{"id":11944,"date":"2023-05-09T15:26:22","date_gmt":"2023-05-09T14:26:22","guid":{"rendered":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=11944"},"modified":"2023-05-09T15:28:00","modified_gmt":"2023-05-09T14:28:00","slug":"an-unwell-world-michelle-atherton","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/an-unwell-world-michelle-atherton\/","title":{"rendered":"An Unwell World? Michelle Atherton speaks at Association of Social Anthropologists conference"},"content":{"rendered":"<p>Michelle Atherton was invited to contribute to the Association of Social Anthropologists conference at SOAS, London last month.\u00a0The 2023 ASA conference \u2018An Unwell World? Anthropology in a Speculative Mode\u2019 focused on the world we live in today.<\/p>\n<p>Her practice-based presentation explored how undertaking a natural burial for a close relative led to realisations about the difficulty Western secular societies have dealing with death and speculations on <em>our<\/em> affective relationships with transience, through time spent listening to frequencies from the soil.<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>The presentation explored how undertaking a natural burial for a close relative led to realisations about the difficulty Western secular societies have dealing with death, dead bodies and speculations on <em>our<\/em> affective relationships with transience, through time spent listening to frequencies from the soil.<\/p>\n<p>There are of course different types of deaths and the experience of someone dying is not monolithic. The presentation argued, with Akomolafe, that we need different approaches to dying and thinking about life that do not distance demise, dying, compost, grief and loss<a href=\"#_ftn1\" name=\"_ftnref1\">[1]<\/a>.<\/p>\n<p>Michelle speculated on how a different set of affective relationships might be triggered through listening to the ground, a space overlooked because it is over-trodden. For centuries, many cultures have interred their dead. Creating an audible connection with frequencies from the soil might open different material relations with the ground and its processes; with the dead, the living and the inert<\/p>\n<p>Part of her conjecture concerned the effective dynamics involved in listening to sounds that are not everyday noises. There are questions about how we perceive sound itself; its ephemeral nature, and \u2018state of either emergence or decay\u2019<a href=\"#_ftn2\" name=\"_ftnref2\">[2]<\/a>.\u00a0 Her aim is to explore how soil vibrations might initiate more lively ways of engaging with essential transience.<\/p>\n<h3>References<\/h3>\n<p><a href=\"#_ftnref1\" name=\"_ftn1\">[1]<\/a> Bayo Akomolafe <em>A Certain Kind of Dying<\/em> Keynote Borrowed Time Symposium 31.10.21<\/p>\n<p><a href=\"#_ftnref2\" name=\"_ftn2\">[2]<\/a> David Toop <em>Ocean of Sound: Ambient sound and listening in the age of communication<\/em> Serpents Tail: Classic edition 2018 p 12<\/p>\n<h2>About the Researcher<\/h2>\n<p>Michelle Atherton is an artist, researcher and Senior Lecturer in Fine Art working with images, temporal states and contingency.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Michelle Atherton was invited to contribute to the Association of Social Anthropologists conference at SOAS, London last month.\u00a0The 2023 ASA conference \u2018An Unwell World? Anthropology in a Speculative Mode\u2019 focused on the world we live in today. Her practice-based presentation explored how undertaking a natural burial for a close relative led to realisations about the difficulty Western secular societies have [&#8230;]<\/p>\n","protected":false},"author":3578,"featured_media":11945,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[139],"tags":[337,2058,264],"class_list":["post-11944","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-conference","tag-low-frequencies","tag-michelle-atherton"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/MA-Low-Frequencies-ASA-2023.png?fit=1776%2C1048&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-36E","jetpack-related-posts":[{"id":11950,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/ecstatic-rot-michelle-atherton-residency\/","url_meta":{"origin":11944,"position":0},"title":"Ecstatic Rot: Michelle Atherton begins residency at Bethnal Green Nature Reserve","author":"Kirsty Christer","date":"30\/04\/2023","format":false,"excerpt":"Michelle Atherton has begun her new practice-based research residency Ecstatic Rot at Bethnal Green Nature Reserve, East London, investigating our relationships with transience, decomposition and recomposition as more-than-human activities. She is interested in finding experimental ways to explore ephemera: the loss and flows of materialities, including cycles of transformation across\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Image: Ecstatic Rot: Probes with Soils Michelle Atherton 2022","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/Probes-with-Soil-MA-2022-crop.jpeg?fit=889%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/Probes-with-Soil-MA-2022-crop.jpeg?fit=889%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/Probes-with-Soil-MA-2022-crop.jpeg?fit=889%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/Probes-with-Soil-MA-2022-crop.jpeg?fit=889%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":11955,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/reveil-2023-michelle-artherton-broadcast\/","url_meta":{"origin":11944,"position":1},"title":"Reveil 2023: Michelle Artherton broadcasts from Eden Valley Burial Ground","author":"Kirsty Christer","date":"09\/05\/2023","format":false,"excerpt":"Michelle Atherton was invited to participate in Reveil 2023, a live 24hr global broadcast for World Dawn Chorus Day which took place 6-7 May. The broadcasts followed the sun\u2019s rise across the planet for the period of one day. Michelle contributed a broadcast from Eden Valley Burial Ground, Kent, as\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Michelle Atherton Reveil 2023 Broadcasters","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/2-Reveil-2023-Broadcasters-new-hero.jpg?fit=1200%2C351&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/2-Reveil-2023-Broadcasters-new-hero.jpg?fit=1200%2C351&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/2-Reveil-2023-Broadcasters-new-hero.jpg?fit=1200%2C351&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/2-Reveil-2023-Broadcasters-new-hero.jpg?fit=1200%2C351&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/05\/2-Reveil-2023-Broadcasters-new-hero.jpg?fit=1200%2C351&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":10590,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/atherton-borrowed-time-rowan-tree\/","url_meta":{"origin":11944,"position":2},"title":"&#8216;Live