{"id":11950,"date":"2023-04-30T15:59:22","date_gmt":"2023-04-30T14:59:22","guid":{"rendered":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=11950"},"modified":"2023-05-12T13:25:08","modified_gmt":"2023-05-12T12:25:08","slug":"ecstatic-rot-michelle-atherton-residency","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/ecstatic-rot-michelle-atherton-residency\/","title":{"rendered":"Ecstatic Rot: Michelle Atherton begins residency at Bethnal Green Nature Reserve"},"content":{"rendered":"<p>Michelle Atherton has begun her new practice-based research residency <strong><em>Ecstatic Rot<\/em><\/strong> at Bethnal Green Nature Reserve, East London, investigating our relationships with transience, decomposition and recomposition as more-than-human activities. She is interested in finding experimental ways to explore ephemera: the loss and flows of materialities, including cycles of transformation across species and substances at Bethnal Green Nature Reserve.<\/p>\n<p>As part of the residency Michelle will develop collective methods for listening to different processes and states. In particular alighting on those things and actions that challenge simplistic divisions between what might be identified as living and non-living.<\/p>\n<p>For example, some people have viewed soils as just dirt, as inert substrates, but soils have a genesis and a lifespan. They originate from rocks transformed over millennia by climatic conditions, geological movements, biological processes and the actions of organisms, at all scales. Soils are more than just granular mineral deposits, they include \u2018structures within structures within structures\u2019<a href=\"#_ftn1\" name=\"_ftnref1\">[1]<\/a>. These aggregates or clusters are formed through the actions and interactions of a host of organisms including earthworms, plant and tree roots, fungi, mites, springtails, bacteria, and microscopic predators like tardigrades, ciliates, amoebas. Soils also include decaying matter, gases, liquids, complex chemicals, and minerals. They are the product of highly complex evolving relations coming to support and often teeming with life. In scientific terms they are made up of components that include both the living and the non-living. Yet most people spend little concentrated time trying to relate to what lies, and is buried, beneath our feet.<\/p>\n<div id=\"attachment_11976\" style=\"width: 870px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-11976\" data-attachment-id=\"11976\" data-permalink=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/ecstatic-rot-michelle-atherton-residency\/1-ma-bethnal-green-nature-reserve-aerial-shot-2023\/\" data-orig-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/04\/1.-MA-Bethnal-Green-Nature-Reserve-Aerial-Shot-2023.jpg?fit=1436%2C1078&amp;ssl=1\" data-orig-size=\"1436,1078\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"MA Bethnal Green Nature Reserve Aerial Shot 2023\" data-image-description=\"&lt;p&gt;Bethnal Green Nature Reserve Aerial Shot. Michelle Atherton, 2023&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Bethnal Green Nature Reserve Aerial Shot. Michelle Atherton, 2023&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/04\/1.-MA-Bethnal-Green-Nature-Reserve-Aerial-Shot-2023.jpg?fit=860%2C646&amp;ssl=1\" class=\"wp-image-11976 size-large\" src=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/04\/1.-MA-Bethnal-Green-Nature-Reserve-Aerial-Shot-2023-1024x769.jpg?resize=860%2C646&#038;ssl=1\" alt=\"Bethnal Green Nature Reserve Aerial Shot. Michelle Atherton, 2023\" width=\"860\" height=\"646\" srcset=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/04\/1.-MA-Bethnal-Green-Nature-Reserve-Aerial-Shot-2023.jpg?resize=1024%2C769&amp;ssl=1 1024w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/04\/1.-MA-Bethnal-Green-Nature-Reserve-Aerial-Shot-2023.jpg?resize=400%2C300&amp;ssl=1 400w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/04\/1.-MA-Bethnal-Green-Nature-Reserve-Aerial-Shot-2023.jpg?resize=768%2C577&amp;ssl=1 768w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/04\/1.-MA-Bethnal-Green-Nature-Reserve-Aerial-Shot-2023.jpg?w=1436&amp;ssl=1 1436w\" sizes=\"auto, (max-width: 860px) 100vw, 860px\" \/><p id=\"caption-attachment-11976\" class=\"wp-caption-text\">Bethnal Green Nature Reserve Aerial Shot. Michelle Atherton, 2023<\/p><\/div>\n<p>As part of Michelle\u2019s enquiries, she will develop a series of gatherings; including conversations, a sculpture, bill board artwork, listening sessions, workshops and a listening party open to all. The aim is to offer a communal space for exploring transience, vital decomposition<a href=\"#_ftn1\" name=\"_ftnref1\">[2]<\/a> and the ephemeral processes present in the ground.<\/p>\n<p>A related research paper:<em> Low Frequencies. A Speculative Relationship with Transience<\/em> was presented at the <a href=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/an-unwell-world-michelle-atherton\/\">Association of Social Anthropologist\u2019s conference: ASA2023: An Unwell World?, SOAS, London, April 2023<\/a>.<\/p>\n<p>Michelle was also invited to participate in <a href=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/reveil-2023-michelle-artherton-broadcast\/\" target=\"_blank\" rel=\"noopener\"><em>Reveil <\/em>2023, a live 24hr global broadcast for <em>World Dawn Chorus Day <\/em>6-7 May<\/a>.<\/p>\n<h4>References<\/h4>\n<p><small><a href=\"#_ftnref1\" name=\"_ftn1\">[1]<\/a> G. Monbiot <em>Regenesis <\/em>\u00a0Alan Lane, Pengiun Random House 2022 p23<br \/>\n<a href=\"#_ftnref1\" name=\"_ftn1\">[2]<\/a> C. Lyons term taken from her book from the same phrase <em>Vital Decomposition <\/em>Duke Press 2020.