{"id":1044,"date":"2016-01-20T13:00:45","date_gmt":"2016-01-20T13:00:45","guid":{"rendered":"http:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=1044"},"modified":"2017-03-31T12:19:48","modified_gmt":"2017-03-31T11:19:48","slug":"research-seminar-sharon-kivland-2","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/research-seminar-sharon-kivland-2\/","title":{"rendered":"Wednesday 20 January 2016 &#8211; Lunchtime seminar with Dr Sharon Kivland (Fine Art, SHU)"},"content":{"rendered":"<p><strong>Title: \t The Natural Forms Part II: The Readers, The Foxes, The Tracts, Some Coquetteries.<br \/>\nSpeaker: <a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/sharon-kivland\" target=\"_blank\">Dr Sharon Kivland<\/a> (Reader in Fine Art SHU)<\/strong><\/p>\n<p><a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/sharon-kivland\" target=\"_blank\">Dr Sharon Kivland<\/a> will talk about <em>The Natural Forms Part II: The Readers, The Foxes, The Tracts, Some Coquetteries<\/em>, her current exhibition at the Kunstverein Tiergarten. Berlin.<\/p>\n<blockquote><p>There are women in n\u00e9glig\u00e9es and in bed-jackets (liseuses), copied faithfully from the pages of French lingerie magazines of the 1950s. These may not be \u2018femmes folles de leur corps\u2019 as the red ribbons around their necks and the red covers of their reading matter indicate something more is at stake than indolence and luxury. Foxes, naturalised (as the French say; that is, more natural than Nature, and become good citizens) carry silk negligees in their jaws and paws. Folded pages in the pink paper of the Financial Times show women dressed (undressed) in lovely leisure wear, as a corps morcel\u00e9s lacking a face; the extended captions opposite describe the detail of fabric and ornamentation, in too much lingering detail, one might say (there is something unseemly about it) and the title of each is drawn from Marx\u2019s Capital, the commodity as feminine, a woman to be exchanged and to accrue value in that exchange. A series of short films plays endlessly, in each of which a single page in a French lingerie magazine is tracked from neck to knee or foot, slipping over and down the garment, a neglig\u00e9e, accompanied by a voiceover reading a description of the lingerie trends of the season. Reading and politics are evoked and feminised, draped in silk or satin, befurred.<\/p><\/blockquote>\n<p><strong>1.00PM \u2013 2.00PM<br \/>\nWEDNESDAY 20 JANUARY 2016<br \/>\nCANTOR 9137<\/strong><\/p>\n<p>See <a href=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/seminars-201516\/\">here<\/a> for details of other seminars in the series.<\/p>\n<p>All SHU staff and students are welcome to attend the C3RI Lunchtime Research Seminars. If you are from outside of the University and would like to attend a seminar, please email <a href=\"mailto:C3RI@shu.ac.uk?subject=Attending%20a%20C3RI%20research%20seminar\" target=\"_blank\">C3RI Administrator<\/a> to arrange entry.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Title: The Natural Forms Part II: The Readers, The Foxes, The Tracts, Some Coquetteries. Speaker: Dr Sharon Kivland (Reader in Fine Art SHU) Dr Sharon Kivland will talk about The Natural Forms Part II: The Readers, The Foxes, The Tracts, Some Coquetteries, her current exhibition at the Kunstverein Tiergarten. Berlin. There are women in n\u00e9glig\u00e9es and in bed-jackets (liseuses), copied [&#8230;]<\/p>\n","protected":false},"author":8633,"featured_media":1021,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[103],"tags":[5,109,207,144],"class_list":["post-1044","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","tag-art-and-design-research-centre","tag-fine-art-research","tag-gender","tag-sharon-kivland"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/02\/2016-01-20-KIVLAND-Sharon-The-natural-forms-part-II.png?fit=400%2C298&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-gQ","jetpack-related-posts":[{"id":944,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/research-seminar-sharon-kivland\/","url_meta":{"origin":1044,"position":0},"title":"Wednesday 04 March 2015 &#8211; Lunchtime seminar with Dr Sharon Kivland (Fine Art, SHU)","author":"Ian Braddick","date":"04\/03\/2015","format":false,"excerpt":"Title: Folles de leur corps \/ Crazy about their bodies Speaker: Dr Sharon Kivland (Fine Art, SHU) In a footnote in Capital, chapter 2: The Process of Exchange, Karl Marx writes: \u2018In the twelfth century [...], very delicate things often appear among these commodities. Thus a French poet [Guillot de\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/02\/2015-03-04-KIVLAND-Sharon-Folles-de-leur-corps.png?fit=200%2C300&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2852,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-dieselkraftwerk\/","url_meta":{"origin":1044,"position":1},"title":"Dr Sharon Kivland&#8217;s works acquired by Dieselkraftwerk Museum in Germany","author":"Ian Braddick","date":"17\/08\/2016","format":false,"excerpt":"The Dieselkraftwerk museum in Cottbus, Germany has acquired three sets of works by Sharon Kivland from her body of work entitled The Natural Forms, a series of works developed in three parts for three venues addresses gender constructions and economics. Sharon Kivland had a solo exhibition at the museum in\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Sharon Kivland's 'The Natural Forms'","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2016\/08\/KIVLAND-2016-08-Natural-Forms-Dieselkraftwerk.