{"id":10032,"date":"2021-04-22T17:01:30","date_gmt":"2021-04-22T16:01:30","guid":{"rendered":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/?p=10032"},"modified":"2022-02-18T11:32:42","modified_gmt":"2022-02-18T11:32:42","slug":"tc-mccormack-paysages-sous-tensions","status":"publish","type":"post","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/tc-mccormack-paysages-sous-tensions\/","title":{"rendered":"&#8216;Paysages sous tensions&#8217; &#8211; TC McCormack &#8216;Most Objects Go Unseen&#8217; in group exhibition at Espace d&#8217;art La Brava in Th\u00f4nes"},"content":{"rendered":"<div id=\"attachment_10047\" style=\"width: 870px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-05.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10047\" data-attachment-id=\"10047\" data-permalink=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/tc-mccormack-paysages-sous-tensions\/la-plupart-des-objets-restent-invisibles-05\/\" data-orig-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-05.jpg?fit=1250%2C915&amp;ssl=1\" data-orig-size=\"1250,915\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"La Plupart des Objets Restent Invisibles 05\" data-image-description=\"&lt;p&gt;Still from La Plupart des Objets Restent Invisibles by TC McCormack&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Still from La Plupart des Objets Restent Invisibles by TC McCormack&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-05.jpg?fit=860%2C630&amp;ssl=1\" class=\"size-large wp-image-10047\" src=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-05-1024x750.jpg?resize=860%2C630&#038;ssl=1\" alt=\"Still from La Plupart des Objets Restent Invisibles by TC McCormack\" width=\"860\" height=\"630\" srcset=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-05.jpg?resize=1024%2C750&amp;ssl=1 1024w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-05.jpg?resize=400%2C293&amp;ssl=1 400w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-05.jpg?resize=768%2C562&amp;ssl=1 768w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-05.jpg?w=1250&amp;ssl=1 1250w\" sizes=\"auto, (max-width: 860px) 100vw, 860px\" \/><\/a><p id=\"caption-attachment-10047\" class=\"wp-caption-text\">Still from <em>La Plupart des Objets Restent Invisibles<\/em> by TC McCormack<\/p><\/div>\n<p><a href=\"https:\/\/www.cnap.fr\/paysages-sous-tensions\" target=\"_blank\" rel=\"noopener noreferrer\"><em><strong>Paysages Sous Tensions<\/strong><\/em><\/a><br \/>\n<strong><a href=\"https:\/\/www.facebook.com\/espacelabrava\/\" target=\"_blank\" rel=\"noopener noreferrer\">Espace d\u2019art La Brava<\/a>, Th\u00f4nes, France<\/strong><\/p>\n<p><strong>Saturday 03 April 2021 &#8211; Saturday 29 May 2021<\/strong><\/p>\n<blockquote><p>L\u2019exposition s\u2019empare des questions soulev\u00e9es par les relations qu\u2019entretiennent espaces naturels et activit\u00e9s humaines. Les artistes pr\u00e9sent\u00e9s envisagent le paysage comme sujet de r\u00e9flexion po\u00e9tique, esth\u00e9tique et politique : en posant un regard \u00e0 la fois fascin\u00e9, r\u00e9flexif, attentif et critique, ils explorent les nouveaux enjeux de la repr\u00e9sentation du paysage et notamment celui de la montagne. Ph\u00e9nom\u00e8nes physiques, \u00e9nergies m\u00e9caniques, les oeuvres exp\u00e9rimentent la mise en relation d\u2019\u00e9l\u00e9ments, de champs de connaissance, de situations, de trajectoires. Des forces dynamiques sont \u00e0 l\u2019oeuvre, elles inqui\u00e8tent, pr\u00e9occupent, r\u00e9sistent.<br \/>\nDes lignes et des fils dessinent un parcours dans l\u2019exposition et invitent le spectateur \u00e0 se<br \/>\nmettre en mouvement.<\/p><\/blockquote>\n<p>The new group exhibition\u00a0<em>Paysages sous tensions<\/em>, at Espace d&#8217;art La Brava brings together new commissions and existing works by a group of international artists, to address our complex, mediated and often contested relationship with the natural world.<\/p>\n<p>The show is curated by Pauline Boucharlat, at Espace d\u2019art La Brava, Th\u00f4nes, France.