{"id":10583,"date":"2021-10-28T17:44:52","date_gmt":"2021-10-28T16:44:52","guid":{"rendered":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=10583"},"modified":"2021-11-11T10:06:25","modified_gmt":"2021-11-11T10:06:25","slug":"appointments-with-fear-horror-films-on-british-television-lecture-by-dr-sheldon-hall-29-october-2021","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/appointments-with-fear-horror-films-on-british-television-lecture-by-dr-sheldon-hall-29-october-2021\/","title":{"rendered":"&#8216;Appointments with Fear: Horror Films on British Television&#8217; Lecture by Dr Sheldon Hall, 29 October 2021"},"content":{"rendered":"<div class=\"g-group l-lg-mar-bot-6 l-md-mar-bot-4 \">\n<div class=\"g-cell g-cell-10-12 g-cell-md-1-1\">\n<div class=\"has-user-generated-content\">\n<div data-automation=\"listing-event-description\">City of Westminster Libraries and Archives are hosting a lecture by <a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/sheldon-hall\">Dr Sheldon Hall<\/a> titled \u2018Appointments with Fear: The Programming of Horror Films on British Television\u2019, on 29<sup>th<\/sup> October 2021 at 18.30 &#8211; 19.30 BST. Tickets are free and available via <a href=\"https:\/\/www.eventbrite.co.uk\/e\/appointments-with-fear-horror-films-on-british-television-tickets-162209036595\">Eventbrite<\/a>.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div data-automation=\"listing-event-description\">\n<div class=\"structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\"><img loading=\"lazy\" decoding=\"async\" class=\"structured-content__image g-img aligncenter\" src=\"https:\/\/img.evbuc.com\/https%3A%2F%2Fcdn.evbuc.com%2Fimages%2F140651373%2F454477495876%2F1%2Foriginal.20210704-181530?h=2000&amp;w=720&amp;auto=format%2Ccompress&amp;q=75&amp;sharp=10&amp;s=d112ccb18ae1c8448242cec738e90889\" alt=\" Appointments with Fear: Horror films on British television image \" width=\"300\" height=\"225\" \/><\/div>\n<p><strong style=\"font-size: 0.95em\">About this event<\/strong><\/p>\n<\/div>\n<div class=\"g-group l-mar-bot-6 l-sm-mar-bot-4\">\n<div class=\"structured-content g-cell g-cell-10-12 g-cell-md-1-1\">\n<div class=\"has-user-generated-content\" data-automation=\"about-this-event-sc\">\n<div class=\"structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\">\n<p>Countless horror fans owe their love of the genre to their first exposure to\u00a0it on television. Throughout the 1970s, 1980s and 1990s, British broadcasters \u2013 which is to say, the BBC, ITV and Channel 4 \u2013 frequently programmed horror films in regular slots, dedicated seasons and occasional theme nights. Aimed at adult viewers but drawing in v<span style=\"font-size: 0.95em\">ast numbers of children well past their bed-time, they were given generic titles such as Ma<\/span><span style=\"font-size: 0.95em\">sters of Terror, Appointment with Fear and A Date with the Devil. This \u2018branding\u2019 of horror a<\/span><span style=\"font-size: 0.95em\">s a distinct televisual zone, d<\/span><span style=\"font-size: 0.95em\">e<\/span><span style=\"font-size: 0.95em\">fined in part by its late-n<\/span><span style=\"font-size: 0.95em\">ight scheduling, was unlike the treatment accorded to other film genres.<\/span><\/p>\n<\/div>\n<div class=\"structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\">\n<p>Horror films posed a challenge to schedulers because the very content that was the source of their appeal for some viewers also tended to draw complaints from others and therefore invited internal censorship. For this reason, the <span style=\"font-size: 0.95em\">networks were at first reluctant to acquire horror films or to identify them as such in published programme listings. Some fil<\/span><\/p>\n<\/div>\n<div class=\"structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\"><span style=\"font-size: 0.95em\">ms actually held by broadcasting companies were banned from transmission by the regulators. But in 1969 the purchase by ITV film buyer Leslie Halliwell of a package of twenty horror films from Universal\u2019s parent company MCA \u2013 including titles made by Britain\u2019s Hammer studio as well as Hollywood classics of the 1930s and 1940s \u2013 led to a sea change in the way the genre was treated on TV and opened the gates to the acquisition of many more such films. Modern broadcasters such as Talking Pictures TV and the Horror channel now model much of their output on the patterns established in this pioneering period, while fan websites and social-media pages pay tribute to their influence.