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2016\/08\/KIVLAND-2016-08-Natural-Forms-Dieselkraftwerk.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2016\/08\/KIVLAND-2016-08-Natural-Forms-Dieselkraftwerk.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2016\/08\/KIVLAND-2016-08-Natural-Forms-Dieselkraftwerk.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1379,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-encore-un-effort\/","url_meta":{"origin":1044,"position":2},"title":"State Library of Victoria acquires copy of &#8216;Encore Un Effort&#8217; by Dr Sharon Kivland (Fine Art, SHU)","author":"Ian Braddick","date":"01\/04\/2017","format":false,"excerpt":"The State Library of Victoria in Australia has just acquired a copy of Sharon Kivland\u2019s artist\u2019s book Encore un Effort. Encore un effort was published in 2012 in an edition of 100 at the invitation of Noreen Grahame, for the exhibition Lessons in History Volume II \u2013 Democracy at Grahame\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Image and cover of Encore un Effort by Sharon Kivland (Fine Art, SHU)","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/03\/KIVLAND-Encore-un-Effort-library.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/03\/KIVLAND-Encore-un-Effort-library.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/03\/KIVLAND-Encore-un-Effort-library.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/03\/KIVLAND-Encore-un-Effort-library.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1975,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-le-modele\/","url_meta":{"origin":1044,"position":3},"title":"&#8216;Le Mod\u00e8le&#8217; &#8211; Dr Sharon Kivland&#8217;s solo exhibition opens 25 May 2017","author":"Ian Braddick","date":"22\/05\/2017","format":false,"excerpt":"From 25 May to 06 June 2017, in the Festival Rendez-vous \u00e0 Saint-Briac, the Frac Bretagne, Le Mod\u00e8le, a solo exhibition by Sharon Kivland will be presented. \"Sharon Kivland is an artist who collects, a gleaner in search of a feminine imagery that could be called popular. Using images (engravings\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/exhibition\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/05\/KIVLAND-2017-05-Le-Mod%C3%A8le.jpg?fit=300%2C378&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6725,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/kivland-point-contemporain\/","url_meta":{"origin":1044,"position":4},"title":"Dr Sharon Kivland interviewed in Point Contemporain","author":"Ian Braddick","date":"04\/04\/2019","format":false,"excerpt":"Point Contemporain\u00a0is a magazine dedicated to contemporary art. Created in April 2015 with a focus on works, artists' interviews and exhibition reviews,\u00a0Point Contemporain is interested in works, performances and installations of contemporary creation in France and Europe. Sharon Kivland was interviewed for the magazine on her relationship with reading, books\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Point Contemporain (logo)","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/04\/2019-04-KIVLAND-Interview-in-Point-Contemporain-logo.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/04\/2019-04-KIVLAND-Interview-in-Point-Contemporain-logo.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/04\/2019-04-KIVLAND-Interview-in-Point-Contemporain-logo.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/04\/2019-04-KIVLAND-Interview-in-Point-Contemporain-logo.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4189,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/sharon-kivland-rhinoceral-words\/","url_meta":{"origin":1044,"position":5},"title":"&#8216;Rhinoceral Words&#8217;: New exhibition in Geneva features work by Sharon Kivland &#8211; Opens 09 February 2018","author":"Ian Braddick","date":"07\/02\/2018","format":false,"excerpt":"Dr Sharon Kivland, Reader in Fine Art at Sheffield Hallam University, will feature in an exhibition taking place at Fonderie Kugler\u00a0in Geneva entitled Rhinoceral Words II - Exposition.\u00a0The exhibition opens on Friday 09 February 2018 and brings together five artists from different European regions to open a dialogue about the\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/exhibition\/"},"img":{"alt_text":"Banner image for exhibition at Fonderie Kugler - featuring work by Sharon Kivland. Image from Rhinoceral Words page of Fonderie Kugler's website","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/02\/KIVLAND-2018-02-Rhinoceral-Words.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/02\/KIVLAND-2018-02-Rhinoceral-Words.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/02\/KIVLAND-2018-02-Rhinoceral-Words.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/02\/KIVLAND-2018-02-Rhinoceral-Words.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/1044","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/comments?post=1044"}],"version-history":[{"count":1,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/1044\/revisions"}],"predecessor-version":[{"id":1045,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/1044\/revisions\/1045"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media\/1021"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media?parent=1044"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/categories?post=1044"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/tags?post=1044"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}