<\/p>\n<blockquote><p><strong>FEATURED ARTISTS:<\/strong><\/p>\n<p>FRANCIS AL\u0178S, ISMA\u00cfL BAHRI, THOMAS BENARD, DAMIEN GUGGENHEIM, <a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/col-mccormack\" target=\"_blank\" rel=\"noopener noreferrer\">TC MCCORMACK<\/a>, TAUS MAKHACHEVA, ANTOINE PEREZ, ROMAN SIGNER and RICHARD T. WALKER<\/p>\n<p><strong>CURATED BY: <\/strong><\/p>\n<p>PAULINE BOUCHARLAT<\/p><\/blockquote>\n<p>Featured in the exhibition is <a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/col-mccormack\" target=\"_blank\" rel=\"noopener noreferrer\">TC McCormack<\/a>&#8216;s film <em><strong>La Plupart des Objets Restent Invisibles<\/strong><\/em> <em>(Most Objects Go Unseen)<\/em>.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-03.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"10051\" data-permalink=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/tc-mccormack-paysages-sous-tensions\/la-plupart-des-objets-restent-invisibles-03\/\" data-orig-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-03.jpg?fit=1361%2C994&amp;ssl=1\" data-orig-size=\"1361,994\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"La Plupart des Objets Restent Invisibles 03\" data-image-description=\"&lt;p&gt;Still from La Plupart des Objets Restent Invisibles by TC McCormack&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Still from La Plupart des Objets Restent Invisibles by TC McCormack&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-03.jpg?fit=860%2C628&amp;ssl=1\" class=\"size-medium wp-image-10051 aligncenter\" src=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-03-400x292.jpg?resize=400%2C292&#038;ssl=1\" alt=\"Still from La Plupart des Objets Restent Invisibles by TC McCormack\" width=\"400\" height=\"292\" srcset=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-03.jpg?resize=400%2C292&amp;ssl=1 400w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-03.jpg?resize=768%2C561&amp;ssl=1 768w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-03.jpg?resize=1024%2C748&amp;ssl=1 1024w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-03.jpg?w=1361&amp;ssl=1 1361w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-06.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"10046\" data-permalink=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/tc-mccormack-paysages-sous-tensions\/la-plupart-des-objets-restent-invisibles-06\/\" data-orig-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-06.jpg?fit=1361%2C987&amp;ssl=1\" data-orig-size=\"1361,987\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"La Plupart des Objets Restent Invisibles 06\" data-image-description=\"&lt;p&gt;Still from La Plupart des Objets Restent Invisibles by TC McCormack&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Still from La Plupart des Objets Restent Invisibles by TC McCormack&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-06.jpg?fit=860%2C624&amp;ssl=1\" class=\"size-medium wp-image-10046 aligncenter\" src=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-06-400x290.jpg?resize=400%2C290&#038;ssl=1\" alt=\"Still from La Plupart des Objets Restent Invisibles by TC McCormack\" width=\"400\" height=\"290\" srcset=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-06.jpg?resize=400%2C290&amp;ssl=1 400w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-06.jpg?resize=768%2C557&amp;ssl=1 768w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-06.jpg?resize=1024%2C743&amp;ssl=1 1024w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-06.jpg?w=1361&amp;ssl=1 1361w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><\/p>\n<p><em>La Plupart des Objets Restent Invisibles <\/em>(2020, 22 minutes) exists somewhere between an ontographic study and an immersive travelogue. Featuring a mobilised species of objects &#8211; in order of appearance: <em>Boundary object<\/em>, <em>Privileged object<\/em>, <em>Discrete object<\/em>, <em>Quasi-object<\/em>, <em>Unknowable object<\/em>, <em>Exhausted object<\/em> and <em>Proto object<\/em>. The film follows their non-linear migratory patterns and atomised relationships, on a journey through diverse terrains and climates.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-01.