<\/span><\/div>\n<div class=\"structured-content__module l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\"><\/div>\n<div class=\"structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\">\n<p>This paper discusses the early history of horror films on British television and examines some examples of scheduling choices made by broadcasters, focussing especially on the crucial year of 1969. It draws on extensive original research of primary documents held in broadcasting archives.<\/p>\n<\/div>\n<div class=\"structured-content__module l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\"><img loading=\"lazy\" decoding=\"async\" class=\"structured-content__image g-img aligncenter\" src=\"https:\/\/img.evbuc.com\/https%3A%2F%2Fcdn.evbuc.com%2Fimages%2F140650089%2F454477495876%2F1%2Foriginal.20210704-174103?h=2000&amp;w=720&amp;auto=format%2Ccompress&amp;q=75&amp;sharp=10&amp;s=cde26977be618e70d840211db91dba42\" alt=\" Appointments with Fear: Horror films on British television image \" width=\"470\" height=\"370\" \/><\/div>\n<div class=\"structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\">\n<p><a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/sheldon-hall\"><strong>Dr Sheldon Hall<\/strong><\/a>\u00a0is Reader in Film and Television in the Department of Humanities, Sheffield Hallam University. A former film journalist, he is the author of\u00a0<a href=\"https:\/\/www.amazon.co.uk\/gp\/product\/0956683460\/ref=dbs_a_def_rwt_bibl_vppi_i0\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Zulu \u2013 With Some Guts Behind It<\/a>\u00a0(2005; second edition, 2014), co-author of\u00a0<a href=\"https:\/\/www.amazon.co.uk\/gp\/product\/0814330088\/ref=dbs_a_def_rwt_hsch_vapi_taft_p1_i1\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Epics, Spectacles, and Blockbusters: A Hollywood History<\/a>\u00a0(2010), co-editor of Widescreen Worldwide (2010) and a contributor to numerous books and journals on various aspects of the cinema. He is currently writing a monograph, Armchair Cinema: Feature Films on British Television, and maintains a blog about films on TV,\u00a0<a href=\"http:\/\/sheldontimeshall.com\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Sheldon Times<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>City of Westminster Libraries and Archives are hosting a lecture by Dr Sheldon Hall titled \u2018Appointments with Fear: The Programming of Horror Films on British Television\u2019, on 29th October 2021 at 18.30 &#8211; 19.30 BST. Tickets are free and available via Eventbrite. About this event Countless horror fans owe their love of the genre to their first exposure to\u00a0it on [&#8230;]<\/p>\n","protected":false},"author":31871,"featured_media":10655,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[103,139],"tags":[6,107,106,329],"class_list":["post-10583","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-news","tag-communication-and-computing-research-centre","tag-sheldon-hall","tag-stage-screen-research","tag-zulu"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/10\/Sheldon-Hall.jpg?fit=890%2C290&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-2KH","jetpack-related-posts":[{"id":426,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/seminar-sheldon-hall\/","url_meta":{"origin":10583,"position":0},"title":"Wednesday 8 October 2014 &#8211; Lunchtime seminar with  Dr Sheldon Hall (Stage &amp; Screen, SHU)","author":"Alison Honnor","date":"01\/10\/2014","format":false,"excerpt":"Title: SEX, SPIES AND SHIRLEY TEMPLE: Feature Films on British Television in the 1970s Speaker: Dr Sheldon Hall (Stage & Screen, SHU) Dr Sheldon Hall is a Senior Lecturer in Stage & Screen Studies in the Faculty of Development and Society at Sheffield Hallam University. He is the author of\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2014\/09\/ATT01576.jpg?fit=399%2C298&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":13019,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/on-the-radar-dr-sheldon-hall-film-censorship-on-british-television-tuesday-7-may-2024\/","url_meta":{"origin":10583,"position":1},"title":"ON THE RADAR: Dr Sheldon Hall Film &#8216;censorship&#8217; on British Television \u2013 TUESDAY 7 MAY 2024","author":"lh1112","date":"10\/04\/2024","format":false,"excerpt":"ON THE RADAR research seminars promote the sharing of knowledge across the entire Sheffield Hallam University community \u2013 all are welcome, free to attend. Our next talk is by Dr Sheldon Hall. When: the talk will take place on Tuesday 7 May 1-2pm. The film screening will begin approx 2.15pm,\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"On the Rader banner