position":0},"title":"Researcher blog by PhD Candidate Amelia Knowlson: 3D printing & the Grice Collection \u2013 a curatorial residency","author":"Alison Honnor","date":"13\/03\/2017","format":false,"excerpt":"About the author Amelia Knowlson is a doctoral student in the Art & Design Research Centre (ADRC) and is supported by the Heritage Consortium. Amelia's work examines the use of 3D printing as a curatorial tool and can be seen in\u00a0Stories from the East: The Grice Ivories\u00a0an exhibition by Museums\u2026","rel":"","context":"In "Doctoral research"","block_context":{"text":"Doctoral research","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/doctoral-research\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/03\/KNOWLSON-2017-03-Ivories-Weston-ParkSLIDER.gif?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/03\/KNOWLSON-2017-03-Ivories-Weston-ParkSLIDER.gif?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/03\/KNOWLSON-2017-03-Ivories-Weston-ParkSLIDER.gif?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/03\/KNOWLSON-2017-03-Ivories-Weston-ParkSLIDER.gif?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1208,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/amelia-knowlson-grice-ivories\/","url_meta":{"origin":1224,"position":1},"title":"See PhD Student, Amelia Knowlson’s work in ‘Stories from the East’ at Weston Park Museum – exhibition open until Sunday 9 July","author":"Alison Honnor","date":"07\/03\/2017","format":false,"excerpt":"Stories from the East: The Grice Ivories Weston Park Museum Saturday 11 March - Sunday 9 July 2017 Open daily including Bank Holidays Admission is free Amelia Knowlson, our ADRC Heritage Consortium doctoral student, has been examining the use of 3D printing as a curatorial tool for the Stories from\u2026","rel":"","context":"In "Doctoral research"","block_context":{"text":"Doctoral research","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/doctoral-research\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/03\/KNOWLSON-2017-03-Ivories-Weston-ParkSLIDER.gif?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/03\/KNOWLSON-2017-03-Ivories-Weston-ParkSLIDER.gif?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/03\/KNOWLSON-2017-03-Ivories-Weston-ParkSLIDER.gif?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/03\/KNOWLSON-2017-03-Ivories-Weston-ParkSLIDER.gif?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4990,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/dulake-knowlson-3d-printing\/","url_meta":{"origin":1224,"position":2},"title":"Doctoral student Amelia Knowlson and Design Futures’ Nick Dulake featured in Education Technology and EdQuarter","author":"Ian Braddick","date":"20\/06\/2018","format":false,"excerpt":"3D PRINTING: How 3D printing is helping in education 3D printing is helping to develop creative processes of every level of education, features in Education Technology and EdQuarter suggests. 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Caroline\u2019s PhD supervisors are:\u00a0Professor Daniela Petrelli,\u00a0Dr Luigina Ciolfi\u00a0and\u00a0Nick Dulake. \u00a0 This week Caroline has launched her latest interactive\u2026","rel":"","context":"In "Doctoral research"","block_context":{"text":"Doctoral research","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/doctoral-research\/"},"img":{"alt_text":"Curious House Exhibition","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/10\/CLAISSE-2017-10-Curious-house.jpg?fit=860%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/10\/CLAISSE-2017-10-Curious-house.jpg?fit=860%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/10\/CLAISSE-2017-10-Curious-house.jpg?fit=860%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/10\/CLAISSE-2017-10-Curious-house.jpg?fit=860%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":3978,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/lunchtime-seminar-caroline-claisse\/","url_meta":{"origin":1224,"position":5},"title":"Tuesday 23 January 2018 – Lunchtime seminar with Caroline Claisse (C3RI PhD candidate)","author":"Ian Braddick","date":"11\/01\/2018","format":false,"excerpt":"Speaker:\u00a0Caroline Claisse\u00a0(C3RI PhD candidate) Title:\u00a0Transforming communities through co-designing novel experiences of heritage at a local museum \u2013 a participatory case of research through design In this presentation, Caroline will present current research on the design and evaluation of two interactive exhibitions at the Bishops\u2019 House museum; one of the few\u2026","rel":"","context":"In "Doctoral research"","block_context":{"text":"Doctoral research","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/doctoral-research\/"},"img":{"alt_text":"Photograph courtesy of Caroline Claisse","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/01\/2018-01-23-CLAISSE-Co-designing-heritage.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/01\/2018-01-23-CLAISSE-Co-designing-heritage.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/01\/2018-01-23-CLAISSE-Co-designing-heritage.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/01\/2018-01-23-CLAISSE-Co-designing-heritage.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/1224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/comments?post=1224"}],"version-history":[{"count":1,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/1224\/revisions"}],"predecessor-version":[{"id":1225,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/1224\/revisions\/1225"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media\/1039"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media?parent=1224"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/categories?post=1224"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/tags?post=1224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}