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"10048\" data-permalink=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/tc-mccormack-paysages-sous-tensions\/la-plupart-des-objets-restent-invisibles-01\/\" data-orig-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-01.jpg?fit=1411%2C1031&amp;ssl=1\" data-orig-size=\"1411,1031\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"La Plupart des Objets Restent Invisibles 01\" data-image-description=\"&lt;p&gt;Still from La Plupart des Objets Restent Invisibles by TC McCormack&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Still from La Plupart des Objets Restent Invisibles by TC McCormack&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-01.jpg?fit=860%2C628&amp;ssl=1\" class=\"size-large wp-image-10048 aligncenter\" src=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-01-1024x748.jpg?resize=860%2C628&#038;ssl=1\" alt=\"Still from La Plupart des Objets Restent Invisibles by TC McCormack\" width=\"860\" height=\"628\" srcset=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-01.jpg?resize=1024%2C748&amp;ssl=1 1024w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-01.jpg?resize=400%2C292&amp;ssl=1 400w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-01.jpg?resize=768%2C561&amp;ssl=1 768w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-01.jpg?w=1411&amp;ssl=1 1411w\" sizes=\"auto, (max-width: 860px) 100vw, 860px\" \/><\/a><\/p>\n<p style=\"text-align: left\">This network of relations displays an illusion of proximity, while each of the subjects exhibits distinctive interpretations of a shared ritual. The film denies direct access to the objects, the viewer is left to speculate if they are human or non-human\u2026 a species of bird, a group of economic migrants or an affiliation of abstract intentions.<\/p>\n<p style=\"text-align: left\">At the centre of this film is a voice that narrates and reflects on the objects progress, speaking to the traces amidst their interweaving trails. The film features animated scenes, alongside sequences of still imagery, satellite photography, urban and rural film footage, and diagrams.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-04.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"10049\" data-permalink=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/tc-mccormack-paysages-sous-tensions\/la-plupart-des-objets-restent-invisibles-04\/\" data-orig-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-04.jpg?fit=1354%2C993&amp;ssl=1\" data-orig-size=\"1354,993\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"La Plupart des Objets Restent Invisibles 04\" data-image-description=\"&lt;p&gt;Still from La Plupart des Objets Restent Invisibles by TC McCormack&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Still from La Plupart des Objets Restent Invisibles by TC McCormack&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-04.jpg?fit=860%2C631&amp;ssl=1\" class=\"size-large wp-image-10049 aligncenter\" src=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-04-1024x751.jpg?resize=860%2C631&#038;ssl=1\" alt=\"Still from La Plupart des Objets Restent Invisibles by TC McCormack\" width=\"860\" height=\"631\" srcset=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-04.jpg?resize=1024%2C751&amp;ssl=1 1024w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-04.jpg?resize=400%2C293&amp;ssl=1 400w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-04.jpg?resize=768%2C563&amp;ssl=1 768w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/La-Plupart-des-Objets-Restent-Invisibles-04.jpg?w=1354&amp;ssl=1 1354w\" sizes=\"auto, (max-width: 860px) 100vw, 860px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/Paysages-sous-tensions-Th%C3%B4nes-Exhibition-2.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"10035\" data-permalink=\"https:\/\/blogs.shu.ac.uk\/c3riimpact\/tc-mccormack-paysages-sous-tensions\/paysages-sous-tensions-thones-exhibition-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/Paysages-sous-tensions-Th%C3%B4nes-Exhibition-2.jpg?fit=1421%2C1438&amp;ssl=1\" data-orig-size=\"1421,1438\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 7 Plus&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1583689528&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;3.99&quot;,&quot;iso&quot;:&quot;20&quot;,&quot;shutter_speed&quot;:&quot;0.02&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Exhibition poster for Paysages sous tensions &amp;#8211; Group exhibition featuring work by TC McCormack at Espace d&amp;#8217;art La Brava Th\u00f4nes\" data-image-description=\"&lt;p&gt;Exhibition poster for Paysages sous tensions &amp;#8211; Group exhibition featuring work by TC McCormack at Espace d&amp;#8217;art La Brava Th\u00f4nes&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Exhibition poster for Paysages sous tensions &amp;#8211; Group exhibition featuring work by TC McCormack at Espace d&amp;#8217;art La Brava Th\u00f4nes&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/Paysages-sous-tensions-Th%C3%B4nes-Exhibition-2.jpg?fit=860%2C870&amp;ssl=1\" class=\" wp-image-10035\" src=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/Paysages-sous-tensions-Th%C3%B4nes-Exhibition-2-1012x1024.jpg?resize=860%2C870&#038;ssl=1\" alt=\"Exhibition poster for Paysages sous tensions - Group exhibition featuring work by TC McCormack at Espace d'art La Brava Th\u00f4nes\" width=\"860\" height=\"870\" srcset=\"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/Paysages-sous-tensions-Th%C3%B4nes-Exhibition-2.jpg?resize=1012%2C1024&amp;ssl=1 1012w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/Paysages-sous-tensions-Th%C3%B4nes-Exhibition-2.jpg?resize=296%2C300&amp;ssl=1 296w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/Paysages-sous-tensions-Th%C3%B4nes-Exhibition-2.jpg?resize=768%2C777&amp;ssl=1 768w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/Paysages-sous-tensions-Th%C3%B4nes-Exhibition-2.jpg?resize=90%2C90&amp;ssl=1 90w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/Paysages-sous-tensions-Th%C3%B4nes-Exhibition-2.jpg?resize=75%2C75&amp;ssl=1 75w, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/Paysages-sous-tensions-Th%C3%B4nes-Exhibition-2.jpg?w=1421&amp;ssl=1 1421w\" sizes=\"auto, (max-width: 860px) 100vw, 860px\" \/><\/a><\/p>\n<p>For more information on the exhibition and the artworks please see the <span lang=\"EN-GB\" xml:lang=\"EN-GB\"><a href=\"https:\/\/www.cnap.fr\/paysages-sous-tensions\" target=\"_blank\" rel=\"noopener noreferrer\">Centre national des arts plastique website<\/a> and <a href=\"http:\/\/imagespassages.com\/paysages-sous-tensions\/\" target=\"_blank\" rel=\"noopener noreferrer\">imagespassages<\/a>.<\/span><\/p>\n<p>Stills above from <em>La Plupart des Objets Restent Invisibles<\/em> by TC McCormack.<\/p>\n<hr \/>\n<p><a href=\"https:\/\/www.shu.ac.uk\/about-us\/our-people\/staff-profiles\/col-mccormack\">TC McCormack<\/a> is a Senior Lecturer in Fine Art at Sheffield Hallam University and researcher at the Art, Design &amp; Media Research Centre. Follow on Instagram <a href=\"https:\/\/www.instagram.com\/tcmccormack\/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">@tcolmccormack<\/a>\u00a0and find out more about his work\u00a0<a href=\"http:\/\/www.tcmccormack.co.uk\/\">here<\/a>.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paysages Sous Tensions Espace d\u2019art La Brava, Th\u00f4nes, France Saturday 03 April 2021 &#8211; Saturday 29 May 2021 L\u2019exposition s\u2019empare des questions soulev\u00e9es par les relations qu\u2019entretiennent espaces naturels et activit\u00e9s humaines. Les artistes pr\u00e9sent\u00e9s envisagent le paysage comme sujet de r\u00e9flexion po\u00e9tique, esth\u00e9tique et politique : en posant un regard \u00e0 la fois fascin\u00e9, r\u00e9flexif, attentif et critique, ils [&#8230;]<\/p>\n","protected":false},"author":8633,"featured_media":10034,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"wds_primary_category":0,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[139],"tags":[399,109,461,1708,420,1707],"class_list":["post-10032","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-exhibition","tag-fine-art-research","tag-france","tag-most-objects-go-unseen","tag-tc-mccormack","tag-thones"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2021\/04\/Paysages-sous-tensions-Th%C3%B4nes-Exhibition-1.jpg?fit=1780%2C580&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8oFHo-2BO","jetpack-related-posts":[{"id":12524,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/mccormack-october-2023\/","url_meta":{"origin":10032,"position":0},"title":"Updates from TC McCormack \u2013 October 2023","author":"Amy Lander","date":"11\/10\/2023","format":false,"excerpt":"Most Objects Go Unseen (2023) TC McCormack's film: Most Objects Go Unseen (2023), is featured in the exhibition: ENCORE & EN-CORPS, at the Forum Exposition Bonlieu et Baladoir de Bonlieu Sc\u00e8ne Nationale, in Annecy, France. Open: 29th September to 22nd October 2023. Part of the ImagesPassages International Festival. Most