image1500x500","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2024\/02\/Twitter_banner_1500x500.jpg?fit=1200%2C400&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2024\/02\/Twitter_banner_1500x500.jpg?fit=1200%2C400&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2024\/02\/Twitter_banner_1500x500.jpg?fit=1200%2C400&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2024\/02\/Twitter_banner_1500x500.jpg?fit=1200%2C400&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2024\/02\/Twitter_banner_1500x500.jpg?fit=1200%2C400&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":13137,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sheldon-halls-new-book-armchair-cinema-a-history-of-feature-films-on-british-television-will-be-published-by-edinburgh-university-press-on-30-june\/","url_meta":{"origin":10583,"position":2},"title":"Sheldon Hall\u2019s new book\u00a0&#8216;Armchair Cinema: A History of Feature Films on British Television&#8217; will be published by Edinburgh University Press on 30 June","author":"Phoebe Bolton","date":"21\/06\/2024","format":false,"excerpt":"Since broadcast television first emerged to challenge the cinema as a form of public entertainment, more people have seen films on TV than by any other means, including the cinema itself. Feature films created to be viewed on the big screen were initially withheld from TV by the film industry.\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2024\/06\/Picture6.png?fit=1135%2C423&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2024\/06\/Picture6.png?fit=1135%2C423&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2024\/06\/Picture6.png?fit=1135%2C423&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2024\/06\/Picture6.png?fit=1135%2C423&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2024\/06\/Picture6.png?fit=1135%2C423&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2316,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/zulu-with-some-guts-behind-it-50th-anniversary-edition-dr-sheldon-hall\/","url_meta":{"origin":10583,"position":3},"title":"Zulu: with some guts behind it (50th Anniversary Edition) &#8211; Dr Sheldon Hall","author":"Rachel Finch","date":"07\/11\/2014","format":false,"excerpt":"One of the best-loved and most enduringly popular British films ever made, Zulu tells the epic story of the Battle of Rorke\u2019s Drift of 1879, in which barely 150 soldiers of the British Army in South Africa fought for twelve hours to defend an isolated mission station against an attack\u2026","rel":"","context":"In &quot;Publications&quot;","block_context":{"text":"Publications","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/publications\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/07\/HALL-2014-Nov-Zulu.jpg?fit=300%2C282&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1587,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sheldon-hall-zulu-at-50\/","url_meta":{"origin":10583,"position":4},"title":"&#8216;Zulu, 50 Years On&#8217; &#8211; Dr Sheldon Hall celebrates the film Zulu with articles and interviews","author":"Ian Braddick","date":"30\/01\/2014","format":false,"excerpt":"Dr Sheldon Hall, Senior Lecturer in Film Studies and researcher at the Communication & Computing Research Centre (CCRC) celebrates the 50th anniversary of one of the biggest box office hits of all time, Zulu, with a number of articles appearing recently in national and international media: - a 4,500-word article\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2014\/01\/HALL-2014-Zulu-at-50-Articles.jpg?fit=300%2C400&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":12379,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/deller-hall-bbc-radio-sheffield\/","url_meta":{"origin":10583,"position":5},"title":"Dr Ruth Deller and Dr Sheldon Hall talk to BBC Radio Sheffield \u2013 August 2023","author":"Amy Lander","date":"21\/08\/2023","format":false,"excerpt":"Dr Ruth Deller, Reader in Media and Communication, and Dr Sheldon Hall, Reader in Film and Television, spoke to BBC Radio Sheffield to discuss what makes a good classic film and the resurgence of old classics amongst young people. As well as talking about this year's Clearing process.\u00a0Listen back from\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/10583","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/comments?post=10583"}],"version-history":[{"count":6,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/10583\/revisions"}],"predecessor-version":[{"id":10589,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/10583\/revisions\/10589"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media\/10655"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media?parent=10583"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/categories?post=10583"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/tags?post=10583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}