<\/small><\/p>\n<p><a href=\"#_ftnref1\" name=\"_ftn1\"><\/a><\/p>\n<h2>Residency information<\/h2>\n<p>The residency has been kindly supported by Bethnal Green Nature Reserve Trust, Arts Council England and Sheffield Hallam University.<\/p>\n<p>Website: <a href=\"https:\/\/bethnalgreennaturereserve.org\/projects\/ecstatic-rot-communal-low-frequencies-the-listening-party\">Ecstatic Rot: Communal (Low) Frequencies &amp; The Listening Party<\/a><\/p>\n<h2>About the Researcher<\/h2>\n<p>Michelle Atherton is an artist, researcher and Senior Lecturer in Fine Art and has been awarded an <a href=\"https:\/\/sheffieldhallam.sharepoint.com\/sites\/3085\/SitePages\/Spotlight-on-the-ECRI-Fellows-2022-23.aspx?from=SendByEmail&amp;e=6HToYlJ0TEaO-scH9W54CQ&amp;at=9&amp;CT=1683879564090&amp;OR=OWA-NT&amp;CID=a93ea828-a629-a997-10f2-b0ccdc4c151c\" target=\"_blank\" rel=\"noopener\">Early Career Research &amp; Innovation Fellowships (ECRI) fellowship at SHU<\/a>. Her work holds a fascination with the relations, material dynamics and contradictions at play in day-to-day phenomena and experiences. The aim is look again at matters that seem settled, beyond question, but where inherent instability opens into other questions of material states, refusals, politics and new imaginaries.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Michelle Atherton has begun her new practice-based research residency Ecstatic Rot at Bethnal Green Nature Reserve, East London, investigating our relationships with transience, decomposition and recomposition as more-than-human activities. She is interested in finding experimental ways to explore ephemera: the loss and flows of materialities, including cycles of transformation across species and substances at Bethnal Green Nature Reserve. As part [&#8230;]<\/p>\n","protected":false},"author":3578,"featured_media":11953,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[139],"tags":[2059,264,434],"class_list":["post-11950","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-ecstatic-rot","tag-michelle-atherton","tag-residency"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/Probes-with-Soil-MA-2022-crop.jpeg?fit=889%2C290&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-36K","jetpack-related-posts":[{"id":11955,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/reveil-2023-michelle-artherton-broadcast\/","url_meta":{"origin":11950,"position":0},"title":"Reveil 2023: Michelle Artherton broadcasts from Eden Valley Burial Ground","author":"Kirsty Christer","date":"09\/05\/2023","format":false,"excerpt":"Michelle Atherton was invited to participate in Reveil 2023, a live 24hr global broadcast for World Dawn Chorus Day which took place 6-7 May. The broadcasts followed the sun\u2019s rise across the planet for the period of one day. Michelle contributed a broadcast from Eden Valley Burial Ground, Kent, as\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Michelle Atherton Reveil 2023 Broadcasters","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/2-Reveil-2023-Broadcasters-new-hero.jpg?fit=1200%2C351&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/2-Reveil-2023-Broadcasters-new-hero.jpg?fit=1200%2C351&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/2-Reveil-2023-Broadcasters-new-hero.jpg?fit=1200%2C351&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/2-Reveil-2023-Broadcasters-new-hero.jpg?fit=1200%2C351&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/2-Reveil-2023-Broadcasters-new-hero.jpg?fit=1200%2C351&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":12637,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/soil-seance-sessions-season-1-atherton\/","url_meta":{"origin":11950,"position":1},"title":"Soil S\u00e9ance Sessions: Season 1 &#8211; Update from Michelle Atherton","author":"Amy Lander","date":"09\/11\/2023","format":false,"excerpt":"The Soil S\u00e9ance Sessions by Michelle Atherton has just completed its first season. The\u00a0Sessions\u00a0invite individuals to spend time listening to the soil at a site of their choosing. To turn their auditory perception downwards, by using an acoustic device as a portal to the underworld. An offer to transduce, to\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Credit- Sylvia Faustenhammer ISAScience 2023 resized","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/11\/Credit-Sylvia-Faustenhammer-ISAScience-2023-290x890-1.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/11\/Credit-Sylvia-Faustenhammer-ISAScience-2023-290x890-1.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/11\/Credit-Sylvia-Faustenhammer-ISAScience-2023-290x890-1.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/11\/Credit-Sylvia-Faustenhammer-ISAScience-2023-290x890-1.