Objects\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/10\/Most-Objects-Go-Unseen.film-still-3-TC-McCormack-1-e1697020761986.png?fit=1200%2C237&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/10\/Most-Objects-Go-Unseen.film-still-3-TC-McCormack-1-e1697020761986.png?fit=1200%2C237&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/10\/Most-Objects-Go-Unseen.film-still-3-TC-McCormack-1-e1697020761986.png?fit=1200%2C237&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/10\/Most-Objects-Go-Unseen.film-still-3-TC-McCormack-1-e1697020761986.png?fit=1200%2C237&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/10\/Most-Objects-Go-Unseen.film-still-3-TC-McCormack-1-e1697020761986.png?fit=1200%2C237&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":12141,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/the-felicitous-encounter-a-two-person-exhibition-featuring-artists-dorit-margreiter-fay-nicolson-curated-by-tc-mccormack-at-the-euca-annex-june-2nd-30th-2023\/","url_meta":{"origin":10032,"position":1},"title":"The Felicitous Encounter: A two person exhibition featuring artists Dorit Margreiter &amp; Fay Nicolson,\u00a0curated by TC McCormack at the EUCA Annex &#8211; June 2nd-30th 2023","author":"Phoebe Bolton","date":"14\/06\/2023","format":false,"excerpt":"The Felicitous Encounter is Euca Annex\u2019s inaugural show, Dorit Margreiter and Fay Nicholson bring together new, recent and unseen works, that explore the tensions between architecture and image, orientation and choreography, time and movement. Asking what makes the \u2018Commons visible between individuals\u2019, the philosophers Hardt and Negri coined the term\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/exhibition\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/06\/TC-McCormack-EUCA-Annex-01.jpg?fit=1200%2C801&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/06\/TC-McCormack-EUCA-Annex-01.jpg?fit=1200%2C801&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/06\/TC-McCormack-EUCA-Annex-01.jpg?fit=1200%2C801&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/06\/TC-McCormack-EUCA-Annex-01.jpg?fit=1200%2C801&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2023\/06\/TC-McCormack-EUCA-Annex-01.jpg?fit=1200%2C801&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":3739,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/tc-mccormack-immense-ventriloquism-berlin\/","url_meta":{"origin":10032,"position":2},"title":"&#8216;The Immense Ventriloquism&#8217; &#8211; TC McCormack&#8217;s exhibition opens in Berlin &#8211; Friday 01 December","author":"Ian Braddick","date":"30\/11\/2017","format":false,"excerpt":"TC McCormack, Senior Lecturer of Fine Art at Sheffield Hallam University, will be opening an exhibition titled The Immense Ventriloquism this Friday in Berlin. Taking place at nationalmuseum, the exhibition considers how our man-made structures exist both in and out of time, and how the course of history continually reappraises\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/news\/"},"img":{"alt_text":"Image courtesy of TC McCormack","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/11\/MCCORMACK-2017-12-Berlin-exhibition-2.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/11\/MCCORMACK-2017-12-Berlin-exhibition-2.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/11\/MCCORMACK-2017-12-Berlin-exhibition-2.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2017\/11\/MCCORMACK-2017-12-Berlin-exhibition-2.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":5314,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/as-much-about-forgetting-viborg\/","url_meta":{"origin":10032,"position":3},"title":"Michelle Atherton and TC McCormack co-curate the group exhibition &#8216;AS MUCH ABOUT FORGETTING&#8217; with Jette Gejl (Danish artist, curator and academic) at Viborg Kunsthal, Denmark","author":"Ian Braddick","date":"04\/09\/2018","format":false,"excerpt":"This Friday sees the public opening of a new exhibition featuring Sheffield Hallam University Senior Lecturers in Fine Art Michelle Atherton and TC McCormack\u00a0at\u00a0Viborg Kunsthal, Denmark. The exhibition AS MUCH ABOUT FORGETTING has the tensions of history and memory at its core. The participating artists use installations, sculptures, videos, large-scale\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/exhibition\/"},"img":{"alt_text":"Banner image for 'AS MUCH ABOUT FORGETTING' - an exhibition at Viborg