from the Rowan Tree and the International Space Station: A Celebratory Gathering&#8217; &#8211; Michelle Atherton in conversation at the Borrowed Time symposium","author":"Ian Braddick","date":"29\/10\/2021","format":false,"excerpt":"Michelle Atherton is in conversation about her participatory event: Live from the Rowan Tree and the International Space Station: A Celebratory Gathering at the Borrowed Time: on death, dying and change symposium on Monday 01 November. As a prequel Zoom event for the symposium, Live from the Rowan Tree... took\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Rowan Tree by Eeno11 \u2013 Own work, CC BY-SA 3.0, commons.wikimedia.org_w_index.php_curid= next to Borrowed TIme symposium info","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/10\/ATHERTON-Rowan-Tree-Borrowed-Time-Rowan-Tree-by-Eeno11-%E2%80%93-Own-work-CC-BY-SA-3.0-commons.wikimedia.org_w_index.php_curid.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/10\/ATHERTON-Rowan-Tree-Borrowed-Time-Rowan-Tree-by-Eeno11-%E2%80%93-Own-work-CC-BY-SA-3.0-commons.wikimedia.org_w_index.php_curid.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/10\/ATHERTON-Rowan-Tree-Borrowed-Time-Rowan-Tree-by-Eeno11-%E2%80%93-Own-work-CC-BY-SA-3.0-commons.wikimedia.org_w_index.php_curid.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/10\/ATHERTON-Rowan-Tree-Borrowed-Time-Rowan-Tree-by-Eeno11-%E2%80%93-Own-work-CC-BY-SA-3.0-commons.wikimedia.org_w_index.php_curid.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":12439,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/atherton-errant-vibrations-underground-research-2023\/","url_meta":{"origin":11944,"position":3},"title":"Michelle Atherton presents &#8216;Errant Vibrations with the Underground&#8217; research at Bath Spa University symposium","author":"Amy Lander","date":"11\/09\/2023","format":false,"excerpt":"Michelle Atherton was invited to present her research \u2018Errant Vibrations with the Underground\u2019 at Fiction Machine IV Symposium at Bath Spa University considering methods of fiction and personification within art practice to engage with, and give voice to, more than human lifeforms and materials. Michelle\u2019s exploratory paper was based on\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/09\/Michelle-Atherton-Image-from-Errant-Vibrations-with-the-Underground-2023-1-e1694422615875.png?fit=889%2C291&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/09\/Michelle-Atherton-Image-from-Errant-Vibrations-with-the-Underground-2023-1-e1694422615875.png?fit=889%2C291&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/09\/Michelle-Atherton-Image-from-Errant-Vibrations-with-the-Underground-2023-1-e1694422615875.png?fit=889%2C291&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/09\/Michelle-Atherton-Image-from-Errant-Vibrations-with-the-Underground-2023-1-e1694422615875.png?fit=889%2C291&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4394,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/michelle-atherton-arp-atlanta\/","url_meta":{"origin":11944,"position":4},"title":"Michelle Atherton&#8217;s &#8216;ARP: Absorbing red photons 2016&#8217; installed at Georgia State University, Atlanta","author":"Ian Braddick","date":"26\/02\/2018","format":false,"excerpt":"Michelle Atherton\u2019s video installation ARP: Absorbing red photons 2016 (2017) was installed with an accompanying paper presentation at Rendering (the) Visible III:\u00a0Liquidity\u00a0at Georgia State University, Atlanta, USA. The conference explored the concept of liquidity as an innovative critical approach to the image\u2019s relation to space, sensoriality, and digitality, as well\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Still from Michelle Atherton's 'Absorbing Red Photons'","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/02\/ATHERTON-2018-02-Atlanta-ARP.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/02\/ATHERTON-2018-02-Atlanta-ARP.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/02\/ATHERTON-2018-02-Atlanta-ARP.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/02\/ATHERTON-2018-02-Atlanta-ARP.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":5107,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/atherton-arp-liquidscapes\/","url_meta":{"origin":11944,"position":5},"title":"Michelle Atherton&#8217;s video installation &#8216;Absorbing Red Photons&#8217; installed at &#8216;Liquidscapes&#8217; international gathering at Dartington Hall","author":"Ian Braddick","date":"09\/07\/2018","format":false,"excerpt":"Liquidscapes Michelle Atherton\u2019s video installation ARP: Absorbing red Photons 2016 (2017) was installed at Liquidscapes: tales and telling of watery worlds and fluid states at Dartington Hall in Devon this June, at\u00a0a three-day international gathering bringing together creative thinkers, writers, academics and artists to explore physically and figuratively our watery\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Still from video installation 'Absorbing Red Photons' by Michelle Atherton, courtesy of the artist","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/07\/ATHERTON-2018-06-Absorbing-Red-Photons-at-Liquidscapes.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/07\/ATHERTON-2018-06-Absorbing-Red-Photons-at-Liquidscapes.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/07\/ATHERTON-2018-06-Absorbing-Red-Photons-at-Liquidscapes.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/07\/ATHERTON-2018-06-Absorbing-Red-Photons-at-Liquidscapes.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/11944","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/comments?post=11944"}],"version-history":[{"count":4,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/11944\/revisions"}],"predecessor-version":[{"id":11949,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/11944\/revisions\/11949"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media\/11945"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media?parent=11944"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/categories?post=11944"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/tags?post=11944"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}