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":12439,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/atherton-errant-vibrations-underground-research-2023\/","url_meta":{"origin":11950,"position":2},"title":"Michelle Atherton presents &#8216;Errant Vibrations with the Underground&#8217; research at Bath Spa University symposium","author":"Amy Lander","date":"11\/09\/2023","format":false,"excerpt":"Michelle Atherton was invited to present her research \u2018Errant Vibrations with the Underground\u2019 at Fiction Machine IV Symposium at Bath Spa University considering methods of fiction and personification within art practice to engage with, and give voice to, more than human lifeforms and materials. Michelle\u2019s exploratory paper was based on\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/09\/Michelle-Atherton-Image-from-Errant-Vibrations-with-the-Underground-2023-1-e1694422615875.png?fit=889%2C291&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/09\/Michelle-Atherton-Image-from-Errant-Vibrations-with-the-Underground-2023-1-e1694422615875.png?fit=889%2C291&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/09\/Michelle-Atherton-Image-from-Errant-Vibrations-with-the-Underground-2023-1-e1694422615875.png?fit=889%2C291&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/09\/Michelle-Atherton-Image-from-Errant-Vibrations-with-the-Underground-2023-1-e1694422615875.png?fit=889%2C291&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":3588,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/michelle-atherton-banff-blog\/","url_meta":{"origin":11950,"position":3},"title":"Researcher Blog by Michelle Atherton: Banff Artists in Residence in the Canadian Rockies","author":"Alison Honnor","date":"08\/11\/2017","format":false,"excerpt":"About the author Michelle Atherton\u00a0is Senior Lecturer in Sheffield Institute of Arts (SIA)\u00a0and a member of the\u00a0Art & Design Research Centre (ADRC) within C3RI. Michelle's research explores the resistance of space through the encounter with the image, often using\u00a0cultural phenomena as a starting point to discuss structures and systems. Michelle's\u2026","rel":"","context":"In &quot;Researcher blog&quot;","block_context":{"text":"Researcher blog","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/researcher-blog\/"},"img":{"alt_text":"Banff Centre for Arts & Creativity","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/11\/ATHERTON-2017-11-banff-blog-1-e1510072439621.jpg?fit=890%2C291&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/11\/ATHERTON-2017-11-banff-blog-1-e1510072439621.jpg?fit=890%2C291&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/11\/ATHERTON-2017-11-banff-blog-1-e1510072439621.jpg?fit=890%2C291&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/11\/ATHERTON-2017-11-banff-blog-1-e1510072439621.jpg?fit=890%2C291&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4394,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/michelle-atherton-arp-atlanta\/","url_meta":{"origin":11950,"position":4},"title":"Michelle Atherton&#8217;s &#8216;ARP: Absorbing red photons 2016&#8217; installed at Georgia State University, Atlanta","author":"Ian Braddick","date":"26\/02\/2018","format":false,"excerpt":"Michelle Atherton\u2019s video installation ARP: Absorbing red photons 2016 (2017) was installed with an accompanying paper presentation at Rendering (the) Visible III:\u00a0Liquidity\u00a0at Georgia State University, Atlanta, USA. The conference explored the concept of liquidity as an innovative critical approach to the image\u2019s relation to space, sensoriality, and digitality, as well\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Still from Michelle Atherton's 'Absorbing Red Photons'","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/02\/ATHERTON-2018-02-Atlanta-ARP.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/02\/ATHERTON-2018-02-Atlanta-ARP.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/02\/ATHERTON-2018-02-Atlanta-ARP.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/02\/ATHERTON-2018-02-Atlanta-ARP.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":5107,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/atherton-arp-liquidscapes\/","url_meta":{"origin":11950,"position":5},"title":"Michelle Atherton&#8217;s video installation &#8216;Absorbing Red Photons&#8217; installed at &#8216;Liquidscapes&#8217; international gathering at Dartington Hall","author":"Ian Braddick","date":"09\/07\/2018","format":false,"excerpt":"Liquidscapes Michelle Atherton\u2019s video installation ARP: Absorbing red Photons 2016 (2017) was installed at Liquidscapes: tales and telling of watery worlds and fluid states at Dartington Hall in Devon this June, at\u00a0a three-day international gathering bringing together creative thinkers, writers, academics and artists to explore physically and figuratively our watery\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Still from video installation 'Absorbing Red Photons' by Michelle Atherton, courtesy of the artist","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/07\/ATHERTON-2018-06-Absorbing-Red-Photons-at-Liquidscapes.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/07\/ATHERTON-2018-06-Absorbing-Red-Photons-at-Liquidscapes.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/07\/ATHERTON-2018-06-Absorbing-Red-Photons-at-Liquidscapes.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/07\/ATHERTON-2018-06-Absorbing-Red-Photons-at-Liquidscapes.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/11950","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/comments?post=11950"}],"version-history":[{"count":8,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/11950\/revisions"}],"predecessor-version":[{"id":12000,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/11950\/revisions\/12000"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media\/11953"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media?parent=11950"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/categories?post=11950"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/tags?post=11950"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}