Kunsthal, also featuring logo of Viborg Kunsthal","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/09\/ATHERTON-MCCORMACK-2018-09-Viborg-As-Much-About-Forgetting.jpg?fit=890%2C291&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/09\/ATHERTON-MCCORMACK-2018-09-Viborg-As-Much-About-Forgetting.jpg?fit=890%2C291&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/09\/ATHERTON-MCCORMACK-2018-09-Viborg-As-Much-About-Forgetting.jpg?fit=890%2C291&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/09\/ATHERTON-MCCORMACK-2018-09-Viborg-As-Much-About-Forgetting.jpg?fit=890%2C291&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":5978,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/transmission-mccormack-ourtilane\/","url_meta":{"origin":10032,"position":4},"title":"Transmission: TC McCormack and Marie-Jos\u00e9 Ourtilane &#8211; Tuesday 29 January 2019","author":"Ian Braddick","date":"21\/01\/2019","format":false,"excerpt":"TC McCormack and Marie-Jos\u00e9 Ourtilane are developing a project that explores a principle that might be called the complex space (espace complexe), the title of a series of exhibitions through which curators and artists experiment with their relationships. ESPACE COMPLEXE implicitly refers to dialogue, to an idea developed by Edgar\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/events\/"},"img":{"alt_text":"Transmission logo and Play it as it lays Installation featuring a collection of objects and materials, video projection and audio As Much About Forgetting, a group exhibition, Viborg Kunsthal, Denmark 2018 by TC McCormack","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/01\/2019-01-TRANSMISSION-McCormack-and-Ourtilane-II.jpg?fit=890%2C290&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/01\/2019-01-TRANSMISSION-McCormack-and-Ourtilane-II.jpg?fit=890%2C290&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/01\/2019-01-TRANSMISSION-McCormack-and-Ourtilane-II.jpg?fit=890%2C290&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2019\/01\/2019-01-TRANSMISSION-McCormack-and-Ourtilane-II.jpg?fit=890%2C290&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4042,"url":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/tc-mcormack-blog-immense-ventriloquism\/","url_meta":{"origin":10032,"position":5},"title":"Researcher Blog by TC McCormack: The Immense Ventriloquism","author":"Alison Honnor","date":"22\/01\/2018","format":false,"excerpt":"About the author TC McCormack is Senior Lecturer in Fine Art at Sheffield Institute of Arts (SIA) and in C3RI's Art & Design Research Centre (ADRC). TC's practice-led research takes a multi-disciplinary approach using\u00a0video, photography, collage, text and curatorial practice. His\u00a0research incorporates subjects as diverse as the contradictions of modernist\u2026","rel":"","context":"In &quot;Researcher blog&quot;","block_context":{"text":"Researcher blog","link":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/category\/researcher-blog\/"},"img":{"alt_text":"The Immense Ventriloquism, Platform side view (detail), nationalmuseum, Berlin. TC McCormack (2017).","src":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/01\/1.-Platform-side-view-detail-e1516638899988.jpg?fit=999%2C291&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/01\/1.-Platform-side-view-detail-e1516638899988.jpg?fit=999%2C291&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/01\/1.-Platform-side-view-detail-e1516638899988.jpg?fit=999%2C291&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blogs.shu.ac.uk\/c3riimpact\/files\/2018\/01\/1.-Platform-side-view-detail-e1516638899988.jpg?fit=999%2C291&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/10032","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/comments?post=10032"}],"version-history":[{"count":26,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/10032\/revisions"}],"predecessor-version":[{"id":10072,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/posts\/10032\/revisions\/10072"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media\/10034"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/media?parent=10032"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/categories?post=10032"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.ac.uk\/c3riimpact\/wp-json\/wp\/v2\/